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It is possible to find faults with any guide containing suggestions for recordings and repertoire, I have been highly satisfied with the suggestions in the Rough Guide.
As one of its best features the book contains music from the earlest times and includes contemporay composers. The descriptions of composers and recordings allows one a greater appreciation of the music.
This edition contains twenty essays that did not appear in the previos edition on topics as diverse as gregorian chant to atonlity.
This book is perfect for anyone interesed in Classical Music

First, the book has a tremendous range ( historic and stylistic ), which extends from Hildegard of Bingen ( 1098-1179 ) thru Thomas Ades ( 1971- ). This far-sighted depth is quite useful for the devotee who is not particularly well informed about say, the Medieval or Renaissance periods ( about 20 composers from those periods are featured ) and is more useful still for those interested in "modern" ( or "contemporary" ) music. Where there is a comparative lack of information in other guides ( GRAMOPHONE, PENGUIN, NPR, etc ), the ROUGH GUIDE features a tremendous number of currently active musicians ( some fairly well known and others somewhat obscure ). In fact, with regard to "difficult" music, the ROUGH GUIDE is actually superior to the BLACKWELL GUIDE, which is a volume solely devoted to contemporary composers.
Secondly, the thumbnail biographical sketches, while necessarily limited in scope, are quite informative ( the writers really seem to have listened to the music ). As is normal, it will be a matter of taste as to whether one agrees with the recommended recordings; this reviewer found a number of choices to quarrel over, but that is half the fun with these sorts of books anyway.
The volume is attractively laid out, with clear type-set and a number of a black and white photos dispersed throughout.
To sum up, THE ROUGH GUIDE TO CLASSICAL MUSIC is a fine book filling a particularly important need for depth and substance. It should perform good service to newcomers and long time fans alike.

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With everything considered, you may still want to own this title, as it is the only book under the sun that covers all (well, almost) current distributed programming technologies that interface with Oracle (both J2EE and Windows DNA). It also covers promising Oracle proprietary technologies such as interMedia, BC4J, and Portal (aka WebDB).



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The computer program that came with the book was fun to use and reduced my anxiety about taking the CEN on a computer, but again the questions were too easy.



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Mallon's skill at conveying a sense of what the world was like in 1963 is remarkable, and very welcome. In several paragraphs, he details just how un-sophisticated a planet we lived on then; it was a day of hand-typed copies instead of Xeroxes and the 8-cent stamp instead of e-mail. As someone who was around at that time, I've often wished that more authors dealing with this topic would take more care to remind readers that the world was a very different place then. Forgetting that has led many assassination researchers and theorists down many a specious and unproductive pathway. One example (which is not to be found in Mallon's work) is Michael Paine's ownership of a Minox camera. Today's researchers have made the most prodigious hay out of that, never suspecting the truth- the Minox was heavily promoted and sold in the early Sixties as a toy for the well-off (which Mr. Paine was, despite his unassuming lifestyle), advertised in 'National Geographic'. The camera- in the context of its time- was no more meaningful than possession of a laptop is today. Yes, both COULD be used for nefarious purposes, but most owners use their laptops for peaceful, private purposes, and so did most Minox buffs. Mallon's work is always scrupulous in remembering the difference between Now and Then, and it is most refreshing.
Ruth Paine seems to have given much of herself to Mallon, and therefore to us. She is revealed to have been very pained at several questions and revelations that came up both before and during the interviews for the book, but she seems never to have cut off the author's lines of inquiry, nor even to have directed them, answering frankly. Touchingly, Mallon's research revealed things to Ruth Paine even she had not known about the central event of her life, and her reactions to them are interesting indeed.
Mallon has not produced a perfect book- there does not seem to have been much direct questioning of Mrs. Paine on some of the topics that assassination researchers raise the most questions about, and so the book will give a great deal of unnecessary ammunition to those who feel that Mrs. Paine has something to hide, rather than clearing matters once and for all. And there are a few places where Mallon does not make clear that he's quoting from previously published material, giving rise to the impression that he interviewed people he did not. While a reader familiar with the subject will be able to discern immediately that, say, Robert Oswald did not grant Mallon an interview, the author waits a bit to let the average reader in on that.
Still, it's a remarkable look at a remarkable witness to history, a woman who has had staggering events roll over her, and like the slender reed she resembles, has sprung back, ready for new life, ready to bend in new directions, respecting the force of the storm, but quietly, serenely confident in her ability to survive it.



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The general feeling I had after reading the book was that of a disappointment. Overloaded with handbook information on image encoding, compression algorithms etc., the book lacked substance in vision algorithm applications. Expanded IMAQ manual it is, a good book on applications of IMAQ vision algorithms it is not.
Espessially disappointing was section on DICOM: whole 4 pages with 2 pages of illustration, promulgating third party software, with not much to offer.
The book describes what image analysis algorithms do to image; it does not give hints when we want to use/try what algorithm.
It appeared to me the author was more concerned with money making than with writing a decent text.
The book can be probably useful for the very beginners, as a substitution for poorly written IMAQ manual. Again, then they should not worry of a minor issue of $70 price tag..

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It is a good resource if you want to keep up to date, because the book gives information about many recent composers, as well as those who are already familiar.
I also appreciate the articles interspersed throughout the book on such topics as:
What is a Fugue?
Sonatas and Sonata Form
Composers at the Movies
Development of the Keyboard
The chronological list of composers is also a helpful bonus.
An excellent resource for students, teachers and all interested in Classical Music.