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Junior makes a most unusual friend--a homeless woman whose use for vultures I won't even mention. The way we come to appreciate her and see that everybody IS somebody is done subtly and gracefully.
It's a great read-aloud. Byars is a master and this series is her masterpiece.
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Lots of what she experienced and spoke out against we see today. We could really use her moral voice of authority. She is missed.
Jordan is widely remembered by her public persona, the booming orator from Texas - the intellectual constitutional scholar who presided over Nixon's impeachment. But element that makes this biography compelling is Rodgers' depiction of the wheeling and dealing that allowed Jordan to cross barriers and operate effectively in the good-old-boy white male backrooms of the Texas Senate. We get to see Jordan the idealist armed with the constitution in our nation's capital, but we also get to see Jordan the pragmatist cutting deals over a scotch in Austin Texas.
An effective biography of an amazing American figure.
The time of waiting for answers is over Brothers and Sisters..
Yes..Follow the Prophets with all your Heart..and Read Brother Young's series of Great Books and Pray about them..I did!!
(...)
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Also, the discussion questions at the end of each chapter are very nice, but the answers are not provided anywhere. So how are you supposed to know if you answered them correctly? And another thing I really hate about this book, it will say "and why do you think this happens?" and then not tell you why. About 90% of the time my answer is "I have no clue why that happened." :/ This book makes me hate physics.
Don't buy this, please, I regret it everytime I see it sitting uselessly next to the open copy of the Sears book I loaned from the library.
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The result is one heck of an awesome story. Seven time-lost members of the Marvel super team, the Avengers, are called upon to save history as they know it. Their old adversaries, Kang and Immortus (the same guy from two different periods in his life--told you it was dense!) are seeking to manipulate history to their ends, Immortus by killing Rick Jones, a normal human who has long been associated with the Avengers and who poses a threat to Immortus' plans.
The Avengers chosen for the mission are an eclectic group. Two from the present of the team (Giant Man and Wasp), three from the past (Yellowjacket, a weary Captain America taken from a pivotal point in his career, and Hawkeye) and two from the future (Captain Marvel and Songbird).
The heroes embark on a long journey through time to several crucial moments in Marvel and Avengers history. To the Old West, where they meet several of Marvel's long-forgotten western heroes. To a post-apocalyptic future where they meet a band of freedom fighters (led by an old, wise Black Panther and the brash Killraven, hero of an obscure 70's sci-fi comic series) battling an alien invasion. To the 50's in the McCarthy era. To the distant future. Ultimately the Avengers must do battle with a group of enigmatic beings who have made a judgment that flies directly in the face of the Avengers' very reason for existing.
It's a great story that I think any fan of comics would enjoy tremendously. I know a lot about Marvel history, but I'm no completist. Even though I'm not a walking Marvel Encyclopaedia, I still enjoyed this story tremendously. It's one of the best comic series of the past several years and not to be missed. If you enjoy epic tales and quests with the exploits of heroes and diabolical villains, AVENGERS FOREVER is the book for you.
The story takes place in the past, present, and the future as Immortus, lord of time, is assigned by the Time Keepers to kill Rick Jones, the sidekick of the Hulk, Captain America, the first Captain Marvel, and Rom the Space Knight; the same Rick Jones who inadvertently led to the formation of the Avengers. Rick possesses the Destiny Force, a latent psychic power that will evolve in humans over the centuries. Welcome to the Destiny War!
To stop Immortus, Rick recruits a ragtag team of Avengers from different eras. From the present, Giant Man and the Wasp, who becomes the de facto leader of this team. From the future, Songbird--a reformed Avengers villain whom they do not trust--and the third Captain Marvel--the son of the first one--who is withholding pertinent information from his allies during this struggle. And, mining his rich knowledge of Avengers history, Busiek uses Captain America, who is demoralized and disillusioned with his country; Hawkeye, who returned to his bow-slinging ways after a brief stint as the second Goliath; and Yellow Jacket, a.k.a. a mentally unstable Hank Pym, who will become the Giant Man of the present. If there isn't enough dissention in the ranks, the Avengers must team up with two of their deadliest adversaries: the Supreme Intelligence and Kang the Conqueror, who is destined to become Immortus one day, a fate he hopes to prevent.
In the final battle, every single Avenger from every different timeline battles Immortus and his legion of evil Avengers. Some characters were created exclusively for this series, but the majority of them have been seen before, some briefly, some you never thought you'd ever see again like the 1950s Avengers and the Egyptian Avengers (read the book). There are so many references throughout Avengers history that there is a page of footnotes at the end of every other chapter. This one has it all! Even Lex Luthor (like I said, read the book).
A stickler for continuity, Busiek clears up the origins of both the Vision and the original Human Torch, something that really needed to be addressed. He also manages to work out a few bugs from "The Crossing," the Avengers storyline of five years ago where Iron Man became evil, not to mention threw continuity to the wind. He does all of this with respect; no story is desecrated (i.e., such as the wretched Spider-clone storyline, which is still hurting Spider-man to this day) but improved and clarified (i.e., the aforementioned Vision/ Torch storyline and the classic Kree-Skrull War, which in many ways, inspired this tale). Since Marvel seems to have no continuity these days, it would behoove them to make Busiek their continuity editor.
