THE REAL FRANK ZAPPA BOOK by Frank Zappa and Peter Occhioigrosso
NO COMMERCIAL POTENTIAL: THE SAGA OF FRANK ZAPPA by David Walley
COSMIK DEBRIS: THE COLLECTIVE HISTORY AND IMPROVISATIONS OF FRANK ZAPPA by Greg Russo
BEING FRANK: MY TIME WITH FRANK ZAPPA by Nigery Lennon
With the exception of BEING FRANK, all were well written, interesting, thought provoking and worthwhile reading material.
Each of these books (again with the exception of BEING FRANK) creates a picture of Frank Zappa. Each shows a different dimension of the same person. COSMIK DEBRIS is unlike the two because it provides greater technical details. For example, Russo provides the greatest degree of information regarding the business and artistic aspects of Zappa's life and musical history. He shows how classical artists had an impact on Zappa's musical proclivities, but explains historical linkages based on the artistical/musical techniques. For years, I've been attempting to explain Zappa to a friend in Maine who is a classical pianist. I don't think she understood me until I gave her some passages to read from COSMIK DEBRIS.
COSMIK DEBRIS provides an important dimension into the understanding of this artist that none of the other books do. It is more technical than the others are. However, and most importantly, it is a critical addition to everyone's Frank Zappa library.
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Expanded From The Original Classic
Since his untimely death from prostate cancer in 1993, the legend of iconoclastic musician Frank Zappa has continued to grow. The decade following his passing has seen the publication of a number of books, both sacred and profane, which examine his life and work, but the best, and only, up-close-and-personal account of the man and his music remains the original: Nigey Lennon's Being Frank: My Time with Frank Zappa. Musician/author Lennon maintained a personal and professional relationship with Zappa during the period which is generally agreed to have been the composer's most creative, and she invests her recollections with considerable musical and emotional insight.
"....Being Frank can be viewed as a cautionary tale, a cinema verite' rock-and-roll moral fable, an historically accurate emotional portrait of one of America's most enigmatic modern musicians during an important transitional period in his life when he was free of the emotional/financial baggage of the original Mothers of Invention and could do as he creatively wished...what makes Zappa such a quirky individual and his music so irresistible...is precisely what Nigey has patiently and passionately documented...between the two of our books is a valuable portrait of one of the more intriguing and enigmatic cultural figures of the Twentieth Century, god help us all.
--From the Introduction by David Walley, author of No Commercial Potential: The Saga of Frank Zappa and the Mothers of Invention
This edition is a reaffirmation of Being Frank's validity as a "must read" book and hell, even a "must re-read" book! Just like Frank's music, the deeper you get into this book, the more you will get out of it.
--From the Foreword by Greg Russo, author of Cosmik Debris: The Collected History and Improvisations of Frank Zappa
"irreplaceable...is the word to describe Being Frank...[Lennon's] memoir is both spiky and musically literate...Lennon's previous books were on Mark Twain and Alfred Jarry, which indicates the kind of cultural perspective required to get a grip on Zappa: something brighter than rock-journo pedantry."
-- Ben Watson, author of Frank Zappa: The Negative Dialectics of Poodle Play
It is most of all a portrait, warts and all, of a human being trying to deal with a human universe, something which Zappa held at a great distance from himself, and despite his protestations to the contrary had difficulty in dealing with. It will and has ticked off many members of Zappa Anonymous who've been fed a steady diet of well... publicity which Zappa in his lifetime encouraged and ironically and inevitably became its victim after his death. I highly recommend this book for those who are interested in historical and sometimes hysterical accuracy. She was there at a crucial time in Zappa's life as a confidant, a lover, and a working member of his band when he was recuperating from a grievious accident which nearly cost him his life. This book is part sociology, part auto-biography and describes her coming of age and the influence that one of America's great enigmatic figures had on her life. She writes well with a great sense of ironic detachment, which is as idiosyncratic as the person whose life for a time she shared.
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Suzannah Harris has a nice writing style and is quite a romantic. However, I was really disappointed. I was much more interested in capturing the unique picture of the Frank Zappa, etc. UNDER THE SAME MOON is a personal biography with little emphasis on the community of artistic souls.
Thus if you are seeking greater insight to the community, you need not read this book. If you want to read the thoughts and feelings of a person moving from girl to woman, this is the book for you.
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