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This book chronicles the tale of four astronauts as they journey on a mission like no other: a mission to Mars. Disasters plague the mission, however, leaving the crew no recourse but to guess at their saboteur. Was it a terrorist? A member of the Mission Control crew? Was it...a member on board their own ship?
This book is incredible. Twists and turns on nearly every page (that is, once the action gets going) really will make you feel like you're on a roller coaster in novel form!
God is also a big part of this book...and a crucial one. Just one more element to make this book OUT OF THIS WORLD. Buy it, read it, and keep remembering to breathe.
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But Timothy West is a good reader. I would encourage those who haven't heard Leo Mckern or have not decided that they won't accept any Rumpole other than Mckern's, to give this edition a chance. Those of us who have saturated ourselves with Mckern's acting ability, it might be best to save some money.
Since at least the second recording of this series uses a different actor I wonder about the quality but at least the first volume is a complete success with Mr. West's terrific reading making one (almost) forget the late "Rumpole".
The reader is British actor Timothy West, whose voice is the next best thing to the gravel-throated chortle of McKern. Here he reads seven complete Rumpole tales: "Rumpole and the Children of Evil," "...the Eternal Triangle," "...the Miscarriage of Justice," "...the Family Pride," "...the Soothsayer," "...the Reform of Joby Jonson," and (to break the pattern) "Rumpole on Trial." All of these have been televised and all of them are a good deal of fun.
John Mortimer's custom was to create around the case Rumpole is handling a framing plot that has thematic likenesses or is antithetical to the main plot. So, for instance, all the while Rumpole is worried about being disbarred, his draconian wife, Hilda ("She Who Must Be Obeyed" as he calls her) is plotting to have him made a judge.
The army of minor characters are a joy in themselves. The pompous Head of Chambers "Soapy" Sam Ballard, the unhappily married clerk Henry, the pro-labor and pro-women barrister Liz Probert, the opera-loving snake in the grass Claude Erskine-Brown, the foot-in-his-mouth Guthrie Featherstone, and above all the (in)Justices Olliphant and Graves who love the prosecution and cannot see any humor in Rumpole's reminding them a trial should be fair.
Timothy West does all the voices, of course, but does not try to emulate the women as other readers do on (say) the Jeeves tapes. That would have been an error, since the tales are always told first-person from Rumpole's point of view.
For the most part, I think I clocked in about one good laugh per minute while listening to these tapes on long car trips; and I can highly recommend this set.
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Also recommended: "The Seven Habits of Highly Effective People" by Dr. Stephen Covey, also a great guidebook for improvement.
I thought the book was incredibly well written, full of thought-provoking new ideas about aging and extremely credible.
Jason Taylor seems to work for NASA... he's out in space on this one to!
Among the many excellent points Ortberg mentions are:
1. What happens when God works in a person's life.
2. Our gifts will either be used or unused for God's glory.
3. Take your calling from God seriously and accept your limitations.
4. Appreciate the gifts God has given you, utilize them for His glory, and refuse to compare yourself with others.
5. Fear may be the biggest reason we fail to trust and obey God.
6. Be willing to wait on God and His timing and methods.
7. Suggestions for staying focused on Jesus.
8. Let God be larger than the people around you.
Again, these are just a few of the many points mentioned in the book. An excellent read and supplement to the Bible. Highly recommended!
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off somewhat of the series. Why Alexander tinkered with what was a great series is a bit of a mystery to me in
itself. Maybe his editor felt like the series needed a Nancy Drew touch. It doesn't. Use to couldn't wait for the
next book in the series as they are so wonderfully written and would rate all the past books a five star. Oh, I will get the next book but not with the same excitement and anticipation as I had in the past.
