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This book has a slightly different focus. Rather than concentrating on what Zero Tolerance is and does, it seeks to place the crime figures and approaches to crime reduction in a broader context of community. The concept of community developed both in these pages and within a wider research agenda supposedly concerned with the development of a civil society in which the state plays a smaller and smaller role has a particular slant to it.
Zero Tolerance is the latest in a line of books from the Institute of Economic Affairs Health and Welfare Unit, now a free standing institute of it's own, CIVITAS, which postulate a decline in morals and behavious which result from a growing tendency in our society to becoming more individualsitic. The model of decency and good behaviour upon which this view is based is a rather idyllic view of the English working class family as portrayed by Norman Dennis in some of the earlier books of this series. Here it's scope is widened to incorporate views on how to tackle crime which involve the wider civil society. Policing in this view is both external and internal and the police forces themselves are seen as a legitimate part of the community, reinforcing the internal rules and moralities forged in the furnace of home and family. Headed preferably, of course, by working father, stay at home mother etc.
You will not find in this book any arguments about drugs save for the superior tone about how the use of drugs has grown in our society and is therefore bad. This cannot go unchallenged. In a passage devoted to the emphasis on education and development of working men's clubs and institutes the book praises them for their contribution to improving the moral fibre of those who participated. These clubs were segregated against women drinking in the public bar and fought hard to retain that position against equality laws and became more well known for the strong and cheap beers that they sold than for moral improvement. Their innate conservatism was a major contributor to why their customers deserted them and caused the closure of many in the North East of England. While the consumption of this legal drug is condoned, other recreational drugs are the cause of much petty crime. The book ignores the setting of the laws and blithley makes assertions about theft while ignoring the basic point that laws against drugs make them more attractive to the purchasers, more profitable to the suppliers and lead many who consume them to do things out of character in order to get their drugs. I could go on but this would be a book of it's own.
Zero Tolerance is a one sided book. It excludes any consideration of the diminishing role of the church in society as one of a number of relevant institutions, and it excludes any treatment of what changing structures in our society mean for those individuals who have previously been imprisoned by those structures, in particular, for women. The supposed golden age of the working class family is a modern myth, a sociological urban legend, which did not exist for many.
Ultimately, this is yet another attack on growing individualism in our society which begrudges any positive changes and which harkens back to an age which never really existed. The causes of crime run deeper than one parent families and tower blocks. The harsh reality today is that women are valued more by society than they were which is the real reason why female wage rates are increasing while male wages rates decline overall.
Perhaps we should be looking forward and not backward to see how a healthy individualist society might develop.
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This then was the backdrop of Hard Times. Dickens is making a social and political statement. This is a statement against the mechanizing of society. It starts with Dickens repeated use of the word fact. It is facts that have meaning. Human conventions like feeling, compassion or passion have no meaning or looked down upon as an inconvienent waste of time. If a situation cannot be put down on paper as in an accounting ledger it should not be considered.
This is where the conflict of the book comes in. Which helps humanity more compassion or fact. Is Bounderby a better person than Blackpool? Bounderby, who by his own admission was a self-made man. Untrue as this was he said it enough to make it his own reality. Or Blackpool, a weaver with an alcoholic wife, who was in love with another woman. Facts made Bounderby rich, compassion made Blackpool human.
Louisa presents another conflict. Louisa was educated only by fact. No wonder or inquisitiveness was ever allowed. She was the perfect robot. Doing what she was told when she was told. Just another piece of the machine, however, the piece broke, emotions came out, and they broke down the wall of fact that Mr. Gradgrind had so carefully constructed. Because the feelings have finally been acknowledged things really break down. She finds that not only has she married the wrong man but also the man she did marry is a buffoon whom she cannot respect nor live with.
The reader is left wondering if there is no one who will not be ruined by all the worship to fact. The whelp has certainly been ruined to the point he feels no responsibility to anyone but himself. If a situation can not be used to his advantage then he has no use for it, as a matter of course, he will run when he believes he will have to take responsibility for his own actions.
The gypsies have not been ruined by fact. But only because they live outside of society, they do not conform to the rules of society. These are the people who value character over social status. The gypsies do not value Bounderby and Bitzer with all their pomp and egomania. Rather they value Stephen Blackpool and Cecilia whom can show compassion and kindness no matter a person's station in life.
