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This book is a compilation of links arranged topically. Kids and their families will be able to visit famous places such as the White House and other government buildings, they will be able to read up on our Presidents, they will learn some US history, visit libraries and museums, obtain college entrance information. listen to music, play games, and do other things.
This Internet directory makes the perfect gift for kids and their families. It's compact, very easy to read, and will provide many hours of fun for the entire family. It will make an excellent gift and promotional give-away at parties, tradeshow exhibits, and other special functions. The book can also be customized for any company and organizational promotion!
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This view of the future is a somewhat depressing, but very well written. Ken Catran has published loads of science fiction books for teenagers, including Deepwater Black which was made into a television series. I really enjoy the way that Catran writes - his characters are both believable and unbelievable at the same time (a very disconcerting mix). This book is one of my favourites, though I can't exactly say why.
If you can find other books by Ken Catran they are well worht reading. His fiction in other areas are also relatively well wirtten. I think the part that I like best about books like "The Onager" is that they are written from a teenagers perspective and are often teenagers working to overthrow the constraints laid upon them by "well meaning" adults.
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Shelley, any more than movie goers would recognize the real Tarzan in ERB's debut book. For this 1818 novel introduces us to a surprisingly articulate monster--who is never named by his idealistic young creator. Its antique literary style offers a tale presented by three different first-person narrators. Letters (tales within a tale) are the inevitable legacy of suicide or premature death before the story is really over.
In contrast, the basic theme appears remarkably modern, especially in the light of 21st century scientific debate over the inherent dangers of too much knowledge (as in Dr. Jekyll and Mr. Hyde)or genetic tampering (The Island of Dr. Moreau). Man is simply not morally csapable to assume the role of creator. Lofty-minded but overwrought Victor Frankenstein conceives the blasphemous idea of creating a living being of gigantic stature. Despite his noble goal of benefitting mankind, the experiment goes grotesquely awry. The youthful natural scientist endures a few years of tortured, morbid existence, which swell to a crescendo of horror as a result of his cerebral "Hybris."
Frankenstein's obsession gradually dominates his life--spilling blood onto those around him, as the people dearest to him are viciously and deliberately murdered. Is there no way to stop the rampage of terror which he has inadvertantly unleashed upon a helpless, unsuspecting world? Linked inexorably by the bonds of unholy creation, both Victor and his monster live only for Revenge. But can either truly be said to be alive, if the other should perish? Are they not mutually dependent on each other to sustain the fires of the hunt? Despite uneven pacing, this thriller/chilller has captured the imagination of kids of all ages for almost two centuries. Bear in mind that Hollywood has transformed the original monster, spawning the idea that Frankenstein Is the monster!
Through the creature's own words, we hear of his confused awakening and search for understanding. From the start he recognizes that his appearance is so horrifying as to repulse anyone who sees him. Fittingly, once he has taught himself how to speak and read, his first attempt at communication is with a blind man. When he realizes the futility of his search for a friend, he focuses his efforts on another objective - revenge upon the one who brought him into this cruel world. The creature sets out to make Frankenstein's life the same sort of hell as his own.
The scientist Frankenstein goes to great lengths to complete his experiment, realizing too late that there are consequences for interfering with the laws of nature. He brings to life a most unnatural beast, and flees in horror from the being he has created. Feeling no responsibility to comfort the creature in any way, he instead wishes to completely abandon it and forget that it even exits, leaving it to struggle single-handedly in a world where it does not belong. Is it any wonder that his creation becomes slightly incensed at his abandonment and seeks to create for Frankenstein a life equal to his own in misery and isolation?
Who deserves the label of "monster"? First-time readers of Shelley's novel may have a hard time accepting that the creature is not a purely evil or demonic being; contrary to popular belief, he does not just wake up and start strangling people. The creature in the novel has qualities we more easily identify with, such as the desire to be loved and accepted. On the other hand, Dr. Frankenstein's actions are questionable at times. Is the creature justified in his revenge? Or does Frankenstein get the bad end of the deal, his originally well-intentioned experiment gone sour? Either way, reading Mary W. Shelley's novel presents to us the viewpoint of a very different "monster" than we expect.
