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Alan Taylor's WILLIAM COOPER'S TOWN: POWER AND PERSUASION ON THE FRONTIER OF THE EARLY AMERICAN REPUBLIC is an outstanding biography of an archetypical American character, an extraordinary social history of life and politics on the late eighteenth-century frontier and a brilliant exercise in literary analysis.
This is a wonderful read. Taylor's lively prose, compelling narrative and original, fresh story sustained my interest from cover to cover. I never would have imagined such a dull title could cover such a marvelous book. WILLIAM COOPER'S TOWN certainly deserves the Pulitzer Prize it was awarded.
Taylor not only describes William Cooper's rise from rags to riches and even more meteoric fall but analyzes Cooper's political odyssey in America's frontier democratic workshop.
"As an ambitious man of great wealth but flawed gentility, Cooper became caught up in the great contest of postrevolutionary politics: whether power should belong to traditional gentlemen who styled themselves 'Fathers of the People' or to cruder democrats who acted out the new role of 'Friends of the People.'"
Taylor argues "Cooper faced a fundamental decision as he ventured into New York's contentious politics. Would he affiliate with the governor and the revolutionary politics of democratic assertion? Or would he endorse the traditional elitism championed by...Hamilton." "Brawny, ill educated, blunt spoken, and newly enriched," writes Taylor, "Cooper had more in common with George Clinton than with his aristocratic rivals." "For a rough-hewn, new man like Cooper, the democratic politics practiced by Clinton certainly offered an easier path to power. Yet, like Hamilton, Cooper wanted to escape his origins by winning acceptance into the genteel social circles where Clinton was anathema." Taylor concludes "Cooper's origins pulled him in one political direction, his longing in another."
James Fenimore Cooper's third novel, THE PIONEERS, is an ambivalent, fictionalized examination of his father's failure to measure up to the genteel stardards William Cooper set for himself and that his son James internalized. The father's longing became the son's demand.
Taylor analyzes the father-son relationship, strained by Williams decline before ever fully measuring up to the stardards he had set, and the son's fictionalized account of this relationship.
James Fenimore Cooper spent most of his adult life seeking the "natural aristocrat" his father wanted to be and compensating for his father's shortcomings. It is ironic that the person James Fenimore Cooper found to be the embodiment of the "natural aristocrat" his father had longed to be and that he had created in THE CRATER and his most famous character, Natty Bumppo, was the quintessential "Friend of the People"--Andrew Jackson.
I enjoyed this book immensely and give it my strongest recommendation!


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But the book doesn't go deep enough. It reads like a compilation of data, with little life added in. It paints Robert Taylor as almost a "goody two shoes."
Yet there was more to him, & I for one hope to read a book that uncovers and tells the truth about many other factions of his life. He WAS a good, solid family man. He had no shocking secrets. Yet he DID harbor demons, and this is the story Ms. Wayne should've told.


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He grudgingly lets her spend the night still not believing her story, buts getting very exasperated with her insistence she escape from two men, until he later catches one trying to sneak around his cabin.
Once they return to town Harlan suddenly becomes very dominant and 'informs' Phoebe they will get married.
A wee bit dated, but still fun for JAK fans.

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The actual writings are a bit hard to follow as there are bits and pieces - and in some cases whole chapters missing, but all and all it is a very nice glimpse of her talent and love of writing even at a very early age. What I was most impressed with were the pictures and background information provided about Ms. Mitchell's life and life in Atlanta at the time. The physical quality of the book is very nice as well - the pages are a slick heavy stock paper and the deckled eges were a very nice touch. I have no complaints and can only hope that somewhere in the recesses of another old building in Atlanta there are more such treasures to be found.

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One of the first things I noticed about this book is that it shares a lot of the illustrations with the Sandford book, and indeed, they share the same publisher, so the same photos appear in the sections on setting up the aquarium, and the same diagrams are used in calculating how many fish for the size of the tank, etc. That didn't really bother me, but it's fair to say there is some duplication.
The orientation of this book is different from the Sandford book, and where Sandford deals with detailed information about individual fish, this book is oriented more towards the tank as a whole, especially in an aesthetic sense. It was helpful for me to really plan out my tank before setting it up, and to think about different tank environments. As a beginner I stuck with the basic community tank, but as I become more experienced I may take a page from this book and think about setting up a more specialized tank.
If you are looking for information about different kinds of fish, you won't find much more than the barebones here. The author describes lots of fish as "easy" or "fairly easy" when Sandford goes into more detail.
The illustrations are beautiful, and the book presents a lot of possible variations beyond the basic community tank.

anyone who has maintained an aquarium and is reading this can recall mistakes that they made early on.
The "Complete Aquarium" does contain information on a community tank, which is fine for a beginner, but this occupies a small portion of the book comparatively.
Criticism aside, there are many good looking, full-color pictures and backgrounds on specific fish used in each tank project. There is also a chapter in the beginning of the book dedicated to the natural fish habitats and anatomy. If anything it is a nice book to have around if you ever want to undertake any of the "project" aquariums listed, or to read up on some of the natural habitats where aquarium fish come from.





After reading this book, not only did I understand Paul's situation, but I had a great understanding of autism.

After a few months I was going through my desk and saw the book, felt ready to read it - McDonnell's book has eased my fears. My experiences with my son mirror some of hers - but mostly she gave me a human view or perhaps a humane view of autism.
I feel that after reading her book and Paul's afterword that I am more patient and can understand more of what it is like to be in my son's mind. I hope Paul continues to do well in life - I enjoyed being able to have a glimpse into his life.
The writing itself is wonderful prose - to be expected from an English professor I suppose - describes a real life situation without promising a cure. As a parent of a "High functioning" son, I found it to be a terrific escape from all the promises, and pressure in most books out there.
Heart warming, sensitive and honest. Get a hold of a copy! You will not regret it.

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In the first few pages of the book we see she's a formidable talent in command of her subject: "It isn't enough just to live a life; we must be continually explaining it to ourselves, sorting, remembering, casting out the less important stuff, interpreting, sometimes justifying ourselves to ourselves."
The first half of the book offers strategies (such as "learning to remember") designed to help generate material, while the second half provides techniques to use in shaping your story, complete with examples from published and student memoirs.
Describing the rich content of photographs - in particular, the material gleaned from a photo from her own past - McDonnell notices, "Only after I had written and rewritten this passage did I discover that I was at least three selves within it."
She goes on to describe the value of other documents and provides insight into what to tell - and what not to tell - in writing memoir.
In the end, McDonnell lends an artistry to her understanding of the form that is nothing less than sensational.

Memory is the key part in writing about an experience. Her suggestions for trying to remember details include making lists of all the things that the writer can and cannot remember. Think of the little details that are important in the story. Another way to get the memory working for writing your book is to use pictures and legal documents such as wills, divorce papers, and receipts to help remember things from the past.
McDonnell uses language that is easy for the reader to comprehend, no matter what degree of education the reader may have. I would highly recommend it to anyone who is going to write a book or a paper about a past experience that was very painful.




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