Ever remembered a sentence or two from the book and, still later on, didn't recall where it comes from? Well, there is one in the 'The lost boy' that I'd say I'll never forget. It goes: 'Light came and went and came again...' I would believe this is the best definition of Time I've ever read. It tells what we all already know - that the Time is here, all around, that it passes, eternally, incessantly, giving us no chance to do anything about it. And although there's much more to the nouvellette, it's worth reading it from the beginning to the end. It's 'realness' moves you all along.

This book is a gem! It is brimming with lyricism, longing and passion. It is Wolfe at his very best. For those who feel that Wolfe tended to ramble, here they will find him constrained by the limits of the novella form. They will find his skill for characterization (which was always remarkable) honed to an even higher degree of excellence in this piece. The story is autobiographical and deeply felt by Wolfe and he succeeds in transmitting those feelings to the reader. It is my belief that even if he had written nothing else, his reputation could rest comfortably on this piece alone.

This is simply a wonderful work of history! Francis Parkman is considered by many scholars to be the greatest American historian ever. "Montcalm and Wolfe" is his masterpiece, written in 1884 as the final volume of his multi-volume work "France and England in North America." It tells the story of the French and Indian War, which is probably the most historically decisive war ever fought on the North American continent. Parkman writes with precision, eloquence, and objectivity. With his vivid and fast paced narrative, he demonstrates a wonderful flair dramatizing history. At the same time, his tremendous knowledge about this vast and complex subject is evident on every page. For me, the most fascinating parts of this book were the chapters which described the conflict for Acadia, and the ultimate forced evacuation of the Acadians by the British; Braddock's defeat; and the battles of Louisbourg and Quebec. Parkman's descriptions of these key events, and the personalities behind them, make them seem to come alive.

Parkman writes in the romantic style popular in the late nineteenth century; yet, his prose is of such high quality that it never seems dated. In fact, as I was reading, I found it difficult to remember that "Montcalm and Wolfe" was written 116 years ago! I highly recommend this book, which is already a timeless classic, as essential reading for those interested in learning more about the French and Indian War.

I was impressed by the work and analysis that Francis Parkman gave to the French-Indian War and the background of the war between England and France that spilled over to the North American continent. The background of the conflict was very interesting and I learned some points about it that I hadn't known before. Not only does Parkman give detail about the struggle in the present day United States, but also the struggle for Canada. The jealousy and rivalry between England and France was enourmous and in its path alot of victims were made such as the Native Americans and English and French Colonists. Two cultures that were very similiar, yet could not exist peacefully with each other, even across the Atlantic. The British may have won this war but their troubles were only beginning in America. This book was written over a century ago, yet it's language by the author and text make it a very interesting read and is considered a classic. Very Highly Recommended to all who want to know more about the history of Colonial North America.

Parkman "wrote the book" on the French and Indian War and created a benchmark for historians that has stood on its merits since published in 1884. Moreover, Parkman creates a primer on making history real and exciting for the reader. His writing style bridges the century since he wrote it. This book is one of seven in Parkman's series "The French and English in North America". Each volume was intended to stand alone. This, the final and most popular volume, covers the fall of Quebec and events leading up to it. The first chapter alone, "The Combatents" does an extraordinary job of setting the scene in Europe that led to this savage wilderness war in North America. Also of interest will be the foreword which paints a vivid picture of the unusual Mr. Parkman. "Montcalm and Wolfe" reads well, provides a sense of "being there" and must be one of the great histories not only of the battle for North America, but of European history as well.

This book and its companion, Count Frontenac & New France Under Louis XIV represents one of the US's first great histories. Detailed, but lively written with only a few give-away phrases to let the reader know that this history was written over 100 years ago, these 2 volumes are a must read for any serious US/North American history buff.

This multi-volume edition of Parkman's magnum opus might appear initially daunting, as it covers more than 1,200 pages of material. Suffice it say, however, that the rewards are entirely worth the effort of fording your way through this majestic work.

Parkman triumphed over numerous personal disabilities (extremely poor eyesight and recurring pain in his limbs), to produce some of the most important and transcendent histories of the 19th century, works that secured him a place in the American Pantheon, beside Prescott and Bancroft. He has been interpreted both as an example of literary Romanticism by some, and as a supreme pessimist by others. His objective as an historian was to "while scrupulously and rigorously adhering to the truth of facts, to animate them with the life of the past, and, so far as might be, clothe the skeleton with flesh." This notion is reflected repeatedly throughout these volumes. His style is highly descriptive, borrowing as it does from his numerous treks to the sites he writes of. The Jesuits, trappers, governors, nuns and explorers he depicts come across as flesh-and blood, breathing, human beings, engaged in real activities. He has little place for abstraction, and never dwells overlong on minutiae. The ramifications of particular pacts or treaties, for instance, are subordinate to actual events and places. When he takes the reader into an Indian log-house, he/she can practically taste the smoke as it permeates the air.

When it comes to Native Americans, Parkman is far from sentimental. In fact, he bridled at the notion, common in 19th Century Romanticism (particularly Rousseau and even more conspicuously in Chateaubriand's ), of the Indian as noble savage. Parkman's earlier book on the Oregon Trail stemmed in part from his experiences amongst the Sioux on the Western Plains. The Indians depicted in these pages are, for the most part, more savage than noble. The Iroquois are especially ferocious in their raiding parties and in their methods of reprisal. Those who fell victim to their wrath were in for days and nights of unspeakable torture. Parkman describes these scenes almost too vividly. But as he himself would note,
"Faithfulness to the truth of history involves far more than research, however patient and scrupulous, into special facts. The narrator must seek to imbue himself with the life and spirit of the time." There are some academics that would argue that Parkman is not as objective as he would like us to think. He has a fairly consistent Protestant, Bostonian, Brahmin bias as regarding Catholicism, for instance. His view of Native Americans is hardly what could be termed politically correct. However one may feel about his viewpoint, one can not dismiss his power of depiction, or the scope of his genius and enterprise. When taking into account the fact that he produced volume upon volume of history, under the most debilitating circumstances, there can be no denying that he qualifies, as perhaps no one else, as "The American Gibbon." For the reader who wants to relive history at its most vivid, Parkman provides the goods. He paints in realistic detail the struggles, adventures and misadventures, the faith and foibles, great tribulations and monumental victories of an exceedingly noteworthy cast of characters. There are the infinitely stoical, but often-scheming Jesuits. There is the monomaniacal, driven, but honest-dealing and ultimately tragic figure of LaSalle. Champlain is another noteworthy figure, truly heroic in stature. The most heroic figure, however, may after all be Parkman himself. Shaped as he was by the notions of greatness fostered by such writers as Carlyle, it was a state he strove consciously to achieve. This collection, along with others in the Modern Library series, indicates that he achieved his goal. Thanks to The Modern Library for making authors such as Parkman accessible once more.

Francis Parkman's account of two centuries of French colonization in North America is a true classic -- undoubtedly superceded in many of the details of its scholarship, but unsurpassed as a Romantic narrative history of two eventful centuries. The publisher is to be commended for making the complete epic available in two affordable volumes. The reader will find the pacing leisurely, and high interest inevitably cannot be uniformly sustained, but patience and perserverance will be richly rewarded.