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Don't get me wrong, this is a classic book well deserved for that title.
It is a very complicated and intricate story with mystery, love and evil.
You have a woman, Hester Pryne, who is beyond her time. Strong, beautiful, stubborn, honest and a mother without a father.
There is the father, the priest Dimmsdale, a man tormented by his secret. He is weak and is broken down by the secret he feels he cannot tell and tormented each day by it.
The long gone husband, Roger Chillingworth, sinister and revengeful. All he can think about is tormenting the two lovers, to break them down slowly.
There parallels and many themes that are very subtle and unnoticeable. Beautifully written with delicate underlying dialogue that tells it's own story.
This isn't a book for everybody. In order to really understand this book, you need to understand theme, archetypes, motifs, and the relevance of light and shadow. As my American Literature teacher says, bring you own experiences into the story; you will understand it a lot better.
The anthology also contains several new additions - most notably an intriguing section of Native American trickster tales that provides an interesting counter to Chris Columbus' over-zealous ramblings. As for more contemporary writing, I was pleasantly surprised at the number of deserving writers and poets newly anthologized in this revision: Toni Morrison, Raymond Carver, and Sandra Cisneros just to name a few.
Yet what makes this anthology truly successful is the breadth and depth of the text as a whole. The selections, the organization, the well-written bits of biographical information... IT ALL FITS PERFECTLY! No doubt other readers will find this anthology as informative, provocative and enjoyable as I do. A definite keeper for my permanent collection.
It should be of note that the text was so wonderfully written that it kept me from returning the book.
Imagine, however, what an incredible book this would be if the Parrish illustrations were not in black and white.
Italian gardens, as it turns out, are places for walking, thinking, conversing and relaxing. Their most common elements are paths, hedges, arcades, fountains, pools and grottos. They very seldom utilize color (a feature that is often ofterdone in American gardens), instead concentrating on foliage texture, stone and statuary. Usual plantings are trees, shrubs and vines.
What is most instructive is the layout of these Italian gardens, including the idea of garden rooms and the use of water features (both of which have become immensely popular here in the US, in the last few years). The architecture of the garden is everything, and is an extension of the house. Order, logic and function are paramount in the Italian garden.
Edith Wharton is a brilliant and fascinating guide; literary and historical references abound. A joy to read and to keep for reference.