Pacheco's art is phenomenal; he really gets a chance to strut his stuff, placing long-lost characters here and there, as well as making a few in-jokes, too (i.e., pay attention to a future version of Rick Jones' poncho and belt). He really gives definitive Avengers artist George Perez a run for his money by drawing a lot of characters in the story without making it feel cluttered.
And, of course, co-writer Roger Stern wrote some of the greatest Avengers tales during his long stint on the book from the 1980s. He kept Busiek on course during the creation of this masterpiece and embellished the flow of the story.
There are so many subtleties and references to Avengers and Marvel history that this review cannot begin to do it justice. All in all, a great Avengers story, THE Avengers story, something every Avengers fan must get their hands on. If you read just one Avengers story ever, this must be it!
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Of the numerous young women gathered before him, he chooses Joanna, sisters Rachel and Rebecca, Hannah, an unbeliever, Dinah, a cripple, Martha, a mute, and Leah, an unwed mother. As part of the bargain, Leah brings her infant into the home under the guise of a foundling.
The young women soon fall into their natural order, performing household tasks, laundering, planting a vegetable garden, their days filled with neverending chores. Occasionally, Mr. Wroe takes some of the girls along when he preaches to the townspeople, who are mostly illiterate mill workers. Mr. Wroe also requires that one of the virgins read from the Bible to him each evening.
The story is related through the eyes of four of the girls: Joanna, Hannah, Leah and Martha. Joanna is pious, constantly praying for guidance, while Hannah is skeptical but helpful, and Leah opportunistic, with a child to care for. Martha, the mute, eventually finds a means of expression through Joanna's patient teaching; she relives her past while preparing for the future. The story takes an interesting turn when one of the girls makes shocking allegations. Consequently, the household of virgins is disbanded, each left to find her own way.
As a religious period piece, the story creates a particular atmosphere of candle light, rustling petticoats and starched linens, as well as the crackling pages of a well worn Bible.
Told from the point of view of four women -- four of the 'virgins' taken into the home of Prophet John Wroe, 'for comfort and succor' -- but never from that of Wroe himself, Rogers' novel goes beyond simply telling a story. The voices of these four women are individual and distinct. The sections of the story they each relate overlap in time a bit, and their various points of view illuminate descrepancies in the way they view the events depicted here.
Leah is a beautiful, haughty, self-centered young woman -- she is sure in her own mind that she is the most beautiful and desirable of the seven chosen, and she is determined to play this to her own advantage. She sees her 'sisters' as competition, and she views their motives -- innocent though most of them may be -- with great suspicion, seeing and imagining things not quite as they actually are at times.
Hannah is an unbeliever, thrown in with this group of Christian Israelites, feeling much like a fish out of water. Rather than accepting Mr. Wroe's dire predictions of the imminent end of the world -- Judgement Day -- she instead sees the answer to humanity's woes through education, through working together for the common good. These beliefs lead her to working with the poor of the town, teaching them to read, attempting to raise their social and political consciousness, and getting involved in the birth of the trade union movement in England.
Joanna -- Saint Joanna, as she is called by most of the other women -- is completely devoted, in heart, body and soul, to God and to Mr. Wroe's movement. She views every single event in her life through scriptural interpretaion, bending to God's will every chance she gets. From the opposite end of the scale, her view is thus just as skewed as that of Leah.
Martha -- the fourth narrator -- comes to the house as a mute, obviously horribly beaten and abused by her father at home, who has seen Mr. Wroe's call for seven virgins to serve him as an easy way to rid himself of a daughter he doesn't want, a burden. Martha's narrative is, for me, the most striking in the novel. At first, it comes in fragments, little bursts of words, the most rudimentary images and feelings. As the novel progresses, Martha's thoughts and expression become more organized -- she is being taught speech and hymns by 'Saint Joanna', who evidently possesses the patience of Job -- and the horrors of her earlier life, which she sees as so completely separate that she thinks of it as happening to the 'other Martha', become clearer and clearer. The abuse and suffering she has endured is unbelievable and heartbreaking -- and it explains her temperament, which could at times be seen as epileptic or schizophrenic. This is an incredibly damaged young woman.
As the Prophet of his church, Mr. Wroe weilds immense power and influence. He hears instructions and illuminations directly from God, almost on a nightly basis -- even with a council of Elders to aid in governing the affairs of the church, Wroe's word is practically law. Living in a house with seven young women, it is inevitable that suspicions and accusations begin to mount -- the novel is set, after all, in 1830s England, a much more puritanical society that we enjoy today. Wroe himself is tempted by the presence of the women as well -- and this temptations, combined with his human frailty, lead to much trouble for him and his church.
Rogers skills in both narrating this tale -- and, again, the use of the four narrators is done to stunning effect -- share the spotlight here with her ability to convey the contradictions inherit in organized religion in general. When one person -- or even a group of persons -- holds such power and influence over their 'followers', there is bound to be trouble. The weight of the organization's purpose is too much for a leader to bear. When the people rely on a human leader to tell them how to follow the will of God -- rather than listening to their own hearts and finding their own path -- that leader's humanity will almost inevitably lead to disaster.
The novel is very 'heady' -- but at the same time very readable, being compelling and entertaining. It's a wonderful achievement. Knowing that Rogers wrote the script for the BBC's adaptation of the novel, I'd be very interested to see that as well.