Now, THE ROAD TO RAGTIME has joined that select company. Thanks to Max Morath and Diane Fay Skomars, we have a document that shows what real American show business is like in the late 20th Century trenches -- the one-man show, the community concerts circuit, the roadhouses and honky-tonks, radio, television, and anywhere else there's an audience ready to be entertained.
Max Morath is one of America's greatest entertainers. He's one of those magical peformers who's able to get the audience in the palm of his hand the moment he takes the stage. What's extraordinary is that he's been able to be so successful without ever compromising the integrity of his music.
He's a national treasure -- and this terrific book helps us unlock it.
-- Murray Horwitz National Public Radio
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EXCELLENT!
But there's a lot more being offered here. First, in an authoritative introduction, Rhem presents an overview of all of Meatyard's photography. This essay is a prelude to and a setting for Rhem's real (and groundbreaking) work: thoroughly researched, original & penetrating elucidation of Meatyard's Lucybelle Crater photographs.
Personally I have had difficulty in understanding what the Lucybelle Crater pictures were about since first seeing them in an earlier version 25 years ago. From comments by friends & other photographers I realized that I was not alone in having this difficulty. We faced page after page of photos of two people, one wearing a hag's mask, the other a mask of an old man. These figures are posed most often against suburban backgrounds that are familiar and mundane. Some pictures are visually interesting, others dull. As you turn the pages the images accumulate, asking be "read". But how? "What's going on here?" was my nagging question. I knew I was missing something important about these pictures. What was it?
Rhem's essay is valuable in answering that question. And what's striking is how he does this and how well he does it. Not with scholarly jargon (though he has the thorough-going mind of a scholar). Not with flights of imaginative "interpretation" based on his own subjective feelings and opinions. And certainly not by calling attention to himself as a critic, biographer or insider (all of which, by the way, he is).
James Rhem works from a dense gathering of factual information about Meatyard--some unknown until now (thanks to Rhem's wide, and thorough investigations into primary sources.) This factual information provides the basis for a conceptual approach to the Lucybelle pictures that is both lively with anecdotes and rich with insights. Rhem has a sincere desire (you can sense it in his sentences) to tell you what he thinks Ralph Eugene Meatyard's photographs are about. He approaches the photographer not as a subject for a thesis but as a man whose pictures continue to have something important to offer us. Rhem has taken up that offer and made it his job in this book to understand and interpret it, using the considerable (and considerably generous) means that he's accumulated for that very purpose.
27 oct 2002
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Regarding the first issue, Sawyer has done a superb job in both his translation, and in his historical research. The prose is easy to read and understand, but the essential, almost poetic, essence of the original language has not been sacrificed. Furthermore, each piece is prefaced by a brief, but detailed, overview of the work including a biography of the author, or possible authors, and a synopsis of the historical context in which the work was created. In addition, the book is heavily footnoted, which allows the reader to fully comprehend each piece, without the primary texts being chopped up.
Regarding the second angle, I was genuinely astonished by how pertinent theses works are to modern military thinking. For such primitive (chronologically, not intellectually) works, they do a superb job of capturing the key elements of strategic thinking: maneuver, logistics, terrain, combined arms and command hierarchy. Moreover, they are extremely sophisticated in their consideration of Grand Strategy and the mobilization of the population. While these works are by no means a blue print for a modern army (the codes of conduct are draconian, to say the least), they undoubtedly provide a framework for the analysis/planning of modern operations.
This is truly a superb work that captures both the philosophical and the practical aspects of some of the most ancient books on the planet. Furthermore, it is a fascinating look at ancient Chinese history. It is truly a must read for anyone interested in military theory or international relations, particularly with China once again ascendant on the world stage.
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Fletcher takes you step by step into the hows and whys of creating and keeping a Writers Notebook, and discusses the birth of great ideas from little notes on life. He also touches on great tips like writing with honesty, including about things that hurt the most.
While I believe this to be an inspiring book for all (I now have 2 notebooks for my writing observations) I see it as an impressive gift, along with a small nice notebook, of course, for that little someone in your life who may have the gift to see, and write, life as it is to them. If you enjoy the idea of writing your self, this is a great place to start.
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The best example I can give is one of the stories -- "The Boy Who Left Home to Find Out About the Shivers." Other versions translate this as "The Boy who left home to find out what fear was." Why is this wrong? Well, the story is really about the physical effects of fear -- shivering. He didn't actually leave home to find out about fear itself. The gist of the story is that the main character never understood why his brother would "get the shivers" when he heard a scary story, so (among other reasons) he leaves home to seek his fortune. No matter what scary things he encounters, he never gets the shivers. Finally, at the end, the princess he married gets fed up with his whining about the shivers, and while he's sleeping, dumps a bucket of cold water full of minnows on him. He wakes up happy, saying "I'm shivering, I'm shivering!"
