The year is 1724 when twelve-year-old Rachel comes to Charles Town to live with her father. Her mother died when Rachel was five and she has lived with her grandparents ever since. She makes a new friend in Sally, the tavern-owner's daughter, but their budding friendship is ended soon after the arrival of Miranda, Rachel's father's fiancee. To continue seeing each other, the girls decide to spent time on a small island near the town. They dub the island "Skull Island" after discovering a human skull near some quicksand on their first visit. They also discover a hidden lagoon, an overgrown trail, and mysterious carved symbols. Are pirates hiding stolen treasure on the island? The plot thickens when Rachel finds evidence of a secret relationship between Miranda and Mr. Craven, her father's business partner. Then her father's business is ruined when his ships are attacked by pirates. Is Miranda betraying Rachel's father? Can she save her father from disaster and keep her friendship with Sally?

Though she's now eleven, my daughter still often enjoys having me read to her when she goes to bed at night. We have been including books from the American Girl "History Mystery" series for two or three years, now. These books combine engaging stories with real historical settings, giving young readers useful insights into how people lived in those times along with positive characters they can relate to. In general, we give the books in this series four stars. This one is one of my daughter's favorites, so this is an especially strong four-star pick and we strongly recommend it.

Since her mother's death when she was just five years old, Rachel Howell has lived with her grandparents in the city of New York. The year is 1724, and Rachel is now twelve. Her father has finally sent for her, and she must make the sea journey from New York to Charles Town, South Carolina. When the ship is almost at its destination, pirates attack, and Rachel loses her most precious possession, a necklace that had belonged to her mother. When she finally arrives in Charles Town, Rachel is thrilled to finally be reunited with her father, but is devastated by the news that he plans to remarry and that his fiance, Miranda LeBoyer, will be arriving soon from Philadelphia. Rachel makes two friends, Sally and Todd, whose mother runs an inn. But at Miss LeBoyer's urging, Rachel's father forbids her to see her friends because they are from a lower class. Rachel and Sally decide to meet in a secret place, a small island near the city that they name Skull Island because they believe a pirate's treasure may be hidden there. After Rachel's father loses his fortune in a bad business deal, the friends begin to believe that his misfortune may have been caused by Miss LeBoyer, who is keeping a secret about his partner in the investment. Some very surprising plot twists follow, but I won't reveal what they are, because it would spoil the ending. I highly reccomend this book to young readers who enjoy historical fiction.

I really enjoyed this book by Donald Spoto. He went extremely in-depth regarding the life of Elizabeth Taylor. He tells about her childhood to her many marriages and movies. If you would like to get a good look into the life of Elizabeth Taylor, this biography is a excellent choice.

Being very good at what he does, Donald Spoto, manages to provide readers with an accurate, in depth, and yet entertaining look at the life of Elizabeth Taylor, both on and off screen. Naturally, he starts with the early childhood, because at the age of nine Taylor was already bona fide child-actor. Then, as a heroine, i.e. Talyor, grows up, the discussion focuses mainly on men in her life, her first love (Monty Cliff) and her first marriage...and then, another marriage... and then another marriage, and another... It is hard to keep track at times! However, Spoto also shows Taylor's ability to stay true to her friends, inspite of many-many traumas and ugly gossips that have always surrounded her public persona. The only downside of this book is that narration stops somehere in a "Taylor/Jackson" period. Since Spoto already opened up a candid discussion of Taylor's health and other life problems, I think readers would like to know more about the on-going life battles, that their favorite female star presently has to fight. Also, it would be nice, if he mentioned Taylor's contribution to the fight with AIDS more extensively. In other words, Spoto should be planning on another revised edition of this otherwise lovely book.

Elizabeth Taylor (1912-1975) was an English novelist whose work was popular but of uneven quality. I think that her absolutely best novel is _Mrs. Palfrey at the Claremont_, a touching portrait of an elderly woman in shrinking circumstances.

Taylor had a wry and sometimes morbid and menacing sense of humor. The title story from this collection is about an English couple who take in two little underprivileged black boys for a few weeks in the summer. They wreak havoc on the house, but when they leave, the house has become empty and listless.

