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She does not have an axe to grind nor pushes any particular method of settlement--as each situation determines the method.
I like her approach of (1) don't do anything initially- Decision Free Zone(2) understand the emotions--a huge item(3) get some professional advice (3) lay out a plan (4)move deliberately. Consequently, I recommend or give a copy of her book to those getting or have just gotten an inheritance or a large sudden influx of money.
Great book from a nice person.
I would have liked to see more information regarding tax implications, and clearer instructions as to finding a CFP specializing in this area. All in all, however, the advice was invaluable, if only to reinforce what I already suspected and to explain why I felt as I did during the process. My two bits: do not underestimate the value of the DFZ (decision-free zone) as a first step!
From firsthand experience, I'd recommend that the chapters on winning the lottery be excerpted and made required reading for all winners before they're allowed to cash that check!
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Denise Burke, the narrator/true crime novelist, is very different from Nancy Prichard's new protagonist, Marie Lightfoot. Denise is an interesting and rich personality - not just because she shoots the bull with Hilary Clinton. The book is full of her inner thoughts which are processed in a most female style. Male readers need to be prepared for some very "Venus" type thinking.
The book missing a fifth star for a couple of reasons. First, the book starts with the murder of the Congressman, then spends 90% of the book in a relatively linear narrative of events preceeding the murder, and then has a brief post murder wrap-up. Since the real mystery isn't the murder of the Congressman but rather the triple murder, why confuse the issue. Also, while I enjoyed the asides about the Clintons, I think the marketers do the potential readers a disservice. Bill and Hilary have nothing to do with the core of the story.
Bottom-line: A nicely written mystery that takes time to think and observe. The pacing may be too slow for some readers.
The novel takes place on a single day in June of 1939 at an English country manor called Pointz Hall, owned by the Olivers, a family with such sentimental ties to its ancestry that a watch that stopped a bullet on an ancient battlefield is deemed worthy of preservation and exhibition. Every year about this time, the Olivers allow their gardens to be used by the local villagers to put on a pageant for raising money for the church. This year, the pageant is supposed to be a series of tableaux celebrating England's history from Chaucerian times up to the present.
The Olivers themselves are tableaux of sorts, each a silent representation of some emotion separated from the others by a wall of miscommunication. Old Bartholomew Oliver and his sister, Lucy Swithin, both widowed, are now living together again with much the same hesitant relationship they had as children. Oliver's son Giles is a stockbroker who commutes to London and considers the pageant a nuisance he has no choice but to suffer. Isa, his discontented wife, feels she has to hide her poetry from him and contemplates an extramarital affair with a village farmer.
Attending the pageant is a garrulous woman named Mrs. Manresa, who is either having or pursuing an affair with Giles. She has brought with her a companion named William Dodge, whose effeminate sexual ambiguity is noticed with reprehension by Giles and with curiosity by Isa. The somewhat romantic interest Isa shows in Dodge implies that she knows Giles would be annoyed less by her infidelity than by his being cuckolded for a fop like Dodge.
The other principal character is not an Oliver at all, and this is Miss La Trobe, the harried writer and director of the pageant. At first, she appears to serve the mere purpose of comic diversion, as she frustrates herself over details that nobody in the audience notices anyway; however, when the pageant is over, a new aspect of her character is revealed, one that has made her an outcast among the village women. Nevertheless, she graciously accepts the role of a struggling, misunderstood woman artist, and in this sense, she echoes the character of Lily Briscoe in "To the Lighthouse," as does Isa with her repressed poetry.
At the end of the pageant, to celebrate the "present," Miss La Trobe has planned something special and startling: She has the players flash mirrors onto the audience as if to say, "Look what England has become. Shameful, isn't it?" Likewise, with this novel Woolf holds up a mirror to humanity, reflecting our unhappiness in her characters. It's not a cheerful notion, but it's a fitting one to sum up the career of a writer like Woolf, one of our greatest chroniclers of sadness.
The story goes like this:
Written in 1939 - the year Woolf Died..."Between the Acts" is a masterpiece in its own genre. Lyrical and highly poetic, this is one of its own.
