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Used price: $7.50
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While I read it many years ago, it's something I won't forget. The vivid anecdotes Humboldt recounts make this work a veritable page turner at times.
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List price: $16.99 (that's 30% off!)
Used price: $2.35
Collectible price: $4.00
Buy one from zShops for: $5.88
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This book is recommended for all ages to be read to or read by you!
Why am I telling you this go read it for your self!!!
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Used price: $7.50
Buy one from zShops for: $8.42
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Used price: $0.95
Collectible price: $3.25
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The story begins when Jason discovers a wart on his hand "the size of Mongolia." After a funny exchange about how awful it is, his Mother promises to buy medicine to take it away. Feeling sorry for him she gives it a kiss.
The next day, Jason discovers that his Mom is missing. His sister, after seeing his wart, had just told him that "If you touch a wart, you turn into a frog." Jason is convinced that his Mother is a frog that he finds on the kitchen floor, next to his Mothers purse.
L.R. Boardma
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It is a good book for kids 5-100.Jason is fun,funny,worried,and strong.His sister Mary,lies,and she thinks she's the boss.
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This book has been less popular than many of her others, but it's one of my favorites.
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Used price: $19.95
Collectible price: $19.00
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The Art of Shakespeare's Sonnets is comprised of a single introductory chapter outlining Vendler's own critical perspective and 153 individual sonnets, together with critical commentary. (Sonnets 153 and 154 are presented together in one essay.) Vendler's format seeks to restore "comprehension of the internal logic and old finery of Elizabethan lyric" which has almost completely disappeared from contemporary examinations of these sonnets. Vendler's book will help readers to better understand the language of Shakespeare's sonnets as well as uncover textual clues in a clearer and more deliberate fashion, leading readers to a greater appreciation of the power of language when manipulated by a master poet intent upon expressing the inner life of the speaker.
The author provides fresh and unexpected interpretation of the sonnets based on clear, textual evidence rather than through a dominant theoretical perspective. She also explores linguistic strategies directly from Shakespeare's own compositional acts and then constructs upon them an interpretation of the poet's duty "to create aesthetically convincing representations of feelings felt and thoughts thought." Vendler chooses to concentrate her efforts on Shakespeare's ability to accurately convey the speaker's own misery, torment, joy, wonder, exuberance, etc. within the mere fourteen lines demanded of the sonnet, that most structured of all forms of expression. She points out that it is in the "simultaneous marshaling of temporal continuity, logical discreteness and psychological modeling that Shakespeare's sonnets surpass those of other sonneteers."
Vendler then goes on to assert that Shakespeare, as a writer of sonnets, was seeking as many ways as possible to manipulate the form. His orchestration thus results in vignettes, musings and one-sided conversations with imagined listeners who do not reveal an extended hidden narrative or meaning but do "comprise a virtual anthology of lyric possibility."
Vendler invites the reader to participate in his own exploration of the sonnets. Unlike most critical treatises where the poems appear as a block in front of the text followed by an analysis, in this book each sonnet and its analysis appear together. The reader can formulate his own speculations and check them against Vendler's without even having to turn the page.
For those who want to listen to the beauty of these sonnets, there is a CD bound into the back cover of the book, providing an indispensable tool in helping readers to fully appreciate all the textual and acoustical clues--the allure de la phrase.
This is definitely not a book to read straight through, nor is it intended for the novice. Readers should already have some familiarity with the sonnets and those who do not should keep an annotated edition close by. Familiarity with poetic terms is also a necessity, since Vendler, a splendid poet herself, makes frequent reference to terms which are undoubtedly unfamiliar to those who are not frequently engaged in the study or analysis of the lyric form.
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Interestingly, Vendler does not often provide interpretations of the meaning of the poems. Instead, she chooses to provide the reader with an appreciation of the elements of the sonnets in order to allow one to make their own informed interpretations.
Vendler has created a book that mirrors the sonnets in that it can be enjoyed on many different levels. But, regardless of which level upon which it is enjoyed, the book is an indespensible guide into the wonders of Shakespeare's sonnets. Any student of Shakespeare needs to have this book in their collection of critical works on the Bard.
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Used price: $3.00
Collectible price: $5.00
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Her teacher was a woman named Annie Sullivan. The story is told from Annie's view in the first person. Throughout the book Annie tries different methods of teaching Helen how to communicate. Finally, one method of hers works. At this point Helen understands that objects have names. By memorizing the hand motions (sign language) previously Helen knows the names for everything.
Because Helen can't talk, hear or see William Gibson describes everything she does in great detail. This gives the reader many visuals in their mind while they are reading. You can almost see Helen feeling things and you can also get a picture in your mind of what she looks like. At the beginning of the book, we don't really know what to think of Helen and Annie because of some of their actions. Helen as anyone could imagine is not well behaved and is a mess. Annie is very strict with Helen and other than getting very upset when Helen disobeys her she is a pretty quiet person. However, as the book goes on we learn to love both of these characters because we understand where they are coming from.
I would strongly recommend reading this book to gain a greater appreciation for the lives of Helen Keller and Annie Sullivan.
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As the play begins, Kate Keller discovers that her child, Helen, cannot hear nor see her. A period of time elapses, and the family is trying to decide what they should do for Helen. After a bit of reluctance, Captain Keller consents to writing to Dr. Chisholm, an oculist who might be able to help her. It turns out that the oculist cannot help Helen, but he does contact Alexander Graham Bell, who in turn refers the Kellers to the Perkins Institute for the Blind. The Institute sends to the Kellers Annie Sullivan, a teacher who will attempt to communicate with Helen. Annie's first day with Helen is rough, as Helen ends up locking Annie in her room and throwing away the key. Eventually, Annie is able to finger-spell into Helen's hand, but Helen doesn't quite understand what the words mean. When Annie tries to discipline Helen, Helen gets mad and won't let Annie touch her. This prompts Annie to ask for two weeks alone with Helen in the Kellers' garden house. Once again, after great reluctance, Captain Keller assents. The two weeks pass and Helen still hasn't learned what words mean. Annie asks for more time alone with Helen, but the Kellers refuse and insist on bringing her back into the house. The reader is left wondering what will happen and reads on, awestruck, as Helen begins to make tremendous progress.
Besides educating the public about an important cultural icon, The Miracle Worker also promotes handicap awareness. I believe that this play can be used as a tool to teach children about accepting people with disabilities. As a disabled person myself, I testify to Keller's strength and every time I think of Keller, I am continually reminded at what I have accomplished in life despite tremendous difficulty. I'm sure that anyone who has ever been faced with an unusually tough set of circumstances will cherish this story, regardless of age, sex, or interests. As I said before, it's all about the human spirit -- if Keller's story doesn't inspire you to accomplish more in life, I doubt that anything will.