So imagine Black's rude surprise when he arrives in Basel, Switzerland for one of the BIS's regular monthly meetings. Instead of the warm welcome he had been receiving for the past four years as a Fed chief, he is arrested, jailed, and charged with using his exclusive knowledge of U.S. interest-rate moves to mastermind the most audacious insider-trading scheme ever.
Intrigued yet?
As the conspiracy begins to unfold, Black finds himself no more than a fall guy for a shadowy Sardinian financier, a conniving Swiss lawyer with a desk full of secret bank accounts, and the real inside trader--a corrupt president of the Swiss National Bank. In this mix of characters lies the potential for a Hitchcockian drama of a victim mixing it up with his tormentors as he tries to clear his name. The Set-Up journeys from San Francisco and Washington to Switzerland, Sardinia, and the wilds of Alaska, where the plot against Black falls apart.
On the good side, Erdman keeps things moving with his descriptions of shady Swiss dealings, and prison life. Big Swiss heads come off as men of impeccable social standing but a flexible moral character. That's an all-too-common shortcoming among the Swiss big-money set that Erdman seems to have studied closely during his life as a doctoral student and banker in Basel.
But this is also my minor grouse with the book that is supposed to be more of a thriller than a treatise on global finance. Expect a fair bit of digressions into the minutiae of international banking including an introduction to the innards of derivatives markets. Which was great for me personally, but these are in fact slightly piquing in terms of the novel's flow.
Nonetheless this is all worth the ride if you are in the market for a financially inclined thriller. Recommended.
The only major discrepancy we came across, for instance, was that the book said that Kuta has problems with tourists being hassled by street vendors, but when we went in April, we found that the main street in Kuta (where the Matahari Department Store is) quite the opposite. It turned out that the officials had just recently come down on the street vendors and put a stop to harassing tourists there. Instead, when we went to the center of town in Ubud, we were hassled a great deal by taxi/moped drivers to get us to hire them; this caught us off guard.
In response to concerns that the book isn't current on it's information, I feel that you shouldn't rely on a guidebook for prices, and that as a whole Lonely Planet Bali & Lombok gives the information that you need to know. It tells you in great detail about what there is to see and do, and where things are and how things work. I mean afterall, by the time any book reaches publication, isn't a lot of the information out-of-date? Otherwise, a book would never get published; it would be a newsletter.
I gave this a rating of 4 stars only because when we went to Bali, we didn't travel enough of the country (and we didn't get to Lombok) to give the book 5 stars.
List price: $34.95 (that's 30% off!)
This is an excellent book to put a baby to sleep.
I do have to agree that the CD-ROM, that comes with the book has a few good vignettes and questions that might be helpful to you, but please don't read this children's book.
One criticism, however. As one who reads every word, I was struck by the half dozen or so grammatical errors that pull you up short and that you would not expect from a carefully edited Putnam book. Just one will illustrate: "We'll can tell him later." That aside I plan to recommend CRITICAL MASS to my friends as a must read just like THE JUDGE.
Well this book follows the same pattern with each chapter you read. The line could be summarized as follows: A young Chinese girl is forced to become a prostitute for the officals of the Japanese Army during their invasion of Nanking. The father of girl finds out and kills her Japanese pimp.
On the other hand, the 300 pages of the books are just used by the author to show that he knows a lot of vocabulary. Sadly it is used most of the time to take the reader to the arms or Morpheus, not to develop a storyline. Now if you suffer from insomnia that might be a good reason to buy the book.
The Tent of Orange Mist is set against the backdrop of the horrors of the rape of Nanking by the Japanese army during the winter of 1937. The protagonist is Scald Ibis, the very proper adolescent daughter of a Chinese scholar. Two other characters dominate this book: Colonel Hayashi, the man who orchestrates Scald Ibis's transformation from child into woman; and Hong, her enfant terrible father who undergoes a none-too-pleasant transformation of his own. As Scald Ibis becomes involved in a sado-masochistic pas de deux with Hayashi, her home is turned into a brothel and she, herself, is transformed from a stunned sex slave into and elegant geisha. Against a grotesque backdrop of luridly depicted atrocities, Scald Ibis, Hayashi and Hong play out a game of intense tragedy that includes domination, subversion and mutilation.
Hundreds of thousands of innocent Chinese civilians met a grisly death at the hands of the Japanese during the rape of Nanking. Most writers who have undertaken to portray this atrocity have combined stark realism with an epic narrative technique, hoping to engage the reader's attention and evoke a sense of righteous outrage. West, however, takes a very different approach.
The Tent of Orange Mist is a book about the seductive power of art and the temptations of artifice. In keeping with the theme of his story, West imposes on his extraordinarily artificial characters an intimate and rather claustrophobic view that is perfect. In West's extremely talented hands, this improbable trio becomes believable, even when indulging in the most bizarre of circumstances. After being gang-raped by Hayashi and his troops, Scald Ibis's first gesture is to compose an elegant poem in calligraphy to the man she considers her new master.
This is a story of rape, of rapture, of poetry and of atrocity, but West tells his tale in prose that is graceful and delicately ornate. Although this extremely intimate look at a world and characters who are often bizarre and tortured and perverted will be offensive to some readers, The Tent of Orange Mist is a book that, considering what it depicts, is exquisitely beautiful and elegantly wrought.
What kills the book is how thin a story it is, one that will be familiar to anybody who's read the other Cussler novels. The evil Halcon is in turns no more greedy, magalomaniacal and insane than the baddies faced by Dirk Pitt, so his master plan, when revealed, won't exactly come as a surprise. The mystery itself doesn't seem to offer that much appeal. Searching for buries treasure is less NUMA than "Little Rascals" - as say an exotic metal that will power an anti-missile defense ("Raise the Titanic"), a missing nuclear submarine ("Pacific Vortex"), the dommsday bug bacteria ("Vixen") or a treaty that gives Canada to the United States ("Night Probe"). Also, Cussler was better when he put his pieces together - usually a round-up session when the major charachters gather togather and tell what they know, only to have Dirk Pitt put the pieces together in a way that nobody expected. In "Serpent", the mystery involves a "talking stone" whose meaning escaped the Spanish exploerers. Somehow, the rock never becomes more than a mere slab in these pages. The new NUMA novels had an interesting idea - replacing the lone hero with some teamwork and camaraderie. Only, the payoff would have been a more expansive story. Instead, the charachters never become more than fragments of Dirk Pitt, accomplishing together what Pitt would have pulled off alone. Instead, opt for one of Cussler's own Pitt novels.