The story goes like this:
On a single day of June, 1939--with the war imminent but virtually unperceived--the action takes place at Pointz Hill, an English country house. It revolves about a pageant played upon the lawns by the local villagers. Despite her necessity, the solitary, thick-legged, masculine Miss La Trobe,who knew how "vanity made all human beings malleable," is not one of the principal characters. The chief actors are the members of the Oliver household. The head of the house is old Bartholomew Oliver, who like so many retired English soldiers has only his India to cling to. He marvels at his widowed sister's orthodoxy. ("Deity," as he supposed, "was more of a force or a radiance, controlling the thrush and the worm, the tulip and the hound;
and himself too, an old man with swollen veins.") This aging sister, Mrs.Swithin, who would have become a clever woman is she could ever have fixed her gaze, is the most sympathetic figure in the book. Living with the older Olivers are Isa, the poetry-quoting daughter-in-law, temporarily attracted to a gentleman farmer, and Giles, the stock broker son, handsome, hirsute,
virile and surly.
To this special group are added buoyant, big-hearted Mrs. Manresa, "a wild child of nature" for all that her hands are bespattered with emeralds and rubies, dug up by her thin husband himself in his ragamuffin days in Africa. Uninvited she drops in at luncheon, bringing along with the picnic champagne a maladjusted, putty-colored young man named William Dodge, whom Giles contemptuously sizes up as "a toady, a lickspittle, not a downright plain man of his senses, but a teaser and a twitcher, a fingerer of sensations;picking and choosing; dillying and dallying; not a man to have a straightforward love for a woman."
William tries dallying with Isa, and Giles, partly to annoy his wife, pays court to the full-blown charms of sparkling Mrs. Manresa, who confesses she loves to take off her stays and roll in the grass.
the cream of "Between the Acts" lies between the lines--in the haunting overtones. And the best of the show--the part one
really cares about--happens between the acts and immediately before the pageant begins and just after it is over. So the play is not really the thing at all. It is merely the focal point, the hub of the wheel, the peg on which to hang the bright ribbons and dark cords of the author's supersensitive perceptions and illuminated knowledge. It is in her imagery,
in her "powers of absorption and distillation" that her special genius lies. She culls exotic flowers in the half-light of her private mysticism along with common earthgrown varieties and distills them into new essences. Her most interesting characters move in an ambiente of intuition. With half a glance they regard their fellow-mortals and know their hidden failures. They care less for the tangible, the wrought stone, than for fleeting thought or quick desire.
"Between the Acts" has no more ending, no more conclusion than English history. The pageant is played out, the guests depart, night falls.
The physical embodiment of Virginia Woolf is no more, but her inimitable voice remains to speak to generations yet unborn. The first line of her last book begins, "It was a Summer's night and they were talking"--The last paragraph ends: "Then the curtain rose. They spoke."
A Must Read for Everyone!!
I am President of a company who assist injury victims with their finances and have 19 years of study on the Sudden Money topic. I was hoping Sudden Money would be something to give to staff and clients but it is not even close.
There are two easy to read books that everyone from the secretary to the President of our organizations must read before they join us, A Piece of the Action by Joseph Nocera and the Millionaire Next Door by Tom Stanley. Nocera gives a history of personal finance and Stanley gives perspective as to why some people are wealthy and others are not. Read those and don't waste your money on Sudden Money.
The Sudden Money book does a good job of promoting what Bradley is selling, her seminars. There is not nearly enough detail of the emotional side of dealing with a settlement which is a LOT more important than picking the right products or advisor.
When it comes to picking the right products, Bradley shows she does not even know about even some basic techniques. In the whopping eight pages she devotes to insurance settlements ($200 billion a year is paid out in these settlements so it affects more people than discussing lottery winners) she does not even mention structured settlements, the most popular financial tool used on cases of $1,000,000 or more!
It is a tax free spreadthrift concept that only injured people can receive. $5 billion a year goes into structured settlements and after 19 years experience and writing numerous academic articles on insurance settlements, I can say with certainity is the best way for injured people to avoid a lot of problems. Bradley apparently has never heard of the idea. Maybe someone should go to one of her seminars and tell her about what is REALLY going on in the financial planning world.
Bradley is media savvy and a great self promoter. I hope her book is not too successful as the last thiing a person with Sudden Money needs is poor advice.
Don McNay...