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The Pioneers is a book in the romantic style of it's age which also carries contemporary messages. The loss of wilderness and wildlife were already a concern in the late 18th century. As the population shifted westward, Native Americans were supplanted and the wilds they inhabited were methodically tamed. Marmaduke Temple and Natty Bumppo, the conservationists, approach the issue in differing ways. Temple exemplifies the responsible management of natural resources while Bumppo longs for the departure of civilization so that nature may reclaim it's own.
Surrounding the ecological message is a story of a human dimension that, though expectedly formulaic, is nonetheless pleasing to behold. The characters are finely wrought as is the portrait of 18th century American life. Easily transported, the reader will find the descriptions of natural surroundings evocative of period and place.
I was sorry to see the last page, though the last page was masterfully done. While James Fenimore Cooper need not be proclaimed by me as the author of classics, I consider this book one and the same and rate The Pioneers a resounding five stars.
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Stackpole brilliantly shows the past carrer of Fel in the Imperial Navy, how he met Syal Antilles, Wedge's sister, and how it comes to be that Fel defects to the Rebels.
The story falls short in the cofusing final third, however. Not much happens and what does happen is very jumbled and not thought through. Then again, Stackpole isn't exactly the Master of the Hidden Plot. But it is well worth its cost in dollars in the first two-thirds; after all, I bought it.
The first part, 'The Making of Baron Fel', is definitely one of the most unique pieces of SW ever assembled. Picking up right where 'In the Empire's Service' ended, Baron Fel is in Rebel hands and through the interrogation chair reveals his life in service to the Empire in a mix of narration and flashbacks that could only be achieved in comic book format. Fel's story is indeed a compelling one and does the rare feat of presenting a clear philosophical case against the Empire.
It has also been both praised and criticized for its extensive use of cameos. I, for one, will do some praising, as it does help to tie the SW galaxy together. Appearances by people such as Tarkin, Thrawn, Derricote, Isard, and so forth are key to the story, while people like Post ('Family Ties')and Turr Phennir ('In the Empire's Service') serve to tie together pieces of Fel's life and the over all XWRS story.
The art by Steve Crespo is good, with well-done people and a good amount of realism. The spacecraft, while reasonably detailed, are nowhere near those of John Nadeau and his wizardry with technology. The whole thing, for better or for worse, has a rather crisp look to it, as opposed to the very dirty style of Gary Erksine.
The slightly longer second part, 'Family Ties' is a little of a letdown. The art has little detail and the movement isn't very fluid either. The story itself is alright, a bit of a nice breakaway after 'In the Empire's Service'. It opens in the aftermath of the Brentaal Campaign, where General Salm gives a little eulogy for the dead Aggressors and Rogues. Following is Fel's introduction to the rogues and greeting that is not too kind. Then Wedge send Plourr, Hobbie, and Janson to Corellia on a mission that takes up the rest of the story. The appearance by Kirtan Loor was a nice touch, enhanced even more so when Corran Horn and Iella Wessiri from Stackpole's novels take on roles as co-stars.
'Family Ties' was colored by Perry McNamee instead of the usual David Nestelle, and, call me spoiled, but it shows. One particular scene, if you read the dialogue, takes place at night, but you couldn't tell that by simply looking at it.
Overall, its is a key link to the rest of the series and is recommended for that and because of the very interesting look into the Empire provided by 'The Making of Baron Fel.'
The Making of Baron Fel is simply an outstanding comic. Basically it is, as the cover implies, the life story of the Empire's greatest pilot. It is told by Fel as he sits in a Rebel interrogation room, and really takes the guy from "Imperial pilot extraordinaire" to one of the most sympathetic characters to show up in the Star Wars mythos. The art suits the story perfectly, and we get to see a ton of familiar faces. There are cameos by Isard, Derricote, Thrawn, and Hal Horn, as well as a bunch of Rebels before they defected from the Empire. This comic also gives us a good look at how truly corrupted the Empire was, and why so many people were so willing to serve under it. There are also several surprises, including the identity of Fel's wife, as well as Fel's offer to the Rebels. This comic alone is worth the cover price of Blood and Honor.