Hard Times can be used to look at today's society. Are we, as a society more worried about our computers, cell phones, faxes, and other gadgets than our neighbor's well being? Do we only get involved to help others when there is a personal benefit? Or, are we like the gypsies who can look into the character of the person and not worry about the socio-economic status? While Dickens' wrote Hard Times about 19th century England the moral can easily fit into 21st century America
The setting is Coketown, a factory town befouled by industrial smog and populated by underpaid and undereducated laborers. The novel's most prominent character is one of the town's richest citizens, Josiah Bounderby, a pompous blowhard who owns a textile mill and a bank and whose conversation usually includes some boastful story about his impoverished childhood and the hard work that led to his present fortune.
Bounderby is the commercial projection of Thomas Gradgrind, a local schoolteacher and an extraordinarily pragmatic man who instills in his students and his own children the importance of memorizing facts and figures and the iniquity of indulging in entertaining activities. Gradgrind offers to Bounderby his son, Tom Jr., as an unwilling apprentice, and his daughter, Louisa, as an unwilling bride.
On the other end of the town's social scale is Stephen Blackpool, a simple, downcast man who works as a weaver at Bounderby's mill and slogs through life misunderstood and mistreated. When he refuses to join his fellow workers in a labor uprising, he is ostracized; when he criticizes the economic disparity between Bounderby and the workers, he is fired and forced to leave town; when Bounderby's bank is robbed one night, he is suspected as the thief. So halfway through the novel, Dickens grants his reader an interesting, albeit somewhat contrived, plot element to embellish the narrative.
If this novel contains a ray of sunshine, it is in Sissy Jupe, a girl abandoned by her father and adopted by Gradgrind, whose oppressive educational method nearly breaks her. However, she grows up with her own intuitive sense of propriety, which she uses as a tool to eject a dishonorable character from the novel. Her strong and independent spirit will allow her to do much better in life than Louisa, who withers away in an unhappy marriage, and Tom Jr., whose boredom renders him vulnerable to temptations.
Compared to his other novels, "Hard Times" is relatively short and straightforward and has few characters, as though Dickens felt that what he had to say was so important, it had to be said quickly and bluntly. He is less interested in realism than in making a point, and it's really the poetic power of his prose that enables him to get away with the overbearing sentimentality and often ridiculous caricatures that accompany his poignant human truths.
Hard Times has yet a misleading title. It gives one ideas of harshness, depression, poverty, and social decline--although the actual reality of then-London, still not something you would choose to read. However, Hard Times has as much depression and poverty as any of Dickens' other works. It is just in this case that Dickens chooses to remind the world that in the deepest despair there is beauty yet to be seen.
Dickens was a strange author. In his supposedly inspiring books, you get an overdose of sadness, and in his depressing books, you find beauty. It is this case with Hard Times.
It is a poor, honest man's search for justice in a world where only the rich have merit. It is a girl's search for true love while battling the arranged marriage for money. And lastly, a woman's search for recognition against her favored, yet dishonest brother. It is these searches that at last come together and become fufilled. And, while at the same time telling a captivating story, it comments on the then--and still now--presence of greed and total dishonesty one has to go through for money.
The title of this review sums up Hard Times. Its beauty comes from the pure searches for truth, the sorrow comes from the evil the characters most overcome to get there, and the honesty is both the truth with which Dickens portrays life and the the overwhelming truth that these protaganists create.
Holly Burke, PhD.
Clinical Psychologist, Abnormal Psych. Professor
Georgetown University, Johns Hopkins Inst.
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"...a man went to the Navy and said, in effect: 'You want camouflage, gentlemen! Give me a ship and I'll show you perfect camouflage.' When this man went aboard the experimental ship, he was carrying a BLACK BOX."
Tesla was well known for his mysterious Black Box. Plus, Tesla was the head scientist of the Philadelphia Experiment. The main reason why the experiment went crazy was that Tesla himself sabotaged the testing by detuning the equipment which resulted in Tesla no longer leading the project and making Neumann the head scientist of the project.
Eventhough this book is a "watered down" version of what actually took place in August 13, 1943, overall, this book is enjoyable to read.
Nevertheless, a higly-recommended book for those interested in what many believe really happened during World War II, at a now-abandoned navy yard on the Delaware River.
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