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Well, back to the novel itself. The story opens in the year 1764 in Naples, Italy as a group of English tourists are visiting a church. They notice a diabolical looking man who they are informed can never leave the safety of the church walls because he is an assasin. The place is his last sanctuary from those who wish to kill him. Of course the group asks to hear the tale of the assasin and The Italian begins.
The story opens as a young nobleman named Vincentio di Vivaldi spots the beautiful but common Ellena Rosalba during church service and falls in love with her. From this Dantesque beginning we are led into a Romeo and Juliet scenario in which Vivaldi begins to woo her without the approval of his parents. Then we have the apperance of a cowled priest who appears to warn Vivaldi of future events before they happen. Vivaldi chases him a couple of times but all he ever finds is thin air. As the book continues, Vivaldi's mother will stop at nothing to keep her son from marrying his one true love.
I didn't have too much hope that I would like this book when I picked it up, having given up on reading a similar work called Melmoth the Wanderer by Charles Maturin. I was very impressed with Radcliffe though. She stayed away from sentimentality and none of the characters was a caricature. They all seemed like deeply drawn personalities. The book had a real modern feel to it, probably because she modeled her stuff on Shakespeare, the most advanced writer of any age. The "thriller" aspects were quite good too. I found myself desperately wanting to turn the page before I had even read it to know what would happen next. Ann is a writer I will go back to and read again.
Published in 1796, "The Italian" became an instant success, cementing the fame of Ann Radcliffe among the liteary circle. Her name has been already well-known with her previous work "The Mysteries of Udolpho" two years before, but in my book this follow-up is better than the other. Of course, it depends on your view which is superior, but it is commonly agreed that Ann Radcliffe's position in the history of English literature is secured by those two Gothic classics, which clearly gave inspiration to Jane Austen, who wrote the joyful "Northanger Abbey."
The story is rather simple in the beginning. It tells of a romantic love of young dashing nobleman Vivaldi in Naples, who falls in love with a girl Ellena. But his plan of marriage is soon interrupted by the vicious monk Schedoni. Then ensue abduction, murder (attempted or not), and the Inquisition. There are lot of suspense, terror, and thrill that come from the fluent narrative of Radcliffe, who knows how to engage the readers' attention. (And thankfully, "The Italian" is free from any lengthy poems that are found aplenty among "Udolpho.")
To be sure, the third part of the book is damaged by its too complicated relations between characters, and too rapid pen of the author to wrap up the events with rational explanations about the mysterious things in the first part of the book, but the whole book manages to sustain our interest to the end. Radcliffe's effusive descriptions of landscapes (with a little sentimental touch) found in "Udolpho" are gone (but not completely), and the plot is tightly knit so that we can enjoy the fast-paced adventure of the hero and the heroine. The best part of the book is, probably, the middle section where the hero, with his comic relief side-kick, tries to escape from the sinister convent where the heroine is confined to be forced to take a veil. It's a real page-turner which would put many of today's bestselling author to deserved shame.
One of the best Gothic novels ever written, "The Italian" is still a gripping tale. Most regrettabe thing is that the author Radcliffe stopped writing totally after this book for the rest of her life (she died in 1823). Considering the fact that she had never been to Italy (she travelled abroad only once, in Netherland and Germany), and that her sublime landscapes are proof of her amazingly imaginative power, her early retirement should be lamented by all of us. But we must be content with what is left. Enjoy this one.
THE PENGUIN EDITION published in 2000 has 10 pages of excerpts from comtemporary reviews, which would help readers with academic purpose.
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In his 1st book Rich Dad Poor Dad, Kiyosaki addressed the differences in mindsets between the Rich and the Poor. Then, in his 2nd book Cashflow Quadrant, he spoke on the 4 quadrants from which one can generate income. To be wealthy, Kiyosaki recommended that we learn to generate our incomes from the "B" (Business-owner) and "I" (Investor) quadrant as opposed to the "E" (Employee) and "S" (Self-employed) quadrant.
