I've tried about 10 of the recipes -- unusual for me, since I often only get 2 or 3 good recipes from a cookbook -- and every one has been great. The bagels taste like real bagels (not the Bruegger's sort), the black-and-white cookies have the right cake-like texture and not the sugar cookie base most non-New Yorkers use, the challah is definitive, and so on.
The book is an absolute must for anyone stuck out in the middle of nowhere (like I was) without a proper bakery. Even in larger metro areas, local variants on "proper" pizza, rye breads, etc. will drive you to insanity if you don't have this book. If I were to fault the book, it would be on its treatment of sourdough breads -- the recipes rely on added yeast for reliable rising. Still, from croissants and pizza to Kaiser rolls and sour rye, these are fantastic recipes: authentic and able to be made by a relatively inexperienced baker.
Greenstein has converted the recipes to be made by hand, food processor or mixer. We have a small mixer and simply halved the quantities. I cannot stress enough the surprise at how effective the results were. There was huge "WOW" factor getting the bread out of the oven.
This book has a good range of recipes for breads and things made with yeast. There is an assortment of ethnic recipes and all the favourites from bagels, foccacia, croissants, to scones and muffins. I particularly enjoyed his annecdotes and favourite toppings. Greenstein has also included 12 programmes for "a morning of baking" which set out how to fit together making a variety of breads in a short time.
On the downside, a separate ingredients index would have been useful. For example, after buying rice flour I then had to look through the whole book to find the relevant recipe. The fact that it is so short on pictures is not really a problem as the results speak for themselves.
Please God, when I die let me be Jewish!
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The book is finely illustrated with many rare pictures; I was delighted that it didn't gloss over George's neglected solo career. Another particular delight is the introduction penned by Mrs. Harrison. Like her husband, Mrs. Harrison is a very dignified, articulate person and I wish her the very best. Pictures of George's son (who looks just like him, by the way) are also included. Thank you for the music, George.
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Bitterblooms was a cool little story with Vampires, a Girl Trying to get through the dark woods, and a mysterious house in the middle of nowhere....
Star Lady is basically the story of a girl and an alien boy with golden skin who land on a planet and are made slaves by a pimp. its got a really cool ending...
Buy this book if you can find it in a used book store.
with 'Sandkings' being one OF them. This in NO WAY dimishes how utterly original this story is, though. I'm telling you the last written line of 'Sandkings' is worth the price of the book alone...but please, please do NOT spoil the surprise by skipping ahead and doing so. The main character is flawed in that he loves to be sadistic with these tiny adaptable creatures that learn to revere him as deity. But what happens along the way is horrific...and amazing. Spend an hour or two and read this short story and get to know one of the best novelists of the past 20 years. George R.R. Martin is fast becoming one of THE prominant names in the fantasy field (just check out his 'Song of Ice & Fire' series beginning with 'A Game of Thrones') but he was first a sci-fi author...he's not just good at both, he's fantastic...
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But when taken for what it's intended for it's a rather good book. It gives a lot of advice that you might not have come up with on your own and in fact is a pretty good guide for anyone who is a light hobbyist model rocketeer and is looking at getting into clubs and more frequent and serious model rocketry. He keeps the book interesting and amusing with some comments that I found absolutely hilarious. For example he always refers to trees as "Rocket Eating Trees" and in one illustration he has a rocket saying "Bye Bye" as it is carried off with the breeze. I found those kept the book readable. While I liked the anecdotes to his own rocketry experience and found them enlightening those after pure facts may find them excessive.
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This superb work by two noted historians tells the entire tale of the Revolution, interpersed with myriad first hand accounts from those who marched and fought the breadth of a continent and defeated the greatest military power in the world at the time, albeit 'with a little help from out friends.'
I have found this volume extremely helpful in doing my own historical research, and have recommended it many times to my students. It is clear and concise, informative, and is an excellent read. It is one of the best books in print on the American Revolution, and is easily also one of the most accurate representations of the period that has ever been written. Accurate, compelling, with a definite epic story to tell, it is invaluable for all students of the period and will stand the test of time, as it already has.
The premise of these novels is that the "Flashman Papers" were discovered in a Leicestershire attic in 1965. In them, the English soldier and adventurer, Harry Flashman, recounts his adventures throughout the British Empire during the latter half of the nineteenth century. They are helpfully "notated" by the "editor," George MacDonald Fraser, who occasionally comments upon the authenticity of Flashman's recollections. And what do you know! Flashman just happens to have been present at just about every single major military event in English history of these times! Lucky us!
In this one, Flashman recounts his experiences leading up to and at the famous Charge of the Light Brigade in the Russian Crimea in 1854. He is subsequently captured by the Russians, escapes, is captured again, escapes again, and with the help of Tajiks and Kazhaks, battles the Russians and makes his way to British-controlled India. Believe me, this is just as fun as it sounds, but what takes it to the highest, most delightful level is the sheer narrative force of Fraser's Flashman, unquestionably one of the most enjoyable narrators ever created.
