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Several years later, and with a sense of higher literacy later, I am found sitting in my high school English class pulling out one of my favorite possessions from my dusty children stories-bookcase and regained my sense of wonder again for the first time since my innocent age of nine. It's a wonder that the edges wave not been torn as much as my other treasures, and looked upon it as some sort of holy artifact saved in my holy sanctuary now adorned by hundreds of photographs, oil paintings, and sketches of wolves I can know honestly blame the inspiration on this very story. Sometimes you have to wonder how something as insignificant as a children's story can effect your life.
"A Look to the North" is about, you could say, the story of a wolf pack introducing the pups from birth to adulthood. If your son or daughter takes interest in any animal, buy him or her this book. Neither of you will regret it.
Telling the story of Boulder, Scree, and Talus, three fictional wolf pups, it truly is a wolf pup diary, as there is a new page for every critical stage in wolfpuphood. You can learn something new about early months of wolf pups on every page, while the style and storyline of the book are brilliantly masked as fiction (for the porpose of the book appealing to young ones.)
The full-color pictures only add to the fun of this book, and the detials in them are breathtaking! The pictures alone are enough to tell the story to the very youngest readers, but the words give something the pictures cannot, as do almost all books that I have seen.
Note that older readers will also enjoy JULIE OF THE WOLVES and it's two sequels, JULIE and then JULIE'S WOLF PACK, by Jean Craighead George, the author of LOOK TO THE NORTH: A WOLF PUP DIARY.
And now I have no more to say, so, as ends the introduction....
Why do I love them so? They are wonderful. Look to the north and you will love them, too.
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This book is being recommended because of the superb detail in this story, and the point of view of this book. This book is in the perspective of the wolves, as if one is with the wolves or even is one of the wolves when reading the book. This allows the reader to understand the situation of the wolves better, whether it is danger, hunger, or even love. The incredible detail in this story is shown often throughout the book. When Raw Bones, a rebellious member of the Avalics tries to overcome the alpha-male Kapu, the facial expressions, feelings, and actions are brought out so well that it puts a clear picture of what's going on in the reader's mind. The wolves' appearance before and after the skirmish, and at other times in the book are also conveyed perfectly. This is an outstanding book because of the way certain things are described, and the wolf point of view to help the reader understand exactly what's happening in the book.
Some people might not find this book so great because they think that books about animals are boring. This is not a good enough reason why not to read this book because even if someone doesn't like animal stories, the plot is so brilliant that that it wouldn't matter. The story creates a thriller that the reader can't put down because of how well this book is put together. This recommendation is influenced by the exceedingly well-written words by George, and the perspective of the book, which makes a fascinating book worth reading.
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When his big sister puts Nutik into Amaroq's arms, she tells her little brother to feed & tend the pup. She also warns her brother not to fall in love with Nutik as she has promised the wolf pack that when both pups are fat & well, they will be returned.
Amaroq says he is strong & sets about feeding the bedraggled pup. Together through a magical summer, pup & boy, frolic in the tundra of the land of the midnight sun.
When, at last, the sun does set & the long dark winter comes upon them & Nutik is strong & healthy, the wolf pack comes to the edge of Amaroq's village, calling Nutik home. Amaroq is not as strong as he once thought, especially when his beloved pup takes him out into the star filled night to meet his wolf family.
This is a poignant & magical look at the love between a boy & a wolf pup, at the rightness of our actions, the pain of duty & the rewards of responsibility.
Lovely, lovely read!
