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In this case, the Soviets close off the arctic waters off Norway, turning it into a Russians bathtub. The yanks strike back with the "Imperator", a gigantic submarine the size of an aircraft carrier (and I don't think they meant the small fleet carriers of WWII, frequent models for the soviet Typhoon class). Big enough to carry a fairly sized infranty team and their attack helicopter, the Imperator is designed to break through the Russian blockade. The Russians respond by sending in their top submarine skipper, and a wolfpack of their top subs (the inner cover of the paperback ed. had a great picture of a raging sub-sea battle, with the titanic US sub firing torpedoes in every direction, burning the ocean with flaming Soviet submarines). Nevertheless, the Imperator pretty much outclasses anything the Russians throw at it. A revolutionary computer called "Ceasar" can knock Bear bombers out of the sky or pick off incoming torpedoes.
This was a great book for its time. The technological aspects of the story are pretty vague (we get little sense of what the sub can do before called upon to do it; it's like the author is making the sub a more powerful ship as the story progresses), and I'm not sure what the point is of sending a mammoth sub to carrya few troops into Norway - how big can the sub be and still carry a meanigful number of troops? The bigger problem of the story is how heavily it relies on its high-tech: the guidance of torpedoes and the nearly foolproof computer that runs Imperator. This is a problem because much of the book's action is driven by weaponry on automatic and thus independent of human control. Torpedoes are launched and track their targets or are spoofed by countermeaures. Ceasar detects a threat and lashed out with a blue-laser or something else. Weapons either do what they're designed to, or they fail. It's almost like the humans (or any characters) don't belong in the book at all.
That's actually odd considering how the story appears unusually sympathetic to its characters - American and Russian. The Russian submarine commander is actually the most sympathetic in the book, otherwise bereft of the fiercely dogmatic communists of similar late 1980's books. The characters would be great if Taylor could somehow make them both deep characters and warriors. Instead, the war runs on autopilot, giving the characters really little to do. If "Hunter" excels at anything, it's a reminder that thrillers about submarines should keep their settings in their submarines. Because submarines are scary mostly because you can't just step out of one, an authentic thriller must highlight that sense of being trapped inside. "Hunter" highlights this by keeping its settings confined to the submarines involved - and not losing its focus by tangenting back to some Pentagon situation room, complete with inter-service rivalry and liberal politicians. In short, if nothing in this yarn will exactly grab you, it at least holds you for a very long time.
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He also didn't buy that the light people see in near death experiences was the same as the "clear light of the void." He politely only said they could be considered "analagous" or something of that sort. And when asked in this book to point to even just very advanced meditators who could go into the "clear light" at will, he only said it would be very difficult because "they are all so scattered" and also that such people are uncooperative because they are "stubborn."
So, honestly, at this point one might as well be talking with the Pope or a methodist minister in the sense that here is someone with a belief system who never seriously questions it. In other words, his belief system is "gospel" which is of course a way of saying it's beyond question. Ok, everyone get angry at me, because I'm asking if we in the west haven't overrated the tibetans because of their huge reputation for esoteric knowledge bestowed on them by such questionable people as Madam Blavatsky and Gurdjieff. Thankyou and I apologize to those of you who are now angry because I have questioned the unquestionable.
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Taylor's first task is to situate James within his own religious context. James inherited the strand of religious belief that was quintessentially Protestant -- with an emphasis on private feeling as against public expression. For James, the ultimate religious experience is private and fundamentally individual. This precludes James from fully grasping the types of religious expression that are more communally-based.
Taylor's second task is to reflect on James personal struggle with the question of belief and unbelief. In James' day a strong argument was being made that religious belief is intellectually dishonest. Taylor offers a good summary of James' defense of belief as a viable choice.
Finally, Taylor integrates James' thought with the question of how our religious belief interacts with our political structures. Taylor offers an invaluable historical narrative of the variety of relationships between religion and state that we have seen in the past. In doing so, he makes our current dilemmas much clearer. We are moving from a country that has a broad consensus in some sort of belief, but which allows individuals to join whatever church best gives expression to that experience, to a country in which there is no such broad consensus. If there is no shared understanding of the sacred, we are forced to ground our political structures in the purely human. It is not yet clear whether the new project will succeed, but in his reflections on the tensions between belief and unbelief and their relationship to our political organization, Taylor can only enhance our discussions as we move forward into this virgin territory.
Taylor's book does presume that the reader has a fairly sophisticated historical sense. And he often makes reference to the situation in France, which can be a bit opaque to those who lack a basic familiarity with French culture. Indeed, he often quotes from French writers without offering a translation. Still, the book offers valuable insights, even to those without the background to fully grasp everything he writes.
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