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Beautifully binded, full of colorful photographs and drawings, and informative, this guide allowed me to explore more towns, sites, and places that are usually off the beaten track for a normal tourist. Their coverage of Puerto Rico's satellite islands: Vieques, Culebra, and Mona, was very interesting, and I was happy to see Mona in photographs, because it is rarely captured in photographs.
The chapters on Old San Juan, Ponce, and the Karst Country were also all informative and refreshing, making my trip much more entertaining. From the island's plethora of important rum distilleries (world's biggest producer of rum) to a brief discussion on local dialect, the editorial staff at "Insight Guides" did an excellent job of representing this beautiful Caribbean island in all its' splendor.
If you are looking for the best travel guides to Puerto Rico, this book and "Lonely Planet's Guide to Puerto Rico" are the two best travel books to this island. Don't forget to pick them up before your next visit to the island.
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The book is loaded with personal stories of the men and women who emigrated over the Bozeman Trail and those who went to Montana over other routes as well. The book is not strictly about the Bozeman Trail alone. It is also a history of the gold fields of early Montana, the Plummer gang, the vigilantes, etc.
The book covers the important Indian fights at Forts Phil Kearny and C.F. Smith, but is limited in that only one map of any kind is provided, and that is a regional one.
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I really enjoyed this book. I don't like reading long books so this 240 page book was a perfect length for me. I liked it for many reasons. It brought up many issues and situations that happened during the time when slavery was being abolished. It not only gave a strong description of the story, but of the true life blacks had to live by. It opened my eyes to new ideas about inter-race relationships and gave me a better understanding of what marriage is. At the end of the book Dorthy West states that, "Color was a false distinction; love was not." It also gave me a new meaning of what love is and that it's what is in the inside that counts.
I would recomend this book to anyone who is wanting a quick and easy read. It is a enjoyable and relaxing book. It might not all make sence in the beginning, but it all comes together in the end. I know that it has changed my prospectives on some issues and mabey it will change yours too.
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McLoughlin helped the early pioneers get a foothold in the Oregon wilderness, then was accused of keeping them in poverty for his own enrichment.
He was a compassionate man with a violent temper. McLoughlin was loved, hated, respected, reviled. And now he is the subject of a thorough, honest and compulsively readable biography.
In one sense, this book is an unexpected treasure coming from this writer, who is a respected author of history and fiction for young readers (including a work for young people about McLoughlin), not a traditional writer of biographies for adults.
"Outpost: John McLoughlin and the Far Northwest" is the work of Dorothy Nafus Morrison, an accomplished historian. "Outpost" is a major historical work designed for the general reader and for historians. But it is also a natural step in her development as a writer. It is an astonishing tale, exceptionally well told.
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What Kurtz fails to do is write in a style that reads easily. He seemingly jumps from o! ne anecdote to another with little to connect the two. I found myself wondering why he's telling a particular story and what it had to do with the story before. In short, he writes this book as a column with limited space.
-Howard Kurtz, Spin Cycle
In a story that is utterly devoid of edifying moments and chock full of quite depressing ones, these
final lines of the book are the most shocking. For it is only as you read them that the full realization
hits home that Howard Kurtz's justifiably jaded and cynical look at the way the Clinton administration
manipulated the press and the public in order to cover up or blunt scandal was written before the
Lewinsky scandal broke. Commingled with the shock though is the sudden comprehension that the
Clinton Administration was uniquely well prepared to deal with such a scandal, having spent the prior
seven years honing their obfuscatory skills on a whole series of equally disturbing and potentially
damaging scandals.
In fact, as Kurtz notes in a hastily tacked on Epilogue, one that subsequent events were to wholly
outpace, in the deposition that Bill Clinton gave in the Jones case, on the weekend that Matt Drudge
broke the Monica story, he revealed that he had in fact had sex with Gennifer Flowers. In other
words, on the very first occasion that most Americans saw Clinton, the infamous Super Bowl night 60
Minutes appearance, he lied to us all, with Hillary at his side, and it worked.
What Howard Kurtz really ends up detailing for us is just the long dress rehearsal before the big show,
in which the Clintons and their spin machine worked out all the kinks in their act. By the time the
Lewinsky scandal broke, they understood that all they had to do was deny initially, demonize liberally
(both accusers and investigators), leak pre-emptively, and acknowledge belatedly and they would be
able to so desensitize the press and the people that Bill Clinton would ultimately survive. And so, as
the tawdry mess reached its foreordained conclusion, we had the hitherto unimaginable situation of a
credible rape charge (by Juanita Broaddrick) against the President of the United States, which he did
not even deny, but which the press chose not to hound him with. He had finally just beaten them
down to the point where they didn't have the heart to pursue another scandal.
Then, in a moment which nearly redeems him, Clinton left office in a blizzard of bartered pardons and
other final acts of contempt for the staffers, supporters, and voters who had excused everything he'd
ever done. It was the final (...) gesture of a man who clearly understood that he had so implicated a
nation in his treachery that he had become untouchable. To judge Bill Clinton at that late date would
have required people to face all of the excuses and allowances that they'd made for him in the
preceding eight years, and that was not going to happen. It was all just so brazen that it was hard not
to admire the in-your-face flourish with which he departed. Howard Kurtz does a fine job of charting
the early years of the Clinton scandals, but there was so much more yet to come.
GRADE : B+
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If you're a newcomer to the state or considering moving to Arizona, then I'd recommend that you consider purchasing this book.
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As part of the New Deal, the Federal Government paid several thousand writers across the nation to write about what they observed. The collection of stories that is included in this volume all center upon Harlem and its so-called Renaissance. These essays are written by some writers that are well known, and by several who cannot be traced to this day. They all share a level of excellence that can result when talented people write about a place they are a part of. This collection is not a romanticized view of Harlem, The Apollo Theater, or any other landmarks you may know. The stories are stripped of all pretense, they each are small documentaries of what life was like for those who lived, worked, exploited, and were exploited by Harlem's unique population. It would be easy to dwell on portions of this book that would raise the anger that remains associated with various groups. This may be part of the reason this book was not embraced. Free Speech is a difficult taskmaster, and this may explain why these stories found their home in the archives of The Library Of Congress until they were finally brought to the light of day.
You will read of what, "Rent Parties", rapidly became once they were fashionable. The life of, "Thursday Girls", will leave you as numb as the stories of John Steinbeck. And for those who may think that the exploitation by today's televangelists is nauseating, come to know, "Father Divine", who entered Harlem in a one off custom built Dusenberg.
"Amateur Night at The Apollo", will bring insight into this famed theater that is as important as the polished versions so often written of this landmark. Fatso the Slickster, Big Bess, and Kingfish will entertain and sadden. And the story, "Finger Waves and Nu Life Pomades", will roll as smoothly across the minds eye as it does the ear.
My favorite part of the book was the manner these writers recorded the spoken word. They wrote what they heard, and while at times a reader may pause to get in step with some of these street poets, the language is priceless. This speech was a centerpiece of the stories of street vendors and the songs that made their days pass and their goods sell. Men and women who had their street music they would adapt as the blocks they passed changed, and the colors and religions of those who lived there changed as well.
This is a wonderfully collection of a piece of American History. No brief comment can do the work of these writers justice, and certainly is not enough to thank those who found, collected and edited the lives into this book.
It is a treasure, a gift, and a literary time capsule.