Thomas Watson presents both the glory and simplicity of Christ's lesson on prayer in all its fullness. As the third work in Watson's trilogy supporting the ideas taught in the Westminster catechisms, Watson develops the ideas behind each phrase of the prayer with the best interpreter of Christ's words,Scripture itself. Often praised for his particularly lengthy treatment of the second petition, "thy kingdom come," I found the expostion of "Hallowed be thy name" the most compelling to my faith. This work changed my view of prayer, proving the motivation of prayer needed not to be my own desires, but the glory of God.

In this enjoyable book former IBM CEO Tom Watson retraces the legendary journey of Captain Cook, the famous 18th Century British seaman. Watson imparts interesting information on planning a long trip, inspiring a crew, and finding interesting historical information. Its an interesting read and tackes the reader away from the occasional mundane life to one of adventure and far-away lands to a world of the past. This world was very different even thirty years ago, when the voyage was made and parts of the world lay untouched by civilization, than it is today.

In the hour in which we live, it is quite difficult to read an author who knows the Bible. By going back to those of the "old path" (Jer. 6:16) we *can* read authors that knew the Lord and His Word. It is as if every sentence in Thomas Watson's sermons derive from a scriptural principle, or are a direct quotation. The Chrisitan will be edified and built up in the faith, whereas the sinner will most likely become most aware of his sin. This is a wonderful selection of one of the greatest Puritan preachers. I highly recommend it to those who love Christ in sincerity, that is, in truth (Col. 1:6). Watson was not a weak preacher; he knew the truth and preached it: "Many a person decked with morality is now descended into hell. A bull may be tied with ribbons and wear a garland on his head, yet go to the slaughter." (pp.1-2)

Shows at least 1,000 examples of shapes and textures that can give anyone ideas to throw at. Now that I can not have it, I want it! Oh well. Let me know when this book becomes available.Pig in the Poke Pottery

This is one of the most helpful commentaries I have found on the 10 Commandments. As I prepared to teach the 10 Commandments to the College and Career Sunday School class at my Church I found that I was referring to this work more constantly than any other.

Watson has a great ability to take heavy topics and bring them to a day to day level, which makes this both a great theological work, as well as a practically challenging commentary.

In my mind this is a must have for any serious student of the 10 Commandments.

This book captures the look and feel of life on Cape Cod as lived by the "natives". It does a nice job of "time travel" back to a gentler time (probably the '50's) that will be enjoyed by children and the parents that read this story to them...

I'm a sucker for any anthology that ends with Richard Petty accepting the National Book Award. . . This one also has a lot of heart. The first of what promises to be an annual collection of stories promoting "a rebirth of beauty and life-affirming values," the Silver Rose Anthology offers a strong mix of voices and attitudes. Not every story here will appeal to every reader (the opening story, for instance, does little for me), but the collection overall is outstanding. Personal favorites (in addition to George Singleton's outrageous "Richard Petty Accepts the National Book Award") include Robert Olen Butler's seamless "Rafferty and Josephine," Julie Orringer's touching "Note to Sixth-Grade Self" Patry Francis'"Limbe," and Patricia Hackbarth's provocative "A Brief Geological Guide to Canyon County."
Move over Bill Henderson, Katrina Keneson, and Larry Dark. Watson's in the house!

When Kevin Watson gathered the stories for this anthology, he was doing us a public service. This is a hard world: hearts break, and lives are shattered. Stories that don't deal with those realities aren't true to life. But there's so much more to life--and should be to art. These stories are "life-affirming" in the best kind of way: They don't stay sunk in gloom, but they don't stoop to easy answers. Each one shows us a new facet of getting on with life, making things work, following the path. The individual stories are excellent--I especially like the story by Pulitzer Prize-winner Robert Olen Butler, although it's one of several strong stories--and in their cumulative effect, the collection becomes (and I mean this in the best kind of way) inspirational.

i only gave this book 5 stars because i could not give it more. i went to a reading of one of the writers and soon went on to read the rest. it has a good mix of voices, but by far the best writer is Heidi Shayla and her story "The Coffin Builder's Romance", it is a beautiful story of quilts, boxes, and of course, coffins. it is my all time favorite anthology, and i would definetly recomend it.

