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As an arm-chair scientist, I've read and enjoyed more than a few popularizations by well-known scientists over the years. These include Richard Feynman with his wry humor in virtually everything he wrote (I number myself among those physicists who "cut their eye teeth" on the Feynman Lectures in Physics), Stephen Hawking, Brian Greene, Carl Sagan, and even Brian Swimme. (The Swimme of "A Walk Through Time" goes down easily, and covers much of the same ground that Thomas does, but in a quite different way; the Swimme of "The Universe is a Green Dragon" is a much harder sell for me due to its hard-pressed attempt to oversimplify.) But for sheer elegance and poetry and breadth of scope, and for essays that provoke thought on the part of the reader, none can hold a candle to Thomas.
Everyone who reads this little masterpiece will have his or her favorites. Here are a few of mine:
In "Things Unflattened by Science" (an essay on unaddressed and/or incomplete challenges that future scientists might well undertake), a paragraph on how biologists might endeavor to better understand what music is, and how it affects the human condition, starting with a rather small-scale assignment to explain the effect of Bach's "The Art of Fugue" on the human mind.
In "Altruism" (an essay on the symbiotic interrelationships among species), how it is that such a condition actually exists, and a challenge to future scientists to better understand how our own species might become more altruistic (and adult) than it presently is.
In "The Attic of the Brain" (a cautionary essay on the risks of psychiatry, most importantly psychoanalysis, in terms of performing "total brain dumps"), the need for all of us to carry around a little clutter in our lives, as insurance against the chance that we might inadvertently lose our ability to retrieve something truly important.
In the title (and final) essay, another cautionary tale, this time on thermonuclear weaponry, the most lucid description I've ever read regarding the true meaning of this music as envisioned by Gustav Mahler. In a few brief but sublime paragraphs, Thomas has captured the essence of this remarkable opus in a way that no musician (and that includes such Mahlerites as Bernstein, Karajan, Klemperer, Rattle and Walter) ever had. Until very recently, that is, with the release a few months back of a staggering performance by Benjamin Zander, conductng the Philharmonia Orchestra. But that is another topic, and another review.
In the seventeen years since the initial publication of this book, quite a bit has changed in our worldview, in some aspects of society and science. But not enough! The observations and challenges that Thomas lays out will endure for centuries, provided only that we endure as well.
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That description also holds for this book, with Thomas once again waxing eloquent, particularly about the absurdity of "limited" nuclear war. His story about the development of Hawaiian Creole is also particularly thought-provoking. The islands were opened up for sugar plantations after 1880 and there was an enormous influx of laborers from many different language backgrounds. They came from China, Japan, Korea, Puerto Rico and the United States and none of these groups could understand any of the others. However, a pidgin language rapidly developed among the children of all groups. This hybrid language was almost completely unintelligible to the adults. Thomas uses this to argue his point that language originated among the children of early humans. The point is highly plausible, as only the minds of children seem to possess the necessary malleability to learn languages quickly.
While I found the book interesting, it is not the page-turning classic that "Lives . . " is. The problem is that so much of this material already appeared in that book. This is unfortunate, for when Thomas is original he is so engaging a writer. Given the ongoing advances in biology, there certainly is no lack of material to write about.
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It's hard not to like the spirit of the book. it's also hard to ignore that much of the author's case is undocumented and only partially substantiated by footnotes and specific historical detail. What he proposes may very well be correct. Certainly there's enough other interesting information here to make the read worthwhile. (His information on the details of period life is fascinating, like the informal early days of the White House.) One only wishes that the author would have had a chance to buttress is arguments.
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Good Points: 1) The author points out "kid-friendly" features on hikes and gives good descriptions. 2) Most of the hikes have pretty good thumbnail maps
Drawbacks: 1) Introductory map could be better (more detailed) to help reader find trails 2) Some hikes lack thumbnail maps. Why? 3) Abilities of children vary wildly. We found that a "moderate" hike can be strenuous for an inexperienced or out-of-shape child (or adult, for that matter).