Like many people I have read a good deal on this topic and seen a number of TV shows, but this book pulled a number of different stories and facts together and put them in a nice order to make the reader really see how they all fit together. The authors were able to weave together a number of different story lines in a method that was very easy to grasp the big picture. Overall a wonderful effort that made the book read fast. I was concerned that with three authors the reader would get s somewhat disjointed and jumpy book with three different styles. The editor must have played a big role because the writing comes off in one voice and is very smooth.
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Eclipse itself is simple. A middle age actor has had enough of life and the stage and retreats to his old family home. However things are not what he expects. Instead of longed for tranquility old problems with life and family persist. And new problems emerge. The actor does not seem able to discern between what is and what is not real.
Are the ghosts and images real or just troubled imaginations? At the end the unreal is something different again. It's a great twist to a ghost story.
Once again Banville's powers of description impress. Few writers, through their prose, can paint the world so well. Eclipse succeeds on many levels.
The story is moving but unspectacular: Alexander Cleave is an aging actor who has suddenly lost it. For no reason that he can think of he unexpectedly finds himself in cinemas crying his heart out during the afternoon showings and he forgets his lines when he is on stage. He retreats to his late mother's house, hoping to get some peace of mind there and somehow find himself again. But instead of peace and quiet he finds that ghosts and living people have taken up residence with him. He is also beset by memories of his troubled daughter. Hoever, it is not so much the outcome of all this that matters as the processes in Cleave's mind, his dreams, his perplexities, his realizations, his fears.
Banville writes beautifully, exquisitely. His prose is a blend of evocativeness and precision, his metaphors are just right. An example: "Memory is peculiar in the fierce hold with which it will fix the most insignificant-seeming scenes. Whole tracts of my life have fallen away like a cliff in the sea, yet I cling to seeming trivia with pop-eyed tenacity (p. 74)." And another one: "It has always seemed to me a disgrace that the embarrasments of early life should continue to smart throughout adulthood with undiminshed intensity. Is it not enough that our youthful blunders made us cringe at the time, when we were at our tenderest, but must stay with us beyond cure, burn marks ready to flare up painfully at the merest touch (p. 83)?"
This is not a novel of plot and action, but a gently moving, meditative, introspective story, where a lot is left unsaid and merely hinted at and for the reader to find out. Only very good writers can pull that off succesfully. John Banville is such a very good writer.
Alex Cleave is a moderately successful stage actor. In his mind he is terribly successful, but there are many hints throughout the book that all is not the way he paints it, either in his life or his career. Midperformance, Cleave suffers a nervous breakdown and retreats to his haunted boyhood home to recover, much to the dismay of his estranged wife. There, Cleave struggles with ghosts, real and imagined, which bring him to terms with the realities of his ruined life, the shambles of his marriage, and his tense relationship with his emotionally disturbed daughter Cass. Banville uses this rather thin plot, with it's reminiscences of the Victorian ghost story to shape a narrative that is poetic and ultimately tragic.
This novel is short on action or even plot. Rather it is a subtly drawn character study, rendered in some of the most exquisite prose since Henry James. Banville has an uncanny sense of the inner workings of his character. Cleave is an actor, and as such has the touch of the liar about him. As his mind drifts from present events to the remembered past you watch as Cleave's mind skirts around the real problems of his life. He engages in self-aggrandizement, rationalizations and most especially avoidance when faced with anything unpleasant. He admits to lesser failings readily to avoid confrontation with his greater failings. His observations of the other characters in the novel are well drawn, but slanted. Banville's brilliance is shown particularly in the life of these peripheral characters. Lydia, Cleave's wife, seems on the surface to be a shrew...and yet, you leave the novel with the sense that her complaints against her husband are more than justified. Lilly, the daughter of Cleave's rather odious caretaker, is a mysterious cypher, by turns superficial and yet possessing glimpses of a very complicated inner life that Cleave only barely understands.