Although not exactly riveting, this book does provide an interesting and readable history of IBM from the view of Thomas Watson Jr. who took over control of IBM after his father, Thomas Watson Sr.. Although much has happened to IBM since then (the job cuts, the internet boom, etc.), this is a fascinating glimpse at the evolution of big blue and the culture it once had.

The Watsons did not start IBM but they did oversee its growth into "Big Blue". Some of the anecdotes are quite memorable, the strict sales "uniform" (including sock suspenders), the refining and gentrifiying of the sales staff & executives, Thomas Sr. teaching his son to clean-up the bathroom on the train, the high-flyer told to forgo his tenant problems by Watson Sr.. It seems all tycoons and corporations have some skeletons in their cupboards and IBM is no exception. According to the book, Thomas Sr. and other senior executives at IBM started a business buying up old IBM equipment so prevent a second-hand market developing that would eat into IBM's market. It almost landed the Thomas Sr. and his colleagues in prison. Watson Sr. spent a great deal of time developing himself and his people to become refined, gentlemen with values and priorities. In these sad days of scum CEOs & executives, duplicitous companies, corrupt accountants & lawyers and valueless company "books" (Enron, WorldComm, Tyco, Merrill-Lynch, Arthur-Anderson, Martha Stewart,...) the incident may seem like grist to the mill but at that time it must have been a huge blow to the man and the company. A decent book if you have an interest in IBM or the history of the computer business.

It's always interesting to read what sons have to write about their fathers. Thomas J. Watson Jr.'s book is no exception to this rule. Although in many ways the book is a business biography, the relationship between the two men creeps in between the lines (almost more than you could imagine that the author had intended it to). Watson Jr. was clearly influenced by his iconic father, both for better and for worse. The book is a lot about how that influence (and the escape from that influence) shaped the company that is IBM today.

Obviously the company has gone through many changes since this book has written-- Gerstner, downsizing, eBusiness, Business Consulting Services, etc. But still, it's remarkable how much of the culture is recognizable back to the very earliest days.

I have a special interest in the subject matter, so it's hard for me to say how fascinating someone without an IBM attachment would find the book. But as far as I was concerned it was an interesting book executed well.

This book tells one of the most fascinating, indeed rivetting, stories that I have ever read. It is about the building of one of the great American businesses of the 20C, but also much much more: it is about the conflict of an extraordinarily hard-driving father and his talented though psychologically burdened and rebellious son. From the beginning, they were at eachothers' throats and never relented in their conflict, even when it became evident that the son's genius surpassed that of his father to build an empire that can only be compared to the accomplishments of the first two Caesars, Julius and Augustus. The book also covers a good deal of American business history from the great depression to the beginning of the stagnation of the 1970s and early 1980s. Thus, it can be read on numerous levels.

There are so many insights in it that it will bear re-reading for a long time to come. Watson Jr. was acutely aware of the cost of success and was brutally honest about his own failings as a manager and family man. I find myself remembering scenes in that book, running them in my mind as examples from which to learn.

Warmly recommended.

Even the biggest Paul Thomas Anderson fan will admit that his scripts don't read that well. He makes basic spelling mistakes and tends to run on with his incoherent, "realistic" monologues. His movies are salvaged by good actors, and his sense of sound and visual storytelling. In any event, this book is a big disappointment. If you're expecting something comparable to Newmarket's Magnolia script book or even Faber and Faber's Boogie Nights script book, think again. The gimmick here is that the multi-colored script revision pages are published, instead of a single draft. The result is only 90 pages and, since many of the pages are script revisions, some of the pages are half empty. Also, unlike the previously published PTA scripts, there's no introduction. Unlike the Magnolia script, there are no stills. Hell, there isn't even text on the back cover of the book. This is as bare-bones as script books come. As far as I can tell, PTA doesn't really care about his fans anymore. He's stopped recording commentaries, writing introductions, or soundtrack liner notes. At least he still makes good movies.

