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The book covers nearly three decades of the author's life with so many twists and turns it is hard to imagine that any spiritual resolution she would find in the end could last for long. Spiritual quests are, in fact, lifelong journeys that never end until we stop living--even when we think we have found our niche. This is not a "self help" book, and Merrick makes no judgment concerning nonseekers. She speaks from her heart, exposing her failures as well as her successes.
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Second, Mrs. Levin's assertion that Edith Wilson was the first female president is highly overstated. While she did control, along with Dr. Grayson and Secretary Tumulty, who and what the President saw she never made an important governmental decision. While Wilson was unable to appear in public he was able to read and perform limited duties of his office. Any scholar who has combed even the surface of Wilson's papers understands this. For an unbiased and complete review of Wilson in the months before and after his infamous stroke an interested reader should look at John Milton Cooper's "Breaking the Heart of the World." Cooper is the foremost living authority on Wilson.
My point here is not to completely excoriate Mrs. Levin's book but to caution readers of its flaws. There are much better books on both President Wilson and the first lady: the mentioned book by Cooper, Arthur Link's "Woodrow Wilson and the Progressive Era," and John Cooper's dual biography of Wilson and Theodore Roosevelt, "The Warrior and the Priest." As a student of Wilson I am most disappointed by Levin's failure to observe Wilson's high moral purpose and the energy which he devoted to it (this is what eventually brought on the stroke).
What's more, her chronology is so haphazard, and she skips around so much, that the reader is never quite sure what year or country we're in at any given time, or what the heck is going on, or who said what to whom.
Add a boatload of odd editorial boo-boos and you have a very disappointing book.
My complaints are that the book was much more Woodrow than Edith and I am still not sure I feel like I buy Levin's theme that Edith was the first female president.
I was surprised to learn just how incapacitated Wilson was and how little the country was aware of.
This could have been a much better book.
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Note that I could either be talking about the ancient tale of Demeter and Persephone, or about the fairy tale "Snow White." Tanith Lee weaves the two together masterfully in her novel, "White as Snow." As I read it, I kept reading a scene and then thinking, "Hey, WAIT a minute, that was the part where Demeter tries to make the little kid immortal", and so forth. It just fit incredibly well; the book followed both the myth and the fairy tale, making me realize just how much symbolism the two stories had in common in the first place. It is a testament to Lee's skill that after reading the book, I began to seriously wonder whether the fairy tale truly *is* a corrupted version of the myth, distorted through centuries. Whether there is any real connection, the world may never know--but Lee makes us believe there is.
And as I write this, I remember that in ancient times Demeter was associated with the mirror.
I deducted one star because I had trouble sympathizing with the characters; they seem emotionally cold throughout much of the book. It makes sense, given their traumatic pasts, but it doesn't make it any easier to relate to them.
Still, four solid stars for a richly archetypal neo-myth.
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This book's articles are grouped into four sections: (1) Design Strategies; (2) Great Border Plants; (3) Special Techniques; (4) Garden Gallery. It begins with four articles on the design of island beds and borders. Plant selection and placement are the topics covered by the majority of the essays, along with techniques for starting and renovating perennial beds. Gardening in the shade, in bogs, and in Southeastern heat and humidity all receive special attention in section four.
The one topic I felt could have used more coverage was flower bed edging techniques. One of the authors advocated a six inch by six inch trench to separate the bed from its surroundings. Another author, Sydney Eddison wrote an interesting article on "Good Looks Begin at the Edge," but she concentrates on edging plants, rather than on the physical separation of bed and lawn. Perhaps a future volume in the 'Fine Gardening' series will address the challenge of excluding the lawn from the flower bed (information I could certainly use).
Because it discusses a technique we're currently experimenting with, my favorite article in "Creating Beds and Borders" is "Roses Enliven a Border" by Judith C. McKeon. Up until a few years ago, we segregated all of our roses into one bed, away from the other perennials (I don't remember why). However, McKeon advocates growing roses as specimens in a mixed border:
"When shrub roses are grown as graceful specimens in the mixed border, they become part of its architecture, giving structure and a substantial backdrop for perennial companions. Like other ornamental deciduous shrubs, roses enhance the garden with the seasonal interest of their flowers, foliage texture and fruit displays."
I would only disagree with McKeon's recommendation to use the old Alba rose, 'Konigin von Danemark' as part of a mixed border. Our specimen of 'the Queen' is a hefty seven-footer and she is absolutely covered with thorns. Even the thorns have thorns. If you plant one of these royal ladies in your border, you'll never work in there again unless you cover yourself in leather.
'Konigin von Danemark' is a beautiful, raspberry-scented rose that could possibly be used as a deer hedge. For a mixed border, try other McKeon favorites such as 'The Fairy' or 'Gertrude Jekyll'.
Color photographs grace almost every page of "Creating Beds and Borders". It is not organized as a reference book per se, but is a collection of beautifully illustrated and well-written essays for (most particularly) the American gardener.