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Margaret Wise Brown has put together a rhythmic, engaging story about a bunny that seeks for its own place. As the story progresses there are lessons that can be learned and taught about changes of the seasons, and where animals live and what they do.
I like the pictures, the story, the whole ball of wax. We have read this book over and over to our children. When it resurfaces from the bottom of a stack of books it still gets read through a couple of times -- by popular demand!
5 stars all the way.
HFAB is also a rarity in baby books in that it has a recognizable plot, with scenes and dialogue. This gives parents a chance to practice their storytelling skills. I enjoy using different voices for the characters (e.g., a low, low voice for the frog, and a nasal one for the groundhog). Plus, having a plot helps develop the child's ability to follow a sequence of events.
And for the crowning praise--it is my 2-year old's favorite book. As soon as we finish reading it, he asks to hear it again, and again, and again. How can a book get any better than that?
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and HAD to bring it to her Kindergarten teacher
to share with her class. The rhyming is superb, the
illustrations are exceptional: humorous as the text,
complementing it, and adding an additional dimension.
Entertaining for adult and young readers, it challenges
our presumed knowledge of these prehistoric creatures.
Guranteed to make you smile.
Creative and inventive - and great way for children to remember which dinosaur is which! (Or is that a problem only adults have...? Never fear...there's a helpful pronunciation guide included.) If you liked such poetry classics as Shel Silverstein's WHERE THE SIDEWALK ENDS, you will delight in DINOSAURS FOREVER.
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...But you can do worse. If you only know the GB editions of GW's books from the *1970's*, you'll be in for a wonderful shock from this book.
The image quality is 3X as good! So bright, sharp, distinctive and subtle in coloring. These are basically fine art plates. Lucky us! Part of it is probably due to the very high quality paper, but most of it has to be due to the LOVE OF THE ART on behalf of those who published this tribute Treasury.
But there's more. (And this is where it gets a bit nasty.) For some reason, in the *1970's* GB editions of these books, the publisher often DELETED PAGES! Several of the books featured in their ENTIRETY here have many pages that never appeared in the 1970's editions. And many of these pages feature the VERY BEST ART! It was so wonderful to finally find them here. ...Dismaying as well. What a crime! I can only imagine that the publisher was trying to save paper costs: they always killed pages in groups of 4. Can you imagine the low, venal insult to art and children in doing such a thing? Here's a real example of an artist pouring his heart out, but being thwarted by chiselers. Well, maybe there's another explanation: I hope so for the sakes of GB.
Thank heavens, wrongs are gloriously righted in this gorgeous new volume.
I daresay you will cherish it as one of your most favorite story books, if not your #1. Thanks!
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In restricting its scope to heraldry of the medieval period, the book is geared toward the military role of heraldry and its usage in the 14th and 15th centuries, so it only goes into the aspects one would have seen on a battlefield or in a tournament. (It doesn't try to go into all the finicky details of mottoes and supporters, for example.) Wise has attempted to cover continental heraldry as well as English heraldry, but gives warning that since many European Colleges of Heralds no longer exist (and thus, no central repositories of records exist for the affected countries), there is a bias toward English heraldry simply because that's where the records are most complete, easily available, and written in a language accessible to a wide audience.
In discussing the evolution of the role of heralds and shields, the basic rules of reading a blazon are eventually presented, but also which tinctures (colours) one would be likely to see, and what colours had to be added as the growing number of registered insignia forced heralds to work harder at coming up with unique devices.
While some examples are given (8 pages of colour plates, and quite a few illustrations of various coats of arms, particularly notable English insignia of the medieval period), the book is not intended as an encyclopedia of medieval blazons; there are too many, and they vary too much depending on a campaign setting. It'll give you the tools to find what you need in such a reference book, though.
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