Taylor's stories are created out of ordinary situations turned haunting. "Crepes Flambees" is set in an exotic locale and touches upon the integration of two cultures. The character Habib lives a life of pretense in order to gain acceptance from his two English acquaintances. His real self/life/home remains hidden, its existence uncertain.

Like many of the stories here, the ending is modern and inconclusive. Some readers may enjoy the indecisive endings. Without dramatic action, these stories tend to be more subtle capture of moments in time.

The strength of this book lies in the many beautiful photographs of Elizabeth Taylor from her childhood to recent times. Many of these images will be familiar, and many will not be. By putting rare images in this collection, the author has significantly enhanced its value. I wish the book had added another 100 photographs to the 100 plus, mostly color, ones here.

The biography is perfectly adequate, but it is too brief to really get into any detail that might expand your knowledge very much beyond what you know already. The best aspects were putting Ms. Taylor's career in perspective. She performed in around 65 films and television movies, a number matched by few actors of her era. She also was one of the few child stars to have an adult film career. Further, she outlived most of the stars she appeared with by many years. Despite ill health and many accidents, she has been the ultimate survivor in the most fickle business we have.

The main story line of the biography is in the transformation of her life and career roles from child, to child actress, to child star, to multiply married person and mother, to adult star, to a celebrity, to an entrepreneur, and then to a social activist for AIDS. Long before Madonna, Ms. Taylor and her advisors were expert at reinventing her in ways that were almost continuously popular with the public.

Today, the world is changing very rapidly and most of us will have many different jobs and careers before we die. After you finish enjoying this book, I urge you to consider what lessons you can draw from Ms. Taylor's career and life that can help you in yours. While many would be thrilled to have some of her fame, few would envy her pain. How came a good balance of life and career be yours? I suggest that you read Anna Quindlen's recent book, A Short Guide to a Happy Life, for more ideas.

Smile, be interesting, be balanced, be careful, and be interested in others!

Elizabeth Taylor, one of those indomitable Victorian women who hiked their skirts and explored where even tough moderns would pause, faced the wilds of northern Canada and of the Faroe Islands. The miserable weather etched the inhabitants but didn't faze our guide.

Taylor was neither a sentimentalist nor a cynic but saw clearly and wrote straight. Trained as an artist and enamored of nature--especially birds and flowers--Taylor appreciated people who lived closest to her beloved surroundings. By her account, they responded to her interest by inviting her to share their hard-bitten lives and without pretense, she accepted their invitations.

Taylor financed her economic travels by writing for middle class magazines, like Frank Leslie's, and for outdoors magazines where a female byline was a rarity. These essays come from those published pieces and some journals archived in her hometown, Minneapolis. A descendent has assembled the collection, but the task had real literary and cultural value that counts for much more than familial duty.

A book about places few of us ever would want to visit became for me a book full of passages worthy of reading to friends. A description of the whale hunt, for example, rings with authority and subdued horror. Elizabeth Taylor emerges as her own modest heroine, and her quiet, gemhard descriptions stay alive long after the book is finished.

A wonderful story which explores Medieval Spain and the conflict between the Muslims & Christians. Very balanced & informative while keeping your interest with excellent narrative. The characters are well developed & capture your heart. I've read this book at least 4 times. If you enjoy this, I recommend you read "The Lions of Al Rassan" by Guy Gavriel Kay

I recently visted Martha's Vineyard and wanted something to share with friends and family that would be as vivid as my memories of the homes and scenery I experienced on my visit to the Island. This book was it! The author and photographer not only captured the color, texture and scenery of the Island but the history and ambiance as well. A perfect memory of a beautiful stay to share with friends and family. P.S. I only wish Jackie O's house was included.

A very readable Victorian mystery, I guess it would qualify in today's market as a cozy. I understand that Braddon was influenced by Wilke Collins, and therefore it is advantageous to also read The Woman in White, a generally more complex novel.