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The second is that nearly all human languages arose from an original language. This idea is just as astounding as the first. By analyzing the patterns of root words, the theory is that most languages are offshoots of a single one designated as Indo European. Stretching the idea even further, as some have done, the argument goes back to a single "point" of origin for language. The idea that communicating via structured grammatical sounds arose in one location and moved outward is amazing. However, it is not implausible by any means. The competitive advantage of any group that could pass ideas quickly and accurately would be enormous.
In this book Thomas traces the origin of many words, with interesting results. For, if we know the origin of a word, we can make an accurate estimate concerning where the idea expressed in the word originated. Furthermore, in some cases, the growth of culture is demonstrated in a word. For example, the word conversation is from a root meaning to move around a neighborhood. Not the telling of a story common to nomadic cultures but the moving from dwelling to dwelling typical of a settled community.
Lewis Thomas is an excellent writer and he handles this topic very well. New ideas pop into human minds all the time and sometimes, the only way we can track them is by following the trail of the words that describe them. This book is a combination of anthropology, history and linguistics and well worth reading.
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We all know the story: Carol Kennicott (nee Milford), educated at tiny Blodgett College, wants action: She wants to travel and live in a big city where she can see plays and hobnob with intellectuals. She meets future husband Dr. Will Kennicott at a St. Paul dinner party; (Throughout the novel, her feelings toward Will oscillate between admiration for his efficient practice and good nature, and discomfort with his depthless character). Will coaxes Carol onto a train bound for the hamlet of Gopher Prairie, Minnesota. The bulk of the novel, which, considering the context, could be considered picaresque, consists of Carol's haphazard attempts to reform the obdurate, immobile mindsets of the citizens of her new home. Among the improvements Carol suggests are a library board composed of the well read men of the town, and a campaign to renew interest in reading (In a town where the great books are bypassed for the contemporary moralistic, optimistic, and religious authors), and a theater company containing one fine actor and a supporting cast of hams, who bungle through one play (the frivolous "Girl from Kankakee"; poor carol had Shaw or Sophocles in mind. Throughout the novel, Carol evinces a blinding fear of living as a stereotypic denizen of the American Main Street; her fears are intensified by the birth of her son another fetter that could prevent a night train escape from Gopher Prairie), and the loss of several friends (the most notable being Miles Bjornstam, a Swedish horse trader who leaves for Canada after his wife's death) Made desperate by the seeming ineffectuality of her reform efforts, and these fears of decline into a town matron, Carol runs off to Washington D.C. for a period, before returning half broken to Gopher Prairie, tractable while still picturing herself as a maverick.
A five star review does not preclude qualms over a piece of literature. Main Street is truly a marvelous book, but there are flaws. Irony peppered moderately in a story can lend life and humor; too much can overwhelm the reader with a sense that the author has no other crutch than easy, predictable amusement. Also, this being an episodic novel, there sometimes seems to be little tying the book together save for the overpowering contagion of yearning for excitement, reform, and freedom that leaves Carol and others in Gopher Prairie so disappointed. These should not be deterent enough to suggest you steer clear of Main Street, though. As with every marred but overall fantastic booke light breaks the dark for the reader willing to overlook flaws that, were he or she writing the novel, he or she couldn't have ironed out. As glorious a work of literature as it is an historical document, this is a delight for any serious or recreational reader.
The main articles in this book dealt with music and thermonuclear weapons.
The author is, with reason, a fervent opponent of nuclear weapons; who not? But he must admit that in the field of basic science there have never been cutbacks in the financing of research on thermonuclear weapons!
On the other hand, I agree that it is not easy to write about music. But these texts are not at the same level as, for instance, the brilliant 'Penguin Guide to Compact Discs'. I am also a big fan of Mahler. That's why I bought this book and read it.
I should however quote an important remark by the author : twentieth century science has provided us with a glimpse of something we never really knew before, the revelation of human ignorance.