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On a more serious level, this book addresses questions such as: what does it mean to *belong* to a family or a place? What right do people have to make decisions for others? The answers are neither simple nor easy. The disappointment of some of the other reviewer here shows that. (Warning: Some of them give away the ending, so reader beware). Personally I thought the novel's conclusion was fitting--it went well with the message of the other parts of the series. Cooper's prose style meshes well with her story.
Fantasy buffs, especially those with an interest in Arthurian legend, will love this series. I recommend this book very highly to middle school readers or advanced late-elementary school readers. But read the series in its proper order! This book gets its much of its poignancy from what comes before it. The order of the series is: _Over Sea, Under Stone_, _The Dark is Rising_, _Greenwitch_, _The Grey King_, and _Silver on the Tree_. The first two books can be read in interchangable order; I might even recommend reading _The Dark is Rising_ before _Over Sea, Under Stone_, but don't read _Greenwitch_ without reading the first two.
Susan Cooper is such an excellent writer. She can make totally realistic, everyday, family scenes, and then turn around and write about journeys through fantastic fantasy worlds. She is also really good about writing descriptive scenes that let you picture something so exactly.
I can't decide whether this ties with The Grey King as the best book in the sequence, or if Grey King is a bit better.
The ending wraps things up just right. Except, I don't think the Drews & Bran should have had to forget. That's was probably the only complaint I can think of.
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Must the Youngest open the Oldest hills,
Through the door of birds where the breeze breaks,
There fire shall fly from the Raven Boy,
And the silver eyes that see the wind,
And the Light shall have the Harp of Gold.
By the Pleasant lake the Sleepers lie,
On Cafdan's Way the kestrels call,
Though grim from the Gray King shadows fall,
Yet singing the Golden Harp shall guide,
To break their sleep and bid them ride.
When light from the Lost Land shall return,
Six sleepers shall ride, Six signs shall burn,
And where the Midsummer's tree grows tall,
By Pendragon's sword, The Dark shall fall."
When Simon, Jane and Barney Drew, along with Will Stanton, try to find the Grail, a thing of power, it is not complete. They need to find the scroll that was lost last summer. To do this, they must find help from the mysterious Greenwitch. What gave her life? What is her secret? Why do the Dark have such a sinister intrest in her? Read this book to find out! A must read. It should be required. I'd also like to recomend the other books in the Dark Is Rising sequence.
I have to admit to liking the Will Stanton focused books (Grey King, Dark is Rising) a little bit better than I like those with the Drews, they seem a written to a slightly older level than the others. All the same, Greenwitch is a classic of children's literature, exemplary of the moral fantasy at which Cooper excels. The whole series is a good gift for children *and* grown-ups.
P.S. If you like the Dark Is Rising sequence, read His Dark Materials triology!
This odd transposition in time allows for some interesting interaction with the setting. For a twentieth century boy, the London of Shakespeare's day is a strange world. Having no modern convieniences (such as toilets) and having the drink at every meal be ale are things that don't fit the everyday life of a young American boy. But Nat gets along and proves himself as an actor in Shakespeare's own production.
Given the general elements of this book, not all young readers would enjoy it. To identify with or even to like the main character, one cannot by a typical American kid. The theatrical world and the ability to understand the historical setting of Shakespeare's time are, unfortunately, completely foreign to most kids these days. So this book is not for the typical nintendo-playing sports-loving kid, but rather for the imaginitive book-lover. (For the book is full of imagination and history.)
The book isn't perfect, but it is still a fun read. As an adult reader, I wished that I could have read more about the purpose behind the time travel, but I realize that what was written is sufficient for a younger audience. So, as a young adult novel, it is a great book, well worth the read.
Nat, an 11 year old who is orphaned and ridden with hidden grief, is chosen to join a contemporary, Shakespearian theatre group to perform as Puck in A Midsummer's Night Dream at the new Globe Theatre in London.
This journey becomes more than a transatlantic adventure for a budding actor. Nat finds himself plunged into Elizabeathan London 400 years earlier where he has to adjust to life as an apprentice in the original Globe theatre and play Puck with the great actors of the day but most of all meet and be entranced by William Shakespeare himself. Ultimately, this is a story of how a young boy must face his greatest fears and achieve healing under the guiding hand and poetic wisdom of the Bard himself.
Cooper creates a vivd and pungent world of London and does not shirk from the violence and political intrigue that must have existed at the time .
This book is for those of any age who can let their imaginations run easily and let the mastery of the author lead you through a deeply satisyfying and touching experience.
I absolutely loved this book. Susan Cooper is one of my favorite authors. She really brought the world of Shakespeare alive with her descriptions of the life back then. When she writes about Nat's emotions while he is acting, you can almost feel yourself onstage with him, getting caught up in the moment. You should read this book!!!!