As well as being reliable and honest--qualities a reader hopes at the very least to get in a first person narrative--he is also extremely intelligent, witty, funny, and very, very opinionated. Thus, in describing the Russian peasantry, we don't get a carefully-worded, afraid-to-offend, cautious assessment, we get this: ". . . this dull clown was just standing and letting himself be caned by a fellow half his size, hardly even wincing under the blows. There was a little crowd of serfs looking on, ugly, dirty-looking rascals in hairy blue smocks and rough trousers, with their women and a few ragged brats--and they were just watching, like cowed, stupid brutes." You may wince at his less than diplomatic commentary, but you may be sure you are getting the truth unvarnished, told as only the indefatigable Flashy can do.
These novels are also historically accurate, and meticulously researched even to the tiniest detail. From the lay of the land on a battlefield, to a description of the Russian steppes; from the uniforms worn by various regiments of various armies, to the weapons and ordnance available to each; from the subtle nuances inherent in the languages he encounters in central Asia, to the slang routinely used by Englishmen; it is clear that Mr. Fraser has a unique and thorough understanding of England and the British Empire in the nineteenth century. In fact, it is impossible to believe that there might be another living human being who knows more. The reader gets the sense that he is in the hands of a master; there is nothing here which strains credibility.
In fact, Mr. Fraser has us so firmly in his stead that the romantic elements strewn liberally throughout these novels barely raise an eyebrow. Thus, the scenes when Flashman is chased by wolves over the snowy steppe in a rickety sleigh, or thrown into a dungeon and threatened with the vilest torture, come across as believable and exciting, rather than foolish or cartoonish. And yes, yes, there are dalliances with beautiful women, but what kind of an adventure/romance would this be without them?
In short, the Flashman novels provide everything the lover historical fiction dreams of: exciting and historically accurate plots, careful attention to detail, a thorough knowledge of the subject matter, and, perhaps most importantly, a witty and delightful guide to show us the way. Bravo, Mr. Fraser. Bravo.
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She was born into a wealthy old family that had a history of instability. Her father, also breathtakingly beautiful, had crushing psychological problems. Two of her brothers committed suicide. Her mother was ineffectual with her large brood. She was raised on an isolated ranch with her seven siblings with almost no contact with the outside world. When she hit Cambridge at 18, she was pathetically ill equipped to be in the larger world.
I couldn't agree more that she found herself in the midst of horribly decadent people. Andy Warhol gets a particularly bad rap in this book, but to me, he was no better nor worse than his hangers-on, just a shade more self-absorbed. What really saddened me was that I don't think it really mattered who Edie took up with. She was destined to spin out of control. She had no focus, no inner strength, and was dangerously self-centered and delusionary.
"Edie" is compelling reading whether or not you have experienced the '60's. It is good to keep in mind that Edie herself and the contributors to the book all were a part of a very small stratum that whistled through this confusing decade. They were no more representative of the rank and file than Emmerin is representative of this decade.
Such a lovely child, such a terrible waste.
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Pollock's narrative of Lucas's life begins with George's childhood, then proceeds into his rebellious teen years--which was the inspiration for American Graffiti--then straight onto Lucas' student filmmaker years and finally to his highly successful movie career. The latter of which is when Star Wars and its sequels were produced and established Lucas as one of the most influential filmmakers in the history of the medium.
The book offers a balanced, journalistic account of Lucas' life, with very little opinion injected into the book. Some places Pollock seems to praise Lucas too much, but it's nothing too extreme.
The only real problem is that the book was written during the production of Return of the Jedi, when Skywalker Ranch wasn't finished, George was still married to first wife Marcia, and before the flops Willow and Howard the Duck. I read the revised edition which has an intro mentioning these things, but the book's main narrative is about what's happened to Lucas up to 1983.
I'd recommend this book to any fan of Star Wars, and anyone else curious about Lucas himself.
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The stories work on so many levels, and Tuf is such a singular character, the stories remain in my mind almost daily even ten years after I've read them. The fact that these stories live in the 'ghetto' of science fiction shouldn't scare away those who don't typically read it. Martin's grasp of humor, horror and the human condition is unmatched. I've often compared him to Mark Twain, in that his writing is so simple and universally appealing, yet contains so much more moving beneath the surface.
It's a wonder to me that with Martin's forays into screenwriting that he's never decided to pitch "Plague Star". It works almost perfectly as a feature film, with just the right length, rhythm and imagery. Perhaps the one thing holding him back is the lack of the standard 'human' element in all these stories - Tuf is profoundly asexual, and indeed, seems to have almost no typical heartwarming hooks that Hollywood demands be in virtually every film it rolls out. There are no love interests, no (traditional) paternal emotions. There's no boy meets girl here, just boy meets destiny. Yet I think that it could appeal to a wide variety of viewers nonetheless. The book after "Plague Star" has a fairly strong 'population control' message that might not appeal to the religious right, but I have a feeling the message would go right over their heads - history has shown us that people aren't to quick to pick up these subtleties.
Accessible and rewarding. If you can find this gem, don't let it slip through your grasp.