In his 3rd book Rich Dad's Guide to Investing, Kiyosaki tells how he got started in his investment journey, starting with nothing, and in fact at one stage, with a negative net worth. Most of us, having read his first 2 books, would have wondered if we could have embarked on our journey to become financially independent without much resource at hand. In this book, Kiyosaki shows how anyone can get started and how it does not take money to make money. He teaches how time is more important than money; how investing in one's self and getting an education and experience precedes excessive cash; how having a plan is more important than being in a hurry to make money.
This is not a book for those who want hot tips and quick fixes. This is a book on mindsets. Kiyosaki plants ideas and provides a road-map. The reader must take the first step and learn to navigate his/her own journey.
What I like about this book, is Kiyosaki's concept of being an Ultimate Investor, a "selling-investor". The Ultimate Investor creates deals and businesses that the public hunger for and are willing to pay a premium to acquire a share of. With the internet, it has never been easier to create businesses and deals which one can take public.
As in all his other books, Kiyosaki's book is worth reading again and again. I would also recommend that one reads Robert Allen's Multiple Streams of Income in conjunction with Kiyosaki's Rich Dad's Guide to Investing.
Good book and the best of the three in my opinion.
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Overall I like Kiyosaki's style of writing and he makes a boring subject come alive with his storytelling style, but sometimes he just overdoes it.
Finally, I recently purchased his CashFlow 101 game and my two teenagers (son 16, daughter 14) love the game and beg us to play it all the time. They caught on fast to the score card which includes a balance sheet & income statement. I'm learning a lot just teaching and guiding them. It's worth the investment just to hear your 14 year old say "I don't want any more doodads, I'm trying to build my passive income here!".
As a young man without much experience using economic terms, Kiyosaki was able to use real life examples that made the learning so much easier. Although this book was directed to parents to help their children start ou in life on the right path financially, I found it, as a senior in high school planning to go to college and grow up, to be extremely usefull.
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Many pages are devoted to theoretical arguments with few real-world examples (i.e., case studies). The writing is direct but uninspired.
Have a look at the table of contents. It starts from digital logic basics and it ends at the Interrupts chapter (this means, almost, operating systems). The distance seems to be prohibitive, but the path traced by prof. Ward and Halstead is remarkably solid and meaningful. Once basic logic circuits blocks are covered, it leads to computation issues (from FSM to Turing Machines), passing from performance considerations (e.g. pipelining) and memory hierarchies (cache memory is extensively covered).
Two chapters are devoted to milestone architectures: the S machine and the G machine. Such a thorough coverage on these two machines is something I've not found in other books.
The chapters on Processes, Processor Multiplexing, Processes Synchronization and Interrupts are good and at the level of an OS course. The astonishing thing is that the background to face these issues is well built before (again, recall that the book starts from basic Logic Levels !).
This book has been a very worthy read. My course used materials from different books, internet resources and my instructor's knowledge. The instructor itself suggested us to give the book a complete read when we had time (we didn't cover all the topics of the book) because we would have really learned important things. I've not done it completely, but the more I do it, the more I agree.
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Deighton's over-detailed descriptions of clothing remind me of a Nancy Drew novel. But the worst part of reading _Ward_ is the feeling I get that this is a British writer pretending he's a lifelong American. Britishisms such as "rang off" instead of hung up and "ramp" instead of driveway reinforce this irritating dent to the story's credibility.
Other critics ask, Well, what's a spy novelist to do now that the Cold War is over? Hello-oh. . . China, Iraq, Japanese industrial espionage? I'll ring off now.
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The introductions are well written, however I did add a summary after each skit which would highlight the scripture a little more. This is an excellent resource to use with adults whether in a class environment, or as preparation for a Sunday Morning Sermon. These skits can be altered to fit different ages and genders than those presented in the book. They are thought provoking and interesting. Most of all they are short and to the point.