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This book provides a primarily pictorial presentation of that history, from the original drawing by Ub Iwerks back in the 1920s through to the latest fashion in Mickey Mouse watches today. In between, you will see Mickey during his cartoon career (including a list of his appearances) beginning with his speaking role in Steamboat Willie on November 18, 1928, through the three different versions of the Mickey Mouse Club (I was disappointed that there were no large photographs of Annette!), his role as a greeter as the Disney theme parks (you'll be fascinated by how the costume evolved), to his evolution as a drawn figure (pupils within pupils made him more appealing).
The book is loosely themed around Mickey's initial appeal as a brainy, underdog hero . . . a sort of mouse David versus Goliath. There are brief references to the other Disney characters, including Minnie, Donald Duck, and Pluto.
Clearly, the picture's the thing in this book. You will see ads, balloons, comic strips, lots of watches, wordworking projects, flower and topiary representations at the theme parks, movie posters, movie stills, story boards, every conceivable kind of merchandise, photographs, conceptual art (including Andy Warhol), Mickey Mouse ears, magazine covers, and sketches.
Although the book has some exposition, it is on the light side. Serious fans of Mickey would want to know a lot more. So the ideal recipient for this book would be a young person who likes Mickey, but doesn't know very much about him.
Fans of Minnie will be very disappointed. She is almost totally ignored in the book. Since my daughter likes Minnie much better than Mickey, this would be a poor choice as a gift for her.
Those looking for the ultimate visual experience with Mickey will also find this book to be disappointing. Although it has a lot of attractive material, it could have had much, much more.
Like most compromises, the book fails to fully satisfy. I graded the book down accordingly although it is perfectly executed for its concept of providing a little background with a lot of images of Mickey.
After you finish enjoying this book, think about who you favorite cartoon character is. Why do you like that character? What traits of that character do you wish that you embodied? What other traits would make that character even more desirable?
Look for role models wherever you can find them!
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The plot could barely be simpler. In the early days of Australia's nationhood a young man and his wife set off into the bush to begin their lives together. They find some land, build a house, have a family, grow old and finally die. Around them the dramas of life unfold: friendships, disasters, disappointments and infidelities. The book is less about them, though, than about the unremarkable moments in between. These times of quietness are White's triumphs. His unhurried prose admits us to the intimacies of the characters, their griefs, their dreams and their successes. We share in the man's unarticulated affinity with the land, the woman's chronic loneliness. We notice how many words are never spoken, how many uncertainties never resolved.
By the end, one sees that the characters' struggles are his struggles. Briefly, perhaps, one's view of life becomes wider than his self, and a larger landscape, if not a plan, crystallises in the world. You finish the last page, close the book and sit still and speechless for a second, as if someone real has died.
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I shouldn't say these types of things about this book as I studied under one of its authors in graduate school, but let's be perfectly honest for a minute... it's boring!
Actually, "For Information Specialists" is not that bad. Bates, White, and Wilson make some interesting hypotheses about the way people gather information, so the work has merit, it's just that the writing style is lacking and the content, dry as a bone.
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