Especially of interest to Tolkienian linguists are the Lhammas, or book of tongues, which outlines Tolkien's former conception of the dividing and multiplying of the Elvish languages. While this scenario is extremely out of sync with Tolkien's final conception, it is still of interest historically and important in order to understand the section that follows, the Etymologies.
The Etymologies are a /must/ for any Tolkienian linguist. They were and remain the greatest source of vocabulary in all the Elvish languages, and almost the only source for Primitive Elvish stems. While confusing to the non-technical reader, the Etymologies are still the main reference used by Tolkienian linguists. Allthough some of the material in the Etymologies is out of sync with what Tolkien imagined his languages to be as when he wrote Lord of the Rings, the changes necessary to bring Etymologies-style languages to 'modern' languages are mostly well documented.
In short, if you're just someone who enjoys Tolkien's works, this would be a fun read. If you're a serious Tolkienian linguist, this is a requirement.
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Professor Jared Lobdell, the editor of "A Tolkien Compass" (see my review) has, in this volume, contributed several original critical essays on Tolkien and his creation. In emphasizing his Edwardian English background and his academic life as a philolgist, Lobdell covers important ground. But it is in his third essay "The Timeless Momement" where Lobdell demonstrates his insightfulness and creativity. It is in this essay that the Catholic Christianity of Tolkien is analyzed in light of his created world of Middle-Earth. It is one of very few essays to ever address the theological or philosophical background in Tolkien's work -- and one of the very best.
If the reader truly wishes to understand the man behind Middle-Earth, this book is a "must-read".
If hobbits reading this review own only one book of Tolkien criticism, this should be the one. I hope that it returns to print.
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http://www.amazon.co.uk/exec/obidos/ASIN/0261103474/ref=sr_aps_books_1_2/026-5367973-8334817
Both of these world famous novels were first introduced "publically" at the regular gathering of a few British writers and friends, who informally called their literary club "the Inklings". Even the name "inkling" was a playful self-parody, referring both to the fact that they displayed their imaginations in ink and they often only had an "inkling" of what the other was really talking about.
Carpenter, also the authorized biographer of J.R.R. Tolkein, helps readers enter into the private lives and late-night meetings of these writers. You can smell the cigarette smoke, hear the whistling of the teapot and sense the tension of Oxford intellectuals wrestling with the outbreak of World War II. Thanks to Carpenter's careful retelling of these gatherings, you sit back in the evening, sip your tea and imagine yourself among these writers as another member of the fellowship.
For books on the fellowship of the family, look into these two titles: "The Family Cloister" and "The Christian Family Toolbox" both by David Robinson (New York: Crossroad, 2000 & 2001).
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HOWEVER, the above material, while unable to fit into the previous volume (The War of the Ring), was not enough to warrent a volume all by itself. So Christopher has also included "The Notion Club Papers" -- a space/time/dream travel story, written at the same time as The Lord of the Rings was being developed. The story itself involves Numenor -- Tolkien's telling of the Atlantis saga. Of particular interest to CS Lewis fans, "The Notion Club Papers" purports to be a discussion of (among other things) Lewis' own space travel fiction, penned in the late 30's and early 40's. It's a shame that this story was never brought to completion -- I'm finding the ideas it expresses to be quite interesting.
Again, 5 stars, both for the Master, and for the tireless work of Christopher.
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A pesar de eso el libro es magnifico. Esta es la segunda de tres partes del Señor de los Anillos.
Don't be Fooled! This is not a hardcover!
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This book contains all the artwork that Tolkien created (NOT all the artwork BASED on his works, just the stuff he did himself!). Some are miscellaneous sketches and doodles, some are watercolors, ink drawings, prints, pencil sketches, and combinations of all of the above. One doodle looks like multicolored snowflakes, some are landscapes or pictures of little houses, teddy bears, owls, and so on. Very cute and cool, especially the illustrations done for "Roverandum."
And many are Middle-Earth related -- different views of the Misty Mountains or the Elvenking's hall, the evolution of what the Shire looked like, different Laketowns, different "Doors of Durin," even drawings of the tattered pages of the Dwarf Book of Moria. Near the end, even Tolkien's design drawings for LOTR book covers are included. And, of course -- MAPS! Maps of Wilderland, as well as the famous map from "Hobbit."
The text accompanying these many pictures carefully dissects all of the drawings and their importance, as well as how they evolved. (It's a bit like looking at concept art) As well as going over only Tolkien's work, Wayne G. Hammond also examines influences on Tolkien's artwork. For example, there is a fairy-tale picture that influenced a "Hobbit" picture, and a scientific drawing of a golden eagle that influenced another "Hobbit" picture with Bilbo.
This is a must-read for fans of J.R.R. Tolkien, a great peek into a great mind. And it emphasizes that Tolkien was not just a brilliant writer, but a brilliant artist as well. Great stuff, definitely a must-see.
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Tolkien fans have long known about the existence of Mr. Bliss, but it remained unpublished for decades. Fortunately, this delightful hand printed and self illustrated volume can easily be obtained.
From the moment when Mr. Bliss decides to buy a motor-car, adventures of the most dramatic (and expensive) sort begin to happen. The observant reader will also note names throughout the book which bear resemblance to names in "The Hobbit" and "The Lord of the Rings".
This book demonstrates that Tolkien had many gifts -- and that he exercised his creativity outside the realm of Middle-Earth.
A wonderful experience for children aged 4 to 104. I highly recommend it.
In this wonderful adventure, Mr. Bliss purchases a motorcar (definitely an unhobbitlike device) and proceeds to have all sorts of misadventures with it.
Any hobbit will sympathize with poor Mr. Bliss, living in a world where one is expected to foot the bill for tea for a family as large as the Dorkinses. Any hobbit will sympathize with the terror poor Mr. Bliss experiences driving through Three Bears Wood in the dark. And any hobbit will sympathize with Mr. Bliss's eventually handling of the situation!
Hobbits will also appreciate the fact that many of the Big People in the story have good, sensible hobbit names like Boffin and Gamgee.
A wonderful tale to read to young hobbits in the cool of the evening or before the fireplace.
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