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This is the best novel in the series, masterfully interweaving the virtues of Beck's patient, methodical style of detection with a damning indictment of the pointless brutality and general incompetence of modern law enforcement. The point of the book, made in a variety of ways, is that law enforcement needs better cops, not bigger guns. Excellent as both a crime thriller and social commentary.
And don't miss the cliffhanger ending.
Unfortunately, it's out of print, and hard to find. Beg, borrow, or steal a copy, and read it.
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"And just why is it not longer in print?" one of the bureaucrats might ask.
"Ridiculous" Beck might think under his breath.
These books give me the feeling that the authors really had a lot of experience in the world of police detective work. I don't know if they did or not. I think perhaps they were journalists who covered some criminal investigations.
There isn't a gunfight on every other page, and they don't get the guy who did it quite as easily as all that.
The work is methodical and frustrating, but in the end things get done and in the end the book is a satisfying read with small insights into both the work and the lives of the men.
This particular one has a good bit of Gunvald Larsson (not exactly Beck's favorite colleague, but definitely my favorite character) and the brick walls he very nearly runs into in trying to solve this case.
The comic relief, like the more serious moments, is reserved but very well done. I've reread some of the Larsson scenes many times.
jl
One of the better novels in the series, this is the first one to deal seriously with organized crime and the underworld. It also gives more time to the hilarious Gunvald Larsson, introduced in earlier novels but here playing a major supporting role.
An excellent crime thriller.
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The crime in this one is again sexual in nature, although even more barbaric: the serial rape and strangulation of little girls, whose bodies subsequently turn up in parks all over Stockholm. Beck is on the case (with his trusty partner Kollberg), and the two thoroughly investigage every lead, but to no avail. The tension in the book is simple, but palpable: ... As the detectives begin to feel the heat from their superiors and the public, the killer prepares to strike again...
And then the anticlimactic ending. No car chases, no shoot-outs, no ingenious breakthroughs, no sudden flashes of psychic insight: just simple police work and a healthy infusion of old-fashioned dumb luck.
One of the better novels in the series, again to be praised for its attention to details and realism.
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The book takes place in Stockholm in the early 1970''s where a young woman's body is found in a lake, near the locks of a major waterway. The police at first have no leads, there is no identification on the body, and they have no clues whatsoever as to the identity of the victim, nor who might have killed her. Over the course of the novel, the crime is ultimatley solved through meticulous police work, including some false leads, which in this reviewer's opinion comes reasonably close to how homicides are solved in the real world. Interrogations and surveillance of the suspects have a gritty, realistic feel which is not lost at all in the translation from the authors' native Swedish.
What I found most surprising about the book, especially given the fact that it was written by a husband and wife team, is the utter lack of personality given the main character Martin Beck. Beck is married and has kids, and yet when in the midst of an investigation he seems so engrossed in the details of the crime that he barely speaks to his family, comes home essentially to sleep, and is always battling a cold. I don't think 3 sentences of true dialogue were exchanged between Beck and his wife all novel. This wouldn't be so odd, except that there are repeated scenes in his home, he just is so absorbed with the mystery he ignores all extraneous matter until the crime is solved.
Overall, I thought this was a taut, suspenseful novel and I look forward to periodically sampling other Martin Beck mysteries from this writing duo.
In this first book, the emphasis is more on introducing the characters and their methods, with very little political or social commentary. The protagonist is the hapless Martin Beck, a homicide detective with the Stockholm police force, trapped in a loveless marriage at home and stultified by inept bueracracy at the workplace. His escape from the tedium of existence is his quiet, unstated, love of police work, particularly his own methodical approach to homicide.
This book introduces us to Beck, and follows his patient investigation into the rape, bludgeoning, and subsequent drowning of an American tourist named Roseanna. It is one of the best in the series; in fact, its probably one of the greatest crime novels ever written. Start with this book and read the rest of the series. You won't be disappointed.
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While I was expecting a masterpiece along the lines of Henning Mankell's criminal investigator Wallander this book did certainly not live up to my expectations. The stories are very fragmented, the sudden shifts from one story to the other are deliberate but destructive to the reader. I did not get hooked onto the book at all - because of its fragmentation it totally lacks suspense. It is hard to relate nowadays to the social problems of the time and they seem to overshadow the story lines in many instances. I concluded for myself that I could not get interested because of too many contemporary references, which will not make this mystery a classic of its genre. While Martin Beck fills the role of an interesting inspector he is pushed to far into the background even though he is supposed to be the novel's hero.
The Locked Room is somewhat unique to the series, in that the authors frequently shift their focus to the minor characters and criminals, in omniscient narrator style, giving the reader more perspective than is usual. The novel involves two crimes, a bold bank robbery in which a bank customer is killed, and the discovery of a retired man's decomposed body in his apartment, which appears to be locked from the inside. Beck, who recently returned to the force after recovering from a shooting, is assigned the locked room case and we see him trying to fit the pieces together of a seemingly impossible crime to solve.
A NY Times critic has recently praised the grim realism of these novels; if Beck drinks too much coffee on an empty stomach, his gets sick. After a broad daylight bank robbery, the police get starkly different eyewitness accounts, leading to a morass of seemingly unrelated clues, some of them way off. The reader is constantly reminded that in the real world, this is how crimes are really solved by big city police forces.
Some readers are a little put off by the Socialist leanings of the authors, which rises to the surface occasionally as they discuss current events of Stockholm 30 years ago including strikes, poor health care/benefits for workers, etc. However the rantings never seemed to me to get in the way of their story, and the novels are all written in a lean, sparse style with few wasted scenes or verbal flourishes. I recommend the series highly, beginning with the great Roseanna.
Although the authors begin to get a little too heavy-handed in their social commentary, this is still one of the better Beck novels (in fact it is regarded by many as the best, though I think its predecessor is better.) The dual plot structure and the improbable connection between the crimes make for a great thriller. The characters are engaging, and the ending is wonderful. Read it.
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The book redeems itself with some of Gunvald Larsson's uproarious antics and the shocking revelation of the identity of the title character.
"Cop Killer" is entertaining in parts, but I think Sjowall and Wahloo were beginning to get bored with the police procedural, and it shows.
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As in some of their previous novels (particularly "The Man who Went Up in Smoke") very little happens during the course of the book, the ending is anticlimactic and the solution to the crime has less to do with police work than dumb luck. However, in their previous novels, the extra space with filled in with the fascinating details of police investigation: false leads, lying witnesses, and bueracratic incompetence. Although those elements are again present in this work, here the focus is on heavy-handed political and social criticism, particularly the evils of capitalism (Sjowall and Wahloo were Marxists.)
Still, the book has its own paticular charm.
Martin Beck is soon brought in from Stockholm, since the case has political repurcussions arising from Palmgren's shady business transactions, including international arms sales. I was a little disappointed in the way the crime was solved, since Beck was ultimately a bit player in the novel, and the interplay between the various Malmo detectives was a little stale since the authors had not given us much background information. I found myself getting confused between "Larsson" and "Kollberg", and not much caring who was who.
As usual with this series, the crimes are solved by thorough detective work, including chasing some leads that go nowhere, without a lot of contrivances in the plot like extended gunplay, strange coincidences or mystical psychic citizens who identify the killer through hypnosis. I am not a detective, but it seems to me these novels give a more accurate account of how crimes are actually solved by municipal detectives. All in all a pretty good read, suspenseful and engaging at times, but not up to the level of the authors' best.