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The Drew children Barney, Simon, and Jane are on holiday (British term for vacation) in Cornwall England with their parents and great-uncle Merriam Lyon. While exploring a hidden room in the old Grey House in which they are staying, they stumble across an ancient map that throws them into a desperate search for an ancient grail which will unlock power to war against the Dark side. The Dark forces (real life people) are also in hot pursuit of the much-coveted grail that links back to the days of King Arthur and a fierce battle between good and evil that has ensued for hundreds of years.
One chase scene mid-way through is as suspenseful as any that you will find even in adult fiction. Susan Cooper not only is talented at spinning yarns of intrigue, but also adept at creating real life characters that you almost feel you know.
Be sure to read the epilogue at the end for one additional big plot twist!
You will not be disappointed in this one.
Thanks for reading...
TRW
This book is a wonderful introduction to a thrilling series. People are often quite hard on the book - especially if they've also read the second in the series, The Dark is Rising. But what people have to understand is that they are two completely different stories. This book is not essentially about the battle between the Light and the Dark, it is just about three children who must get the Grail. We must assume that Susan Cooper had no idea this was going to develop into a sequence, and therefore saw no need to add the elements of Magic which are seen in later books. This book whisks me away to Cornwall, and I found myself sharing the feelings of Simon, Jane and Barney all the way through. Ms. Cooper, you have done yourself proud with this series.
On one level, this book is an all-out fantasy adventure. There is a cryptic poem, magic, good and evil lords, and fascinating uses of classic Arthurian legend. On a deeper level,however, this is a story about coming-of-age and family. Will learns how to be an independent Old One rather than an apprentice. Bran struggles to understand his mysterious past and his place in the world. This book is more than just a thrilling adventure--it is the story of people's choices and what "family" really means. In other word's, _The Grey King_ is deep *and* fun.
I highly recommend this book to all readers. It may be a little hard for very young readers--but middle readers and older will enjoy it. I reread this book (and the rest of the series) at least twice a year. It should be read after the three previous books in _The Dark is Rising_ sequence (_Over Sea, Under Stone_; _The Dark is Rising_; _Greenwitch_). Lovers of Arthurian legend will particularly appreciate it.
We see Will Stanton, a seemingly normal English boy struck terribly ill, go to Wales to visit his aunt and uncle to recuperate, where he will have the adventure of perhaps a lifetime, sweeping everybody around him, including the reader into it. As we read of his quest to awaken the Sleepers, we learn a little Welsh culture, history, and language. We feel the emotions of the characters involved; experience their sorrow, bewilderment, hatred and joy. We dabble in a little High Magic, and realize the presence of the Dark, and the Light's endless struggle against it.
One of the great things about this book is that you don't have to read the other parts of the series to understand, and become swept up in the magic of it. Even though it's the second to last book, it was the first I read of the series. It speaks for itself.
If you liked C. S. Lewis's "The Chronicles of Narnia", you'll probably enjoy these books. It's the same struggle between good and evil told in a new way, and though I think this series is the easier read, it loses nothing off it's competion.
Diolch yn fawr!
In the aftermath of a nasty case of hepatitis, Will Stanton has temporarily forgotten his mission from the Light: to recover a golden harp, with the help of the "raven boy" and "silver eyes that see the wind." When his family sends him to Wales to recover from the illness, he regains his memory when he meets an albino boy his own age named Bran -- which means "raven." Bran's mother "Gwenny" vanished many years before, and his stepfather has devoted himself to religion and penitance. Bran's only friend is the silver-eyed dog Cafall.
Will acquaints his new friend with more information about the battle with the Dark, while Bran acquaints him with information about Wales that can help Will find the golden harp, and wake the Sleepers under the hill. But the malevolent Grey King is spying on them with magical warestones and trying to wrest the harp from Will. To stop the Grey King, Will must learn the secret of Bran's past and evade the dangerous farmer Caradog Pritchard...
Atmosphere is thick and enticing in "Grey King" -- Cooper has clearly come a long way from the fluffier "Over Sea Under Stone." This book, unlike "Greenwitch," does not handle the Drew family, or even much about Merriman: it's all about Bran and Will, who are given equal parts of the plotline. Though there are many other characters, these two are the core of the story.
Here the Arthurian theme, which has been present in a smaller way throughout the series, becomes more pronounced and integral. Cooper continues interweaving mythic elements into it, such as the Sleepers, Cafall the dog, and the Brenin Llwyd. Fans of mythology and other mythic-themed stories such as the Prydain Chronicles will have a heyday.
Will is very much like he is in "Greenwitch" -- sometimes he's an ordinary preteen boy who starts yelling "Achtung!" at the top of his lungs, and sometimes he is the wise and ancient Old One, with knowledge he learned from the book of Gramarye. Bran is an instantly sympathetic character, a very ordinary boy with an extraordinay past; he, like Will in the second book, gradually grows into a unique and more powerful person. Caradog Pritchard will inspire disgust from his first appearance onward, while the tragic Owen Davies will gain the sympathy of the readers despite his insulated life.
Perhaps the worst thing about reading "Grey King" is the knowledge that there is only one more book in this series. But if that book is half as good as "Grey King," then it will be quite a ride before the end.