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The book is written with plenty of action without being too graphic. The crocodile hangs in the water; she jumps and snatches a heron as it flies by; she yawns, closes her eyes and sleeps in the sun. The mother crocodile cares for her newly hatched babies. The book even has some tension as a snake slithers toward the as yet unhatched crocodile eggs.
The words paint a lovely picture of the crocodile's home. The words invoke the senses and invite discussions of the swamp. Flies buzz in the sunshine. The swamp is murky and green. At night, the swamp is steamy and black.
Although this book is a fictional story, it does slide in some interesting information for those newly interested in crocs. Birds pick food from between the crocodile's teeth. The mother crocodile carries her babies in her mouth.
_Imagine You Are a Crococile_ is a favorite at our house with both the parents and the kids. This one I'll never get tired of reading.
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Rittenberg's decision to stay in China had more to do with his pathological need for acceptance than some strong revolutionary desire. As a foreigner, his ability to speak Chinese was what provided him admission into the Chinese Communist Party at a time when international support for their cause was lacking. He was just a freak at the right place and the right time.
As I read this book, I thought how weak and cowardly he was. When Rittenberg wasn't running from bombs like a little girl (he states how he was always the only one to run for safety), he was constantly crying and begging the jailers to accept him as a true Communist Party member.
Actually, I was surprised by his lack of embarrassment or shame for the opportunist life he lived in China. He criticized Zhou Enlai for his "unbecoming obsequiousness" to Chairman Mao yet the same mirror can be applied to Rittenberg as he continuously groveled like a lapdog to be accepted as the "only foreigner in the Chinese Communist Party."
The first time he was sent to a Chinese jail was due to his naivete. The second time it was due to his stupidity. His hubris and egotism was the real cause for the senseless waste of his life in a Chinese prison.
In this whole story, his second wife, Yulin, and later his children, were the only ones with intelligence and character. Rittenberg comes off as having the integrity of a worm.
I gave this book three stars because of its readability - the font size was very comfortable to read.
This book should be read in order to provide insight into the psychological weaknesses of individuals who join cults, extremist political parties, terrorist groups, etc. I am sure the American's who joined the Taliban and Muslim terrorists groups have a similar psychological profile as Mr. Rittenberg.
B. Polk
Beijing, China
Another reviewer's comment that "How this man earn a living in the US as an expert on a country he never seemed to understand is beyond me.", is actually beyond myself. I doubt if a man can't at least learn one or two things about a country if one lived there for 35 years, especially with about half of the time shut in a prison, devoting to a course he believed in. What the course is and whether it is really there or an illusion, is another matter.
In my own experience the book could be read on serveral levels: a personal autobiography from youth to the old age; the story of an American youth's adventure in the middle kingdom across 1949; Chinese revolution, from Yanan period to its end in late 70s, in the eyes of a foreigner of left wing political persuation, especially as an active (foreign) participant's memory/story of Culture Revolution. The experience is rich as well as unique, writing clear and smooth, reading the book is highly enjoyable and educational.
But here also weakness of the book lies, that different themes and levels of discourses can be in conflicts to each other: chinese revolution and Culture Revolution could be too big, social and impersonal to constraint and present in a biographical framework; events and various persona, from Chairman Mao to individuals living around the author, could only be presented from one perspective, without other independent references.
Still, the experiences are unique, stories moving, themes grand, the book is highly recommended.
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However, I can say that while I agree with most of Mr. Wallace's viewpoints, I should also note that he has many fallacies in his case studies, particularly those with Disney. As a former Disney employee, I have to wonder how much time he truly spent researching the inner cogs of the "Mouse Machine," and who he spent time interviewing.
As a volunteer museum curator/collections manager, I must agree with other reviewers about Mr. Wallace's critical analysis of museums. "Could," "should," and "would" are great words when theorizing and idealizing about the historical preservation process, but until one actually experiences the real-world struggles of museum revitalization and artifact preservation, I tend not to pay any heed to the noisy cymbals of criticism.
Finally, as a graduate student of Popular Culture, and from an academic viewpoint, the lack of detailed citations and direct references in this book raises my concern about the integrity of the research that was done. The bibliography, while impressive in its depth, is not annotated enough to make up for the missing footnotes of works cited.
My particular interest is Disney Studies, and Wallace has a section (actually two essays) devoted to Disney and it use of history. The first essay concentrates on Disney's use of history in its theme parks, particularly in places such as the Hall of Presidents and EPCOT. While Wallace does not shy from criticizing Disney's portrayal of history (in fact, one of Wallace's strengths is he does not shy from representing his own viewpoint clearly), he also does not simply dismiss the potential in integrating history, entertainment, and the kind of technological wizardy that Disney is known for. He makes a serious case for a reconsideration of Disney and its techniques, all without constantly hitting his reader over the head with things. In his second essay, Wallace concentrates on the failed Disney's America project, providing background information and a critique of Disney with a call to re-examine Disney's use of history as emblematic of other movements and struggles over American history. He also makes it clear that he believes simply dismissing Disney is not an effective strategy for considering how portrayals of history could engage the public. The strength here is that Wallace is not afraid to criticize both Disney and kneejerk criticisms of Disney, or to envision the melding of history and entertainment. Nor does he abandon the quest for critical presentations of history that open history to even further investigation. While this is no easy task, Wallace does succeed.
If there is one thing I would suggest, perhaps the element I feel is missing, is a better development of these strategies for the presentation of history that Wallace supports. Although that could indeed be a book in itself, it would have been nice to see more of Wallace dwell more on his own engagement with, even answers to, the questions he has raised in this book.
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It is good for the entire family, if you're family consists of those aged at least 16 years old. Kids won't like this because the information is not aimed at them; it is geared towards adults. It is a nice book and will keep you entertained for hours.
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While some of the stories are well known, others were not, and this is what is needed. I have seen several of the deceased recipients' graves at Arlington National Cemetery that are covered in this book; Edouard Izac's story is amazing in his continuous efforts to gain secrets of submarine warfare while as a prisoner of war in WWI, along with his escape attempts.
The book manages to show that while these men (as well as the sole female receipeint, Mary Walker) were indeed brave in their actions, they are mere humans that have lived in wealth or poverty, and encountered success as well as failure.
I would have given the review five stars if the book was illustrated; as I believe that it would have assisted the reader to put a face with the name of the recipient. While reading the book, one may want to visualize the person they are reading about. If you enjoyed this book on a more human aspect, I would also recommend "Beyond the Medal" by another Medal of Honer recipient, Peter Lemon
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