In any case, the first half of Lady Audley's Secret is compelling in its set-up of the mystery that follows, and I read it very quickly as it kept calling me back to it. The rest of the book, while still interesting, is spent observing the Lady's nephew (through marriage) as he attempts to discover the circumstances of the disappearance of his good friend which he believes is related to the Lady's "secret." The reader easily guesses much of the circumstance of the novel, although it's not quite as simple as it appears. It is also important to note that Braddon plots rather deftly and she savors the development of the novel's progression.

I did have some trouble getting through the last 100 pages of the book, as there was very little left for the reader to do but follow around the nephew's movements as he attempted to prove his theory. And, while Braddon does offer a twist at the end, it is not entirely unexpected, and so is not as effective as it could have been. Still, there is much to like about this book; in contains all the elements of Victorian society and, as such, has several layers within which it serves its audience. Not a must read, but if you're interested in Victorian literature, this is a book which was a sensation during the author's lifetime and may well be worth a look into.

This novel tells the story of a beautiful woman whose secret becomes her undoing.
She uses her beauty, helplessness, and coquettish manner to achieve her end desires, but behind the innocent facade is a woman who is clever, manipulative and ruthless.
Lucy's secret and her extreme desire to keep it ruins the lives of the people around her (as most closely guarded secrets do).
I can't say anymore without giving the plot away.
The secret may be obvious, but the actual path to its discovery, its revelation, and aftermath shape the novel.
I could hardly put this book down and will certainly re-read it to see if I missed something the first time. A marvelous read - you will enjoy it if you like Victorian novels.

...I was suprised at how much I liked this book. I am not one for Victorian "sensationalists" preferring swashbuckling but Miss Braddon (as she was then called) is a great writer who gives explainations for her character's wild behavior. Considered quite a trashy novelist in her day, her stories are much tamer than what is on network television.

Read, enjoy this escapist novel

"Amy and Isabelle" is the well-crafted story of a single mother Isabelle and her beautiful shy daughter Amy. The story takes place during a sweltering summer in mythical Shirley Falls. (Which reminded me of both Bedford Falls, the setting for "It's a Wonderful Life", and Seneca Falls, the upper New York State town where the first Women's Rights convention was held.) A river passing through Shirley Falls divides it into the "haves" and the "have-nots", and Isabelle has attempted to plant roots on the side with the "haves." After 14 years of trying to fit in, it's time for Isabelle to be honest about herself. Meanwhile, Amy is learning about her sexuality, and her need for love. By the end of the summer when the weather finally breaks, both Isabelle and Amy have had a kind of an awakening. Plenty of other small-town characters, from creepy Mr. Robertson to friendly Fat Bev, Avery Clark and all the church wives, and Amy's pregnant friend Stacy provide color and counterpoint to the main story.

If you're a mother or a daughter or both, like me, you will enjoy this book. I highly recommend it.

This novel is exceptional. Elizabeth Strout manages to take a simple, almost mundane story about a mother and her teenage daughter amd make it something special. The story takes place in a year in the life of Isabelle, a single mother, and her daughter Amy. Amy falls in love with her math teacher, and mother and daughter are, at least for a while, torn apart.

What makes this novel so special is the incredible evocative powers Strout has. She is able to, with very few words, bring you to a time and a place, and you are there. That is not to say that the writing is in anyway "spare". Quite the contrary, this is a rich novel, but without any excess weight. Amy and Isabelle, as characters are completely real, completely believable.

Although I do give this novel 5 stars, it does have a few, minor flaws. Amy never wonders about her father, which I found a little hard to accept. Additionally, sometimes, Strout's involvement of the minor characters seemed a little forced. As a whole, however, this is an outstanding first novel and I look forward to her future works. I also think this would make a great book club book as in it there are many topics for discussion--mother/daughter relationships, parenting, youth, to name a few.

With Amy and Isabelle, a compellingly told mother/daughter tale, Elizabeth Strout makes her literary debut. We can only hope there are many encores for this first-time novelist who relates her story with resonant assurance. When this is coupled with Ms. Strout's balanced compassion for her characters and her sharp eye for the precise telling detail, Amy and Isabelle becomes a work to be admired and savored.