I love being able to read P.T. Anderson's shooting scripts. His films are fabulous. I believe one of the negative reviewers partially misses the point when harping on the misspellings, the rambling monologues and how PTA's scripts are saved by the actors. The whole point of a script is that it is the first rough draft -- the framework -- upon which a movie is built. Of course there are going to be improvements between the script and the final product. The reason to buy this, or any, shooting script is to see how the project evolved from script to screen. In the case of Punch-Drunk Love -- much more so than Boogie Nights or Magnolia -- it's fascinating to find that almost every important scene was tweaked, sometimes in a major way, before this wonderful film reached the screen. ... It's a great chance to get some insight into the stages of the creative process of one of America's finest directors. ... BOTTOM LINE: Does this book have all the bells and whistles of the Boogie Nights and Magnolia shooting scripts? NOPE. Is it essential for the PTA fan? YUP.

One of my new favorites, "Punch-Drunk Love" is a unique and spectacular story about a man who doesn't know how the face the world around him. That man is Barry Egan. He has seven sisters who have verbally abused him since he was little, causing him to, now all grown up, get into violent outbursts. Barry's a quiet and shy guy, but if his button is pushed things can get out of control. He meets Lena, a very strange and peculiar girl herself. Love falls upon these two, but Barry's even facing more problems after being blackmailed by a phone-sex operator. But when all else fails, he knows that he has a love in his life in this very oddball and dark comedy.

I'm glad they came out with a script version of the film that you can buy. Paul Thomas Anderson has written a magnificent picture that's so easy to relate to , it's scary. The stuff that occurs you can see happening in real life. It's realistic and surreal at the same time.

This is the shooting script, on blue, pink, and yellow colored pages that symbolize when the revisions were made. Technical terms such as camera angels are included as well since it is a shooting script. Even little changes are mentioned as well. I love the dialogue that was written and you can tell that P.T. had Sandler in mind for the part, because nobody else would've been able to pull it off. While it's not your typical comedy, I thought it was hilarious. It pretty much follows the movie, although some things aren't there or changed due to changes that occurred during the shooting. It's pretty much all there for the most part.

"Punch-Drunk Love: The Shooting Script" is a great purchase for anyone who loved the film. It may not had been the most popular movie to come out of 2002, but it's #2 on my list. The pages fly by with ease, and when you're done with it you want to read it again. I can't wait for this movie to come out on DVD. I'm counting the days. A spectacular script for a spectacular film.

Not to put the previous reviewer down, but which culture hasn't studied the constelations ("fixed stars") & plenets ("wandering stars") for centuries?

This is a great book. The wording is very practical and down to earth. The subject matter in most of these chapters is formidable (given the limited space), and allows dialog between the reader & writer. What I enjoyed the most was not the diversity that was braught to the book, but the depth of knowledge that was braught to it. The chapter written about Chinese "Five-Element" Astroloy was my favorite. For more info about "this stuff"; I recomend anything written by DEREK WALTERS.

Now if you'll me let complane (which is what most of the critiques on Amazon.com do), I'll share with you what I don't like about most practicing astrologers. Most people (including Fagan) try to dispute the validity of using one Zodiac over another (sidereal vs. tropical). But the fact is that some Zodiacs don't even use the ecliptic! Incuding Chinese astrology. Or the Nakshatras, which most western astrologers "throw in"! And this is my point, that these Zodiacs are a cration. Our creation! And that's what makes astrology valid! Remember Arroyo. Don't forget Arroyo. He said, "If astrology is in fact an emination of universal mind or 'Collective Unconscious' or anything like that, then instead of imposing foreign dogma on astrology, I would say, let us open our eyes to what astrology already is! Let's acknowledge its inherent, extremely sophisticated, psychological [soulful] dimentions. It's all there. It's a tremendous tool, a language of consciousness and inner experience... This is one reason why traditional astrology has become quite meaningless to many of us; the astrology has not for the most part evolved to keep pace with our growth [in] consciousness. And it's why every culture has it's own astrology-the consciousness of that culture determines what level of understanding they can have of astrology."

I really need to emphisise this feeling I have about these truths! It seems as though all we need to do is look up and astrology becomes valid, alive because we are!

For another "good read" try The Origin of The Zodiac by Rupert Gleadow.

This is a book about astrology from China, India and Tibet. I do not know of any other book in which there are so many different astrological techniques from the East. Everything is clearly explained. In this book, you will find the wisdom of the sages of the East who have spotted the stars and planets for centuries. Now you can learn about their insights.