The central haunting figure in the novel, Cleave's daughter Cass, is not even physically present throughout, and yet she haunts the book more fully than the ghosts in Cleave's house. Cass is brilliant but mentally troubled. She hears voices and has a tendency to self-destruction. Her specter comes between Cleave and his wife and even haunts Cleave's strange and unsettling relationship with Lilly. She troubles Cleave's conscience and yet we never know quite why. Much is left unstated in the novel about the relationship. At heart you feel there is a secret underlying it all, a secret that Banville will never fully reveal. At every moment when you think something is going to finally break in this tenuous story, the characters look away....and don't say what they are actually feeling. Even the final climax of the book is ultimately an enigma...like the eclipse of the title, most of the important events in Cleave's life are obscured by clouds, and even when they aren't he looks away.
This is not a book for "light reading" or for those who's interest is most heavily in plot or dialogue. In fact, the passages of dialogue in the work could probably be fit on ten pages. It is rather a long, internal monologue rendered in breathtaking turns of phrase. If you love haunting, slow and powerfully tragic novels though, Banville is for you. His is a world that I will be entering again soon.
Davenport is married and has a new baby, but there is (fortunately) little of his home life exposed ' the plot of this book just drives forward with action ' thinking back, I can remember at least eight dead people in this book, so it's full of carnage and killing. Actually, in a small town setting, the number of deaths in rapid succession is almost too unbelievable, but it is fiction and we enjoy suspending belief. Regular Davenport followers should like this one and it's a solid read all the way through for mystery fans.
Sandford set the stage for change at the conclusion of his last book, letting the reader percolate on what would be the differences in Lucas when he becomes an active father, and when he leaves the police department for a quasi-bureaucratic governmental position in a new state department headed by his old boss, Rose Marie Roux. Wisely, although Sandford went forward with these changes, the impact was streamlined by having 90% of the book's action happen in rural northern Minnesota, in the fictional small town of Broderick. Family man Lucas still has his best sidekick, Del, gainfully employed with him -- and married or not, he still can spot and appreciate a great looking woman. Some things never change!
The first two murders may be motivated by racial hatred - one victim is black, and his significant other is white...they are found brutally slain and hanging from a barren tree in the frosty Minnesota winter. There's so much odd and unusual "stuff" going on in Broderick, it's difficult for Lucas & Del to pin down the any information about the murders, and the killings continue.
Sandford manages to deftly interweave his social viewpoints -- his lack of respect for the media, his vague unsettlement with the way that federal, state and local authorities sometimes impede each other to solve a case that has generated media attention, and most importantly, his support of a little known grass roots campaign that is quietly smuggling prescription drugs from Canada to US patients who need and can't afford them.
Unlike many other writers of this genre, Sandford can keep both his tale of the crime and his social commentary moving in the same direction -- one does not eclipse or slow down the other.
The book is also notable in that it provides a lot of insight into tribal casinos...a staple of the Minnesota scenery in the last decade. Tribal casinos have changed rural Minnesota in many ways, and Sandford captures this contrast of big city activity with the rural tundra.
The prize of the novel, as many readers have commented, is new character Letty West, who will doubtless appear in future instalments. A precocious 12-year old, Letty's like many rural kids that come from dysfunctional single parent families....in the cities, kids from these homes tend to run with gangs...in the country, they tend to be loners, with old souls. Letty is such a character, and she's the best addition to the series in a long time.
This may not be the finest of Sandford's series, but its darn close! Don't wait for the paperback!
Davenport's domestic scenes with his wife Weather are kept to a minimum in this yarn, with almost all of the action focused on the crimes. Letty West takes center stage, and she proves more than a match for Davenport. She traps muskrats, totes a rifle, drives pickups, swears a lot, and helps pick up the pace of the book whenever she appears (which is often). There is strong rapport between Davenport and Letty, and the foundations are set for the making of a good team in future editions of the series.
I was pleasantly surprised how well the authors presented their female characters. I kept turning pages (staying up way too late) just to find out what happened next. The characters' personal musings on their religious beliefs even worked in wonderfully with the life-and-death situation for the characters. I highly recommend this book for anyone.