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Ernie's Ark is a joy to read and reread. Unforgettable characters and the seasons themselves weave in and out of these nine connected stories. Author Monica Wood clearly knows small-town life, but the stories reach well beyond geographical boundary. A paper-mill strike defines the fictional Maine town, but all of the characters, even the CEO, have a distinct story to tell. A youngest brother, darling of the family, who must choose between crossing the picket line and defying family loyalty. One "heartbreaking eighth-grade girl" and a grieving widower who form an unlikely alliance. A young man reaching for a lifeline that will enable him to break away from the father who has simultaneously controlled and ignored him.
Wood's prose is golden: "A SIMPLE REQUEST FROM A NEIGHBOR GIRL, THE FIRST REQUEST FROM ANY HUMAN BEING SINCE MARIE'S BREATHLESS 'HOLD ME, ERNIE' WHEN HE'D FELT WHAT WAS LEFT OF HER LIFT FROM THE EARTH." And succinct: "WE USED TO BE A CLOSE FAMILY. BARBECUES AND BIRTHDAY PARTIES, LOTS OF BAD JOKES AND BELLY-LAUGHING, EVERYBODY'S KIDS MARCHING IN AND OUT OF ALL THE KITCHEN." And full of discovery: "HE STOOD ALONE FOR THE NEXT FIFTEEN MINUTES WATCHING THE OWL IN THE COLD. AT ONE POINT IT RAISED ITS PONDEROUS WINGS AND LIFTED FROM THE EARTH, DRIFTING DOWN A FEW FEET TO THE WEST. 'STAY, STAY,' HE WHISPERED, WHOLLY BELIEVING HE'D BEEN SUMMONED TO THIS PLACE BY A DEAD MAN TO WITNESS A MARVEL IN HIS STEAD."
Tempered with humor and moments of high suspense, the stories trace the multifaceted paths that lead to forgiveness and redemption. Wood explores the human heart in all its complexity. Throughout the book the ark stands tall, suggesting a myriad of subtleties as varied as the characters themselves.
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I loved all three books even though they were quite different. All are about families and how they shape us. Part of this theme is that families may be those whom we assemble around us rather than those related by blood.
In "The Secret Language", both Connie and Faith have suffered damage and serious neglect at the hands of their parents, Billy and Delle, traveling actors who were semi-famous but never achieved the fame they sought. These were people who really loved only themselves and the idea of who they were, and their two pretty little girls were part of this image.
The strong coping mechanisms that the sisters developed as children helped them then and continued to help them in adulthood. Unfortunately, the way that Faith coped was to try to avoid feeling too deeply. Despite having married into an outgoing family, the Dohertys, Faith has been walled off for so long that she is unable to connect and always feels like an outsider....they seem overwhelming to her. She seems incapable of allowing Joe to love her, and feels as if she is frozen and incapable of being any other way. Her sister Connie also fears love, but in a different way.
When Isadora appears and wants to be let into their lives, to be an instant sister, she does not realize she will never really be on the inside because there are no shared experiences. She will never see their father, Billy, for the narcissist whom he was, caring only about himself and the image he projected. Like Billy, Isadora is also self-absorbed and a user who will do almost anything to get her way. To say that she is manipulative is an understatement.
I really appreciate the way Wood develops her characters. As a reader, I feel that I know these people: feel their pain, their joy, their sorrow. What a gift!
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The author deftly and lovingly introduces a series of characters whose lonely lives reflect fractured families and frustrated dreams. The protagonist, clairvoyant hairdresser Rita Rosario, struggles with her past, one which includes a family at odds with itself and a fruitless, failed marriage which leaves Rita yearning for completion. Living in the distressingly recognizable small town of Ashton, Massachusetts, suffering its own loss of identity through its capitulation to late twentieth-century corporate America, Rita refuses to relinquish her sense of what her community ought be. This steadfast adherence to principle leads to a chance encounter with John Reed, himself a broken, desolate middle-aged man whose life simply has floundered as a consequence of his brother's suicide after having murdered his wife.
