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Michael Curtis Ford has risen above the fray and put forth a novel that puts ancient Peloponnesia into focus for the non-historian. The book is an excellent look at the larger picture and the story of the "The 10,000," but it really doesn't delve into the essence of being GREEK.
The story is amazing. Epic, even. . .but the novel is not. Some of the literary tools left me longing for Pressfield's descriptive skills and some of the actions seemed forced.
Is this a book that should be read? Yes. Is it the best of the genre? No.
Other good authors in this area include:
Steven Pressfield
Peter Green and
Margaret George (Cleopatra)
The "Ten Thousand" was very interesting and fast-paced. Ford gives you a real feel for the horrific hardships that Xenophon and his army endured, and in my view, does a fine job with his character development. Ford weaves in colorfully drawn details of ancient Greek life which enrich the novel and the characters, but never feel overtly "historical" or forced. I finished this book feeling that I had received a layman's education in an area of history that I was previously only vaguely familiar with. This is remarkable writing by any standard.
This book is a tremendous novel--a readaption and fictionalization of the Anabasis, Xenophon's recounting of the march of 10,000 Greek soldiers against the most powerful army on earth, and of their struggle for survival after their defeat. Ford accurately, even poetically, describes the bulk of this historic journey, ending only when the Greeks have made their way to safe haven. His rendering covers the original story up to its climax. He thankfully omitted the rest of Xenophon's original work, which is much less novel-worthy. Ford's work is a brilliant effort, and part of its brilliance is in knowing just when to stop. In fact, in an endnote, the author recommends that readers look up the original account.
This book is a great achievement, one that IMHO surpasses even Gates of Fire in its pacing and battle scenes. Don't let bizarre reviews dissuade you from what will definitely become a classic in historical fiction.
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However, one expects the book to concentrate more heavily on the structural comparisons with contemporary normative theory regarding justice/goodness. Whilst the opening chapter promises such, this emphasis is quite absent through the majority of the work. There is argument concerning the anti-subjectivism of the ancient moral conceptions, though this seems rather in the peripheral of the author's vision, than at the central focus of the text.
This book is worth buying for the way in which it summarises recent literature within Ancient Greek moral theory. This is highest calibre exegesis and analysis. In my opinion, it would have been more intellectually interesting (and more aligned to the book title) if the ancient/modern comparison had been explored with more vigour.
I gained much from this book, which was an enjoyable and worthwhile read (despite the numerous typographical errors - which should be corrected in further re-prints).
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Beginning in Persia c404 BCE & ending in Greece c398 BCE, the story opens w/the Persian king on his deathbed calling for his sons. Once he dies, the eldest son is installed on the throne. Due to a duplicitous action on the part of a so-called friend, the younger brother is jailed on allegations he's planning usurpation & only their mother's intercession frees him. Deciding he'd rather not face the experience again, he plans to make good on the deed of which he was accused. Using the guise of ridding a troublesome tribe from his lands, he begins raising an army consisting of native forces & mercenaries from the Greeks city-states.
Marching to the heart of Persia, battle is joined & the usurper killed. The Greeks, w/o a benefactor, parlay a truce & commence withdrawal. During the retreat, more treachery ensues as the Persians, under the pretext of meeting to discuss allaying the distrust between the Greeks & the Persian escort, murder the five remaining generals in charge of the forces. Apathy quickly sets in & the Greeks sit apathetically waiting for death, slavery, or worse.
Among them, the Athenian Xenophon, disciple of Socrates & knight of a noble house, who oddly has no rank or title in the army. He's simply an observer of sorts, there only b/c a mutual friend offered him a personal introduction to the usurper. Until Xenophon speaks up he scarcely plays a role, however, from that moment forward the story is from his point-of-view. He then narrates how he actively leads the Greeks back to their homeland. Upon returning, Xenophon is embroiled in the political complexities of his homeland & must continue to do his best for the remaining troops. After facing trials on foreign soil where lesser men would have folded, then deal w/adversity on his home turf that would make weaker men crumble, he finally earns a well-deserved respite & settles down as landed aristocracy under the protection of Spartan.
Xenophon's recounting is rich w/the events of the Mediterranean & Asia Minor of the era & paints a vibrant map of the times, peoples, & places. As pointed out in the introduction, "The Greek was pre-eminently a 'political animal,' [...]" (p9). A fact demonstrated by Xenophon's documenting the intrigues created by a satrap in the Persian court @ the beginning of the book, and then recording the political currents in the lands the Ten Thousand travel through, finally concluding w/the start of a feud between Sparta & the same satrap whose scheming set the entire series of events in motion.
As a commentary on Greek society, Xenophon's writing includes colourful descriptions of the "barbarians" the Ten Thousand encounter. For instance, when Xenophon describes a tribe of Mossynoeci they come across on the trek from Cerasus to Cotyora along the Black Sea coast:
[...] These people wanted to have sexual intercourse in public w/the mistresses whom the Greeks brought w/them, this being actually the normal thing in their country. [...] Those who were on the expedition used to say that these people were the most barbarous & the furthest removed from Greek ways of all those w/whom they came in contact. When they were in a crowd, they acted as men would in private, & when they were by themselves, they used to behave as they might do if they were in company; they used to talk to themselves, & laugh to themselves, & stop & dance wherever they happened to be, just as if they were giving a display to others (p237).
The unity of Greek culture can't be defined by what it was, but what it wasn't when compared to other cultures. However, in-fighting among the various factions of the city-states was always a threat, yet, they were bonded by the sea & the principles of Greek democratic honour. A fact demonstrated by their cries of "The sea! The sea!" as the first of the Ten Thousand attained summit of Thekes & unite to build a memorial to the occasion on the spot (p211). Their united brotherhood is verified as Arcadian, Athenian, Spartan, & even Thracian, all work together and set aside their city-state loyalties as they celebrate a common bond-the sea.
The military historian absolutely must have this book in their collection. Xenophon is pure Sun-Tzu in motion, &, a copy of his Art of War should be @ hand while reading the tale. Whereas Sun-Tzu wrote the technical manual, Xenophon is the practical application. There are so many examples in the Persian Expedition to cite only one is an injustice. Suffice it; Xenophon displays a profound understanding of how to apply strategy, tactics, & negotiation, in a practical & honourable fashion to enemy, ally, & neutral native. It's worth noting that Sun-Tzu's work predated Xenophon by roughly 150 years & the sparsely worded treatise wasn't introduced to the West for another 1,700 years. Yet, here's an Athenian performing exactly as the master's work w/o benefit of reading or even knowing of Sun-Tzu! Indeed, the master would consider Xenophon "A heaven born general".
As an aside, readers who enjoy Science & Fantasy fiction will enjoy the account. From persona, experience I wonder if Xenophon inspired many Science & Fantasy fiction writers? Two immediately come to mind: Robert Heinlein & Chris Bunch, the former for Starship Troopers, & the latter for Seer King. The two authors mentioned above have emulated the way Xenophon gives what some might term "A Grunt commander's eye-view".
Simply put, the tale of The Persian Expedition is fantastic.