Unfortunately, Family Ties does not fare so well. Janson, Hobbie and Plourr (shouldn't she be back on Eiattu by now?) go on a mission to Corellia to ensure the safety of Baron Fel's family. Along the way they bump into a few familiar faces (including Corran Horn and Iella Wessiri in their CorSec days, as well as their Imperial liaison and nemesis, Kirtan Loor), as well as a few old enemies of Fel's. I didn't mind the art style, except that the characters were changed. Plourr was never before a buxom, spandex-wearing type, and Horn's X-wing as well as Horn himself and several other characters were also somewhat butchered. There were a couple funny running jokes, but no particularly wonderful dialogue, and there was only one space battle, thrown in at the end almost obligatorily, and then only to show off Corran's skills in a fighter so that the Rogue could make some jokes about how he'd never be a Rogue.
The Making of Baron Fel was exceedingly good and definitely worth reading. Family Ties was not. I definitely recommend this comic for the one, if not the other.
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Although I have just barely finished reading half of the book, I felt compelled to say something about it.
Sometimes it just pains my heart to see how the society, in a sense, failed the genius. It comes natural for "normal" people (people with such genes tend to have an edge in survival perspective in terms of natural selection) to deride and hurt (sometimes on purpose, sometimes unwittingly) a person who is superior in non-social matters but lacks adequate development in social matters. William James Sidis clearly fell victim in this category.
Also, this biography tells us that intelligence needs to be accompanied by wisdom to fulfill its due expectations.
Clearly W J Sidis is very intelligent (intelligent in some specific areas like maths and languages); but he does not seem to be very wise in a broader, higher sense; that is, his intelligence helps him see "trees" in a much clearer way than his fellow beings, but lack of wisdom fails him in seeing the "forest/wood", i.e. the BIG PICTURE. His own version of a constitution in a fictitious "perfect" (in his eyes) society (Hesperia), notwithstanding sophisticated in logical rules and bearing some other merits in terms of form, is naive and myopic in content.
In a way, he is very stubborn to have such notions as "The word art means very little to me" and "why will people waste so much energy on statuary, painting, drawing, etching and the like" (p. 109 of the book). Frankly, I fail to note similar traits in other accomplished prodigies like Stuart Mill, Wiener, Russell and Einstein. -- Lack of appreciation (and even contempt) for other forms of achievements in humanity will sooner or later limit a prodigy's success in one way or another because it denotes an unbalanced development among numerous dimensions of human nature.
As of the root of the Sidis "tragedy" (saying tragedy might be overstated), clearly the way his parents raised him contributed largely to the outcome. And the inappropriate amount of attention had been directed to him since his very early childhood, a fatal error in comparison to the shrewd way John Stuart Mill was brought up by his father...
I might have more to say when I finish the book.
As for William James Sidus himself, here was a person who lectured on 4th dimensional mathematics at Harvard at the age of 11. It was said that he probably spoke every language of mankind- and actually invented entirely new languages of his own. He wrote the first book on cosmology that ever theorised the existance of black holes. He was the first to see the correlation of the 11 year sunspot cycle on both climate and human behavior. He wrote some of the first "alternative histories" of the United States (rejecting official proganda.) He had absolute contempt for capitalism and corporations (he seems to have been incapable of telling lies or exploiting other people.) He recognised the fundamental contribution of Native Americans to mainstream American culture long before anyone else. He was absolutely convinced not only that extraterestrial intelligence existed, but that it had to exist. He wrote seriously of Atlantis while "serious" scholars scoffed at the idea. He totally rejected formal theology and religion- while having no doubt that a higher power existed...
One of the chapters of this book is entitled "Sidis an Avatar?" While William Sidis himself would have automatically and violently rejected such a claim, I personally wonder if it might have not been close to the truth....
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This book must have taken forever to research the facts. The book was written by almost all the same people that wrote the Peoples Almanac and The Book of Lists.
I actually wore out three copies of this book. It's one of those books that you pick up again and again.
For anyone looking into the "true history", this book is a must have. Through the years, I have gone through three paper backs and now have a hard back copy of this book. A real "keeper".
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