For starters, the characters are far more subtle than any of the film versions: Victor F appears as a brooding and obsessed genius, but also as a great lover of life and nature. The monster, who is an articulate and literate creature who read Goethe, is even more interesting, from his hopeful beginning to his bitter reaction at rejection and his thirst for vengence. His eloquence was vivid and his pain horribly realistic.
But the work is also fascinating as a window into the mind of the Romantics, who at once strove to reject the rationalism of the Enlightenment yet reflected it. The creature starts off empty and what it becomes is due entirely to his experience. Knowledge is not always good, etc.
Finally, the themes are timeless and full of conflict: creativity giving birth to unimaginable destruction, tampering with nature as its necessities overwhelm even genius, and the like. THe book is a kaleidescope of philosophical reflection. The pain of the creator and the monster alike are inescapably linked like father and son.
I did find the style of the book a bit difficult. It is full of florid rhetoric and lengthy circumlocutions, as the doctor and then the monster tell their stories in almost identical prose.
Highly recommended.
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However, in the grand scheme of the series, nothing of real importance happens in book 2. Naru and Keitaro take the Tokyu U exam, and Keitaro begins to believe Naru might be his promised girl, but all of this is pretty much negated at the beginning of book 3 (hey, the series lasts another 12 volumes! these things take time). What book 2 does end up being is a collection of "day in the life of" stories. If the job of book 1 was to introduce the characters, book 2 further fleshes them out and shows us a typical day, so that Ken Akamatsu can shake up the formula later (trip to Kyoto, introduction of Seta, etc). It also allows him to rehash jokes later on, after Keitaro has gotten more familiar with the Love Hina gang (the Guri-Choco). All of this is fine, but it's not very memorable - I'd have trouble telling friends what book 2 was mainly about if they asked.
Those wishing to read Love Hina in order may wish to purchase book 3 at the same time, which introduces the fan-favourite Mutsumi and is better at developing the overall plot. Those who are short on money or have seen the anime may wish to come back to book 2 after reading the later, more relevant installments.
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Keitaro and Naru have both failed the exams, and independently decide to take a little vacation to relax after all that hard work (studying, racing to the U, etc).
Well, as you may have quessed, they run into each other, quite literally, on the train.
They continually run into each other (not so literally this time) over the next chapter or so, and turns out, they were both using the same travel brochure ((-_-;)).
They begrudgingly decide to travel together.
Along the way, they aquire a waif-like girl named Mutsumi, who might be considered the female Keitaro ^ ^.
Unbeknownst to them, everyone from Hinata House is searching for them, from Suu to Shinobu. Well.... much craziness ensues.
To find out exactly what happens, I guess you're just gonna have to read the book.
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As other reviewers have pointed out, Follett gives the reader an excellent course in the design, interior, and the "feel" of the Pan Am Clipper; I didn't know anything about this aircraft before I read the book, and Follett's lessons are designed so that any layman can understand them.
But while the plot of this story is well-designed and totally logical, the people come off as cartoon characters. None of them are fully developed human beings in any sense of the word. And the conclusion is curiously incomplete - something unusual in a Ken Follett novel.
As an introduction to Follett's work this would turn anyone off of his other, much better, works - "The Key to Rebecca" and "Eye of the Needle", to name two. I would recommend this book only if you've read some of his other novels, so you can judge for yourself what he's really capable of writing.
Try it, I bet you will enjoy it, you feel like you really know the characters and want to get to another chapter to find out more about them.
These resources are virtually a collection of web addresses that you can visit with your web browser. These addresses are full of subjects which range from general reference - dictionary, encyclopedia to specialized subjects - literature, space, history, pets - you name it. It can be all found in this book.
Another rewarding experience with this book is that both the parent and kids can go online and browse to find valuable information.