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The anxiety, the body tension, and the constant stress of our lives in the West is partly the result of trying to make things happen and to control outcomes. The antidote is "Wu Wei" (don't force it). Or as Watts notes, "When you force a lock, you usually bend the key, so instead, jiggle gently."
Instead of fighting the external world, adopt the watercourse way of Taoism - go with the flow. By following the course of least resistance, we keep the door open for spontaneity and surprise. Watts also talks about art as a controlled accident, the wisdom of accepting yin and yang (the constant interplay of differences), and the value of following intuition. These lectures seem as relevant to our times as when they were first presented over 25 years ago.
There were a few passages which really stood out for me. As a Catholic, I have reflected often on the meaning of Beatific Vision. Being an impatient soul, I am not quite content to wait until the heavenly hereafter to find out what it is all about. Watts does not address this topic, irrelevant to Taoism, but what he says (p.56)about oneness and individuality apply: "There is enormous differentiation inside the body, desite the fact that it is a single, distinct organism. I use the word 'distinct' rather than 'separate' because by 'separate' I mean "disjointed" or "cut off from," but by 'distinct I mean something I recognize as a distinguishable pattern perceived as a whole. So, something can be distinct without being separate, in just the same way as back and front can be very different and yet inseparable." Yes, of course, that's exactly it: the Mystical Body of Christ here, the Beatific Vision hereafter.
His game of "Vish" sounds like fun and is a really good example of how language works.
This book has gotten me to thinking about art in a new way. I am coming to recognize the difference between what transcends and what is merely mechanical performance. It may be that, even though I cannot produce music or sculpture or anything that is usually termed a "work of art" in the usual sense, I can do other things that fit his description, baking bread for one thing. We can all be artists in our own way.
This book is destined to last through the centuries. Not guessing here, I know this for a fact. How, you may wonder? Well, four hundred years from now, Mr. Spock will say "A difference which makes no difference, is no difference." A very good paraphrase of the lines at the bottom of pp. 64-65. Guess Vulcans read Alan Watts, too!
I would highly recommend this book to anyone seeking a better understanding of the Tao Te Ching.
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There is no question that Watts was an intellectual giant and this book is evidence of that. The articles are well-researched and presented with clarity and detail. There is more scholarship here than in some of his other books.
I especially liked his extended discussion of Pure Land Buddhism and its relation to Mahayana. Pure gold here!
It was this book also which introduced me to the quote on the omnipresence of God from F.W. Faber (page 227) which has made a great impact on my life. Everything changed from the moment I read that.
If you have read any of my other reviews on his books, you will see that my initial enthusiasm turned eventually to boredom with his predictability, but none of that includes Seeds of Genius. I have read it several times now and have greatly enjoyed it. If I could give it more than 5 stars, I would. I am glad to have been introduced to Alan Watts and Seeds of Genius and would highly recommend it to anyone interested in philosophy and religion, whether or not you agree with his own philosophical stance.
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One of the things that I came across here, that I hadn't seen elsewhere, was a discussion on art and music. He had some great quotes: in trying to figure out what some modernist abstraction means, he says, "It always takes the artist to show us the vision, but of course, in the meantime, it is difficult to interpret these things." (pg. 28). He ties that whole discussion into one of my favorite topics, which is pattern, or "li." There was another quote I particularly liked, this time distinguishing between "good" and "bad" music: "Bad music always expresses something other than itself, like the 1812 Overture or the Sunken Cathedral. But good music never refers to anything other than the music. If you ask Bach, "What is your meaning?" he would say, "Listen! That is the meaning." This whole book was filled with essays on meaning and pattern, and I found it a joy to read. Overall, I have really enjoyed all the books I've read in his "The Love of Wisdom Library."
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Mr. Policarpo the coauthor maintains the site and regularly contributes to threads so support remains current (a real blessing in a rapidly advancing science such as this).
Some of the topic covered include: Gamespace (BSP, PVS...) management, LightMap creation and challenges, Camera control, Collision Detection and Response, Path Planning and AI, Shader and TexureMapping with various effects, Character Animation, Skeletal Mesh Animation and related issues as well as the fly3d2.0 environment and support and tutorials to play with and to make these ideas real...
The book covers most of the features include in the engine and anticipates extensions that may some day be added as well. The engine design is modular and lends itself to the creation of plugins that can leverage classes already included or that are completely new created by the user. Users can design levels, characters, objects, and control how they interact with the engine. Tutorials are included in the book as well as on the website with new ones being added by members of the community quite regularly. The modular design (in C++) and utilities that adapt Microsoft's Visual Studio and Discreet's 3dsmax (as well as Quake level conveter and a few others) allow seamless integration of these tools into the environment for a wealth of creative possibilities.
The text is clearly and concisely written and Mr. Watt demonstrates a commanding expertise in these topics without a lot of gimmicky embellishments or self-aggrandizement common in other more fly-by-night texts. This is a real hardcover edtion made to last by a quality computer technology publisher. Watt obviously maintains a close relationship with coauthor Policarpo the designer of the fly3d engine so writing ties in well with the fly3d platform but is not limited by or to it.
I cheerfully recommend this book to anyone who is interested in learning the sometimes difficult and challenging topics of game creation, expansion and maintenance. It is a demanding subject not for the weak of heart that can be difficult and time consuming to master. I've found there are a lot of other books out there that promise to deliver by tempting the potential buyer with the ease and completeness their books will include; however, I have not come across any others as yet that come close to the coverage and approach this (and the previous) volume supplies.
Before I bought this book I already had tried other approaches to learning this material but found the all the books I'd bought offered poor to none of the support and potential that 3d Games Vol. II together with the fly3d platform delivers. To learn this material one needs to be able to play with the ideas and be excited about the possibilities and have the ability to play with real tools in a real games environment. 3d Games Vol. II is concise, helpful, well-written, and enjoys a small but dedicated community available through the website.
....
Mark Carleton Maguire
Boston MA
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With the added benefit of containing the deft touch of Mark Watts, this is an invaluable text which shall prove edifying and entertaining for years to come.
This book is filled with the wisdom and humor of Alan Watts, and no body does it better.
If you buy one self-help book this year, make this the one!
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