The ensuing promising romance between Rita and John inspires both hope and possibility. Readers will discover a deep empathy for John and Rita as they grapple with the intractable chains of duty and responsibility, John with his adorable niece, Aileen, Rita with her fiery, conflicted and bereft sister, Darla. Wood's treatments of Aileen -- smothered by a frightening, controlling love of her mother's sisters' families -- and Darla -- beautiful, rebellious and cult-bound -- are remarkable as is her depiction of Beth, another "sister" whose role develops with extraordinary irony, pride and forgiveness.
"My Only Story" is not simple. The author's deep respect for common people and her commitment to an honest exploration of the texture of love and family, hope and resignation, joy and duty are hallmarks of his important novel. Readers will treasure the depth of humanity permeating this honorable work.
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I always consider books about writing as guidelines, ideas of what you should consider, and not hard rules. Monica Wood has a slightly different idea of what description should be like than I have. The effect of some of her examples on me was different than what she intended. But that's one of the good things about this book. It illustrates its points well enough to let you judge for yourself if you like the style. There are many ideas to consider here, all of them written in clearly and with good examples.
I found this book a good inspiration to go back to an old story of mine, rewrite parts, and add details. Not because I found anything really wrong with my own descriptions, but because it made me think more about my characters, and how small things I encounter in my life can be incorporated into a fantasy story set in another time and place. This shows how a good book about description can cover everything from setting to characters, and inspire you not just where your style is concerned.
BTW, the book I have is an older (1995) hardcover edition.
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But if your fortays include writing novels and short stories, this is the book that can help you out of that hole they call writer's block! But if you specialize in nonfiction or poetry, save your money and go buy a good thesaures.
The book has a likable randomness to it; you can open it to any page and just read until you feel like writing again. Some pages have fairly lengthy anecdotes, and others are just a few lines long, with instructions like "Write about a simple board game that turns its players into pie-eyed cutthroats" and "Take two people you know who seem to be opposites in every way. Think about them until you hit on something they have in common. Start writing."
It fulfills the promise of its title: it is, indeed, a handy little dose of inspiration. It's upbeat without being cloying, encouraging without being unrealistic, and full of very do-able exercises.
I recommend this book as a gift because it applies to all writers; all of us have times when the Inspiration Fairy just seems to have flown away, and this book speaks to that. It won't teach you how to be a better writer-- it'll just entice you to set pen to paper again in a friendly coach-ish sort of way.
My only complaint is that my fingerprints show on the glossy colored pages. Is that a stupid complaint? I'm petty like that. But it's still the kind of book that's fun to have around...
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Reading her book these years later bring back that feeling with suprising clarity. The rich visual description in each vignette flows around the drier scientific facts, drawing you in to the world that surrounds that plant, animal or location. Her own love of nature draws you into the details and leaves you with a fascinating snapshot built from history, observations and facts.
Of Woods and Other Things is an ideal book to leave lying around. Though grouped in sections, each vignette stands alone, creating a microcosm of life in a just few pages. I found I actually preferred to just pick it up, randomly flipping through to stumble upon some new find, much as I had on my walks with grandma.
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I always enjoy reading books of connected stories and this was one of the best. Wood created a foundation with the first story and proceeded to build on it until she finished constructing a marvelously detailed structure. I loved how each story started anew but then incorporated some character or event from a previous story, creating one of those "a-ha" moments.
Abbott Falls, Maine could have been Anytown, USA and showed Wood's familiarity with this kind of environment and with the effect that a mill, a union, and striking workers can have on the town. The wonderfully developed characters are people we have met before in our lives. Perhaps we did not know all their secrets, but we have known them, I am sure.
This is a book of life, death, love, hate, fear, anger, joy, and most of all, about redemption. I cannot wait for her next!