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The book is about growing Bromeliads, or at least growing Bromeliads in Australia. It occasionally has some local reference to an Australian city or region, but mostly the information is generic. It does suffer from regular references to the metric system and Celsius temperatures. For this reader, being a Yank and living on the frozen tundra up here in Wisconsin, metric & celsius measures don't make much sense.
Facts in the book are modestly interesting and modestly informative. It tends to chase around the facts. For example, "overwatering will rot the plants". Dah - yah think? So, what exactly is the proper amount of water? The book is not always crisp about specifics.
It's a good book, but not a great book. There is much information, but the book's structure makes it hard to find. Plant photographs are not adjacent to their descriptions - you have to page around to find the photo. The text is small and therefore reading gets to be a chore.
I like sections of the book, but other sections could be much improved. The book is inexpensive, and by that measure you get good value. For the money, it's a good introduction to growing Bromeliads.
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Heavily detail-oriented, the book spends a lot of time on individual players, which for many players of the era end up serving as memorials. It also lacks a grand overview of the direction of the season, dealing with schedules, tours, recordings and the work stoppage as episodes rather than clearly drawing the arc. But the book is redeemed by its loving depiction of what makes the CSO unique in North America; its extraordinary internal discipline, fierce pride in its Central European heritage and sound, tradition of training its own, and insistence on the very finest world-class first chairs, many of whom would ordinarily have superb solo careers. In explaining the CSO from that perspective, Furlong has written less of a diary and more of a primer as to why no one else gets it so right, year in and year out.
The CSO recently left a prominent first chair open for four years, rather then comprimise on replacing the legendary Ray Still. Despite the troubles that today's rather generic conductors may cause, Furlong allows you to understand the CSO fully: the virtuosity, discipline, and tradition are intact, awaiting only the right conductor.
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Apess' writing is dominated by his fervent evangelical Christianity, and also by his articulation of a Native American consciousness. "Son" is at times a very gripping autobiography. In it Apess writes about poverty, child abuse, alcoholism, ethnic identity and religious conversion: all topics that remain very relevant over the centuries. This volume contains, in addition to the primary texts, a useful bibliography and chronology. This book is an excellent choice both for the classroom and for the independent reader.