To this day, I use this story as a test of any translation of the Brothers Grimm.
Manheim explains that in early translations these were incorrectly labeled fairy tales and mistakenly assumed they were stories for children only. Over and over I am shocked by the gruesome content and punishments. Punishment by entrapping someone inside a barrel lined with the nail heads and then rolling them down a hill, father cutting off his daughters hands to avoid harm to himself, etc.
The reason I began reading these was to get a purist idea of what the Grimms' tales were: having grown up on the Disney version I was curious about the real thing. I was surprised at what I found, and happy! I was hoping to retell these stories to my 3 year-old but I have yet to find one that is tame enough to retell to him, but that is okay.
The storytelling nature of this is truly captured and I am entranced by these tales. The translator explains in his preface that this was the first time that the tales were translated from German to English by one person who was reading the original Grimms' manuscripts. This was first published in 1977. Manheim explains how earlier translations by other translators were muddled and errors made which changed some words, and at worst enough of the content was erroneous that the reader was really missing out on the true flavor and intent of the story. Manheim claims his edition is the most pure English translation. I compared this with my copy of the Pantheon edition edited by James Stern, as I was reading both copies at the same time. I found that the Manheim edition made more sense, that is, that some words were correctly translated to English while the other book had some words that I had just never heard of and could not understand. What fun to read these tales! Reading this book has been more fun than reading some recent fictional works. I have a renewed interest in reading about the old folk tales and fables now. Indulge yourself and read this book!
These original stories contain undertones that are lost with Disney-like euphemisms and euphemistic adaptations. This also means there are some ghastly contents to children, so be attentive. As well, it is unillustrated, and may be more difficult to relay to children, but any effort will be well worth it, in my opinion. At any rate, it could be good reading for adults who wish to discover the original version of some of the fairy tales they might have heard as a child.
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The real winners are those who are preparing to buy a house for the first time. This book will take you through pretty much all the steps, from thinking about what you want in a house and finding good neighborhoods, through figuring out how much you can afford. It's an excellent reference guide for somebody who's just starting to think about buying, and will be useful all the way through closing. IIf I had to choose just one book on buying a house, it would be this one.
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Celine does not really complain the misery of his fate. In his cynical manner, he merely records his incredible encounters with seemingly all the renegades and twised characters of a scorched Europe and willing or not he witnesses the atrophies and deformities of human mind. Ironically, the author somehow manages to turn his characters into hillarious and amiable, even entertaining figures.
Celine writes like no other writer you have read. His truncated sentences, in bits and pieces all over the place, remind of a rather maniac mind spinning thoughts at the speed of light in an incohomprensive, bordering to delirious babble. That's Celine all right throughout North. In poignant remarks, making fun, laughing at himself, expressing same anxiety, bitternes, and cynical observations as in his other writings, Celine moves on, weary but undefeated. Life goes on.
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My only problem(s) with this book are: that it doesn't elaborate on Upper Airway Resistance Syndrome, a close cousin to apnea and hypopnea; and while it states that UPPP surgery can eliminate snoring w/o treating the underlying apnea, it doesn't explicity state that it's possible (albeit admittedly less common) to have apnea w/o snoring in the first place. Finally, IMO, the authors should have stressed the importance of heated humidifiers in CPAP treatment (a breathing machine, which is the most common treatment for apnea).
This sounds like a lot of "complaints" but the overall excellence of the book doesn't keep me from giving it the 5-stars.
Before I went to a sleep clinic for a formal test, I read this book. It prepared me for what was to come, which was not particularly pleasant, despite disclaimers which say that the procedure is painless and non-invasive. That largely was true, but the same might be said for most enemas, and they, too, are not particularly enjoyable.
I was prescribed a CPAP (continuous positive air pressure) device, and I currently am in the midst of trying to adjust to it. To be blunt, I loathe the thing. Were I not married, I doubt that I would have the willpower to try to solve my moderate problem which, though annoying (that is, a gnawing and nearly constant fatigue), is livable. But to please her (who has endured my snoring for years), and because she does have my best interests in mind, I will persist.
The three chapters on CPAPs in this book are essential for anyone who wishes to truly solve his/her sleep apnea problem with one. There is no chapter of the support group AWAKE in my area, so Pascualy's words of encouragement and wisdom on the subject have been transformative for me. If I succeed with a CPAP, it will be because I read this book and took it to heart. Otherwise, without question, I just wouldn't bother.
I am a high-school teacher, and I have at least three colleagues who have got sleep apnea and either are undiagnosed or are in the midst of trying to troubleshoot/solve the condition. When I mentioned my dilemma to my current classes, a substantial number of students had fathers who used a CPAP. I acknowledge that this truly is a widespread problem in America and that the CPAP doubtlessly is the best solution currently available.
Read this book if you, too, are a sufferer (or the spouse of one); but be prepared for a substantial period of adjustment to the CPAP and its "magic"!!
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