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We see La Tour through the eyes of a professor of art history at the University of Vermont, Suzanne Nelson. She is writing a dissertation on the artist, and she focuses her attention - and her imagination - on a particular painting, the last one of LaTour's life. He has chosen as his model a village girl, the daughter of the local shoemaker. We see him strut into the village with his retinue of dogs, knowing full well how the scene will play itself out before him. He will make his offer to the shoemaker, who will at first refuse to allow his daughter to pose in the nude for the artist (despite his advanced age and the unlikelihood of anything improper occurring), then the two will haggle over price and social considerations - and in the end, the deal will be made, and the girl will come to his villa to pose for him. LaTour is assured that everything will happen as he imagines it - and to a point, events unfold as he predicts. It is when the girl arrives for her first sitting, and he finds that she is both more intelligent and self-assured than he could have dreamed, that he discovers that he will indeed paint her - his advanced age and his arthritic pains had convinced him that he was merely luring her into his studio to pose for his eyes. When she disrobes for the first time before him, and he sees that she is marked on her back with a thatch of wolf-like hair, stretching from near her shoulder blade to her spine, he is transfixed - and he is further moved to discover that she knows nothing about this unique trait.
As Vivienne continues to make visits to LaTour's studio, over the course of a few months, the painting progresses. LaTour saves the addition of the wolf-patch until the last, knowing that as soon as she sees it, she will feel violated and betrayed - both by the artist and her parents. Over the course of this time, she has come to be more comfortable in the artist's presence - he has drawn her out into conversations by posing questions to her about her daily life in the village, and she has been surprised to find herself eager to talk to him. She also is amazed to realize, toward the completion of the painting, that she has been in effect lying to LaTour - that the stories she has told have been embellishments of reality, sometimes complete inventions. He has taught he to lie by giving her to opportunity to do so with impunity.
All of this is of course a product of the imaginings of Professor Nelson - as she works on her dissertation, she allows herself to be carried away into LaTour's life and times, constructing out of the facts she knows a more complete picture of a human being, all the way down to his thoughts and motives. All of this is colored by the events of her own life. Her marriage of twelve years is slowly disintegrating - eroded by time and by inattentiveness (on the part of both herself and her husband). The novel follows them from early in their lives, before they meet - the reader is given invaluable glimpses into their pasts and upbringings, allowing the forces that have formed them to be visible. They are drawn together as inexorably as they fall apart.
Unlike many contrived plots wherein spitefulness and meanness - both unfortunately common human traits - play a large part in the path lives take, there is no hard-spirited ugliness at play here. This is simply a story of lives that come together and fall apart. There is a common thread passing through the fabric of all of these characters' lives, however - LaTour and Vivienne included - they are all running from something. Not all of them are conscious of it, but it's there. Suzanne and Jack are both running from the smothering influence of their parents - his are extremely wealthy, hers are from a rural area in the Appalachians. Elly, Suzanne's acquaintance who takes Jack as a lover, is running both from and to herself - streaming away from the life she has had and toward the life she imagines she wants, all of the time actually running away from who she really is. LaTour is running desperately from death - and Vivienne is running (at least in her dreams) from the life she leads in the rural French countryside. Everybody wants something they don't think they have - and a few of them actually come to discover that they had more than they realized all along.
It is these voyages of self-discovery and longing that make this book so appealing - and the fact that Huddle has combined all of these stories into a valid whole makes this an entertaining, compelling read.
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The book contents a history of the city through the ages, descriptions of all districts, a couple of special quarters and several places of interest. It includes long and detailed portrays of most of the kindred in Berlin. However, if you don't know anything about Berlin and Germany, it might be difficult to role-play only by this book. It provides no hints which Clans control the places of power (Police, Government, Mafia, etc.) Many things changed over the past decade but others are still up to date.
The second part of the book contains a weird story. Some details seem to indicate that the authors never visited Berlin themselves. The old Gedaechtniskirche (Memorial Church) where the meetings are held is almost tiny inside. Not a quarter of space you need to gather Berlin's Kindred society. The Kurfuerstendamm is never, never free of mortals, even during heavy rainstorms. The story itself neither elaborated nor intriguing. A sad story!
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tells of Costello's leadership role in the Mafia. You are taken through bootlegging.the gambling empires that were built by
organized crime as well as the House un-American activities
hearings. The author also gives you good insight into the attempted murder of Costello by rival forces.You also get a good insight into Bugsy Seigel,Meyer Lansky, and other prominent
figures in organized crime. This isn actually a very good book.
Read it.