Isabelle Goodrow and her 16-year-old daughter, Amy, make their home in a small New England mill town, Shirley Falls. This is a lugubrious community where in the hot summer that Amy turns 16 and comes to dislike the sight of her mother, the river is "just a dead brown snake of a thing lying flat through the center of town."

Their rented house is in an area called the Basin, where many blue collar workers live. Isabelle, a tentative woman who wears her hair in a flat French twist and works in the office room of the mill, would never dream of buying that house because she "could not bear to stop thinking that her real life would happen somewhere else."

Hers was a solitary existence, save for Amy. Isabelle is aloof and easily wounded, hurt when the deacon's wife disapproves of the leaves Isabelle had used to decorate the church altar. And, she is proper, always sitting toward the rear of the sanctuary as her mother had taught her to do. This propriety, blended with Isabelle's innate fastidiousness made Amy's illegitimacy even more of a shameful secret.

Amy, too, was reserved. She had but one friend, Stacy, with whom she shared cigarettes, candy bars, and confidences during school lunch hours. A good student with a love for poetry, Amy had long golden hair and a slim well-developed body which made her all the more self-conscious. During classes she would duck her head down, hiding her face behind her hair.

When a substitute teacher, Mr. Robertson, teases her saying, "Come on out, Amy Goodrow, everyone's been asking about you," there is little indication of how Amy will respond.

Yet respond she does as first she is puzzled and then exultant in the burgeoning sexuality that Mr. Robertson coaxes from her. They are, of course, discovered.

The forced awareness of Amy's duplicity and also of her emerging womanhood is a devastating blow to Isabelle, who feels she has spent her life for naught. In fact, Isabelle feels as though she has died: "Her 'life' went on. But she felt little connection to anything, except for the queasiness of panic and grief."

And Amy, too, feels betrayed as she realizes that Mr. Robertson has used rather than cared for her. ".....ever since she found his number disconnected, found out that he had gone away; she could not stop her inner trembling."

With Amy and Isabelle Ms. Strout has proven herself to be a considerably gifted writer. She has drawn vividly erotic scenes, and deftly limned some of life's most tender moments. There is every indication that she well understands and cares deeply for the characters she has created.

I was dragged deeply into the chaotic mindset of the protagonist Thomas Skelton in the book, identifying strongly with the youthful desire for fulfilling a career dream, no matter how offbeat. I found the story to be much more strongly constructed than the previous novel of McGuane's I've read, Panama. While I liked Panama for its dream sequences and derailing of any sort of generic plotlines, I was surprised to find myself clinging to the Dance/Skelton/Carter main storyline and thrown off by the sub-plots. Kind of an opposite reaction with this second novel of his. (I am looking forward to my third McGuane novel, Keep the Change.) I found the segements with Skelton's grandfather particularly confusing. Not an easy read, but very rewarding.

I haven't read a whole lot else of Mcguane's material ,but having spent a some time in the region described, I feel that he has captured a sense of the harsh allure of the "back country" of the Florida Bay mangroves, as well as the rugged eccentricity of the old-time Key West "Conchs" and resident/refugees from other parts of the country. I'm not sure that I ever really grasped why it so important to the protagonist to become a bone-fishing guide that he would risk death at the hands of a comptetitor, but he seemed to be controlled by Destiny in a manner reminiscent of a hero of a classical Greek tragedy. I'd call it a good beach book, but anybody who has been to the Keys knows that the beach activity is a bit limited. Find yourself a nice courtyard patio or take a trip to Bahia Honda, cover yourself with sunscreen, and go to it.

Sphex says it's simple: this book teaches those with an open, literate mind the difference between plot and story. The plot can be summed up in one line: man is warned not to do something, does it anyway, pays the price. But the story: that is something else altogether, encompassing images of America at its best and worst, the quintessence of its individuals and their follies and visions, leading to a glimpse of some possible, much-longed-for (in McGuane's world, at any rate) meaning to this cacaphonous, chaotic place/idea. McGuane is one of Sphex's all-time faves, and if you don't "get" this book, you certainly won't "get" the proctology sequence from The Bushwhacked Piano, so don't even try. So says Sphex.