Igi (Inger Birgitte) Heitman is a researcher at the univeristy of Oslo. She's trying to link psychology to chaos theory, but after her father dies in a hit-and-run accident she finds herself following up his last job as a private investigator. She hopes to find the truth about his death, but instead is drawn into the lives of an increasing number of people, all somehow connected to Siv Underland, the missing woman at the centre of her father's final case.

Apart from enjoying this thriller for its story, I got a real feel for what it would be like to live in Oslo in winter. Brrr! This book has been understandably compared to "Miss Smilla's Feeling for Snow", for both its chilly setting and its intriguing narrative.

Exploring the inner lives and conflicts of three main characters, each of whom is a member of the band during the Titanic's maiden voyage, Fosnes Hansen recreates the unstable and dismal world each man inhabits at the dawn of World War I. Jason Coward is bandmaster, Leo Lewenhaupt, known as Spot Hauptmann, is the pianist, and young David Bleierstein is a violinist. Together with two lesser developed characters, Alex from St. Petersburg, and Petronius from Rome, they raise the big questions of how we become who we are, how much freedom we have to make choices in our lives, and to what extent we can control our destinies.

Each of these characters is in some way a captain without a ship. As Fosnes Hansen brings them alive through the poignant and often harrowing tales of their youth, including the death of their dreams and the sorrows which have led them to the Titanic, we see them as ordinary people whose lives might have been completely different if just one or two circumstances had changed. Lonely and self-destructive, all have found love to be illusory and a stable and loving family life to be impossible. In the consummate irony, the Titanic may offer hope, for "A ship is a star...a star of dreams."

A writer of great intensity, Fosnes Hansen's portrayals of his characters are simultaneously gripping and sympathetic, his stories and anecdotes realistic and moving. Not given to flights of lyricism, the author creates his images through his selection of perfect details and by providing access to the vibrant inner lives of the characters. Revealing the Titanic as a microcosm of life in 1914, the author also offers many symbolic scenes--rat fights, the execution of beloved pets, puppet shows, for example--which broaden the reader's perspective on the characters and their times. Though the ending fizzles with the sinking of the ship, the novel is startling, not only in its own right, but because it so clearly foreshadows the author's later novel, Tales of Protection, a novel which is more fully developed thematically and which soars!

Curiously, I have started to read this book long before all the hype about Titanic, the movie, and I had stopped reading it in the middle. The movie made me start reading it again. As the reviews indicate, the start of the book is not that compelling, especially because the tales of the regent's life seem to contain nothing but misery, drama and sorrow. But the book really gains momentum when the lives of the other musicians start to be explored. Helped by brilliant and vivid descriptions of the characters aboard and the ship itself, the author gives us a vision of the tragedy from the viewpoint of other little tragedies, that had started long before the musicians drowned while playing at the ship's deck.

I admit that the movie did spark my interest in the book; nonetheless, this book engaged me right from the beginning. We've all heard about the musicians on the Titanic (playing until the very end, etc.) and I liked how this author imagined what these notorious musician's lives were before they sailed, and worked this idea into the basis for a novel. And unpredictably, the author did not paint pictures of the musician's lives as being glorious and richly cultural; lives whose glory and culture were only further richened by the opportunity of playing music for the wealthy on the Titanic. Instead, he painted an unexpectedly dark portrait of their lives; chronicling individual tales of despair, lost hope and opportunities. He also describes the time period in such vivid detail, that the European "sets" which serve as the background for the story come across to the reader as dismal as the musician's lives itself. Sound depressing? You bet! But despite all this, a reader can easily relate to their disappointments and actually mourn for these characters at the end. I would highly recommend this book to anyone.

Contrary to the other reviews I browsed, I did not find this book particularly exciting. And I found the ending somewhat anti-climatic.

I bought it with the hope it would be better. I told my husband not to waste his time reading it.

This is one of the few books I've ever read where when I finished the last page I turned right back to the first and started over. Lots of plot and character crammed into a slim volume. It's a thriller that's worth rereading even after you know the plot, to see what you missed along the way. Like "Blackwater," the other of Ekman's books that I've read, it's enormously evocative of the Swedish north country and a great read for that alone. Despite the uniquely Scandinavian milieu, thecharacters are universal, even if not particularly sympathetic.

A man is dead and the police are called in to investigate a small isolated Lapland community. The police have to use all their wits to sift through the information they are given from the local people and come to their conclusion. All the locals have something or someone to hide.

It is a very atmospheric novel, with the scent of the birches as glaring as the crunch of snow underfoot. Great to read snuggled up somewhere warm!

Who doesn't like IKEA? Too bad this book isn't as good as the store is. What's wrong? Certainly not the subject of the book, but rather, the writing is repetitive, monotonous, circular, and repetitive...egad...it's contagious!

Pass on THIS book and learn about IKEA and its very interesting challenges, history, strategy, and product line (and its founder) from better authors around the Internet.

If you read many of my reviews, you already know that I seldom rate a book this low. I would normally not finish such a book, and not write a review. However, I felt that this book would attract a lot of readers who, like me, wanted to learn more about the lessons of IKEA's success. What I found instead is one of the most poorly constructed case histories of an interesting company that I can imagine.

The book claims to tell the IKEA story, but really focuses on writing a biography of Ingvar Kamprad, the company's founder. As a biography, the strength of the book is in describing the family and physical environment that were early influences on Kamprad. Past about the first 30 pages, the book doesn't add much. The most interesting parts of the biography come late in the book when Kamprad's early associations with a fascist group are detailed in the context of press reports exposed in the late 1990s. These should have been fully developed early in the book, rather than treated as a later discussion of how to handle bad publicity. Most good biographies teach you something that you need to know. When I was done with this one, I didn't feel like I had learned anything. There probably were lessons there to be drawn out, but the author did not succeed in helping me find them. That meant that I knocked the book down one star.

IKEA has been an interesting international success with an unusual formula. The book assumes a great personal knowledge of that formula. Yet there are very few of the IKEA stores in most countries, so many people who will read this book will lack the experience of knowing about what is being described. Originally written for the Swedish market, that lack of handling the perspective of what the store experience is like limits the book's ability to translate its lessons. I rated the book down one more star for insufficient background early in the book on the reasons why the business works and how it works today. These are dropped in occasionally, so many of them are there by the end. You would then have to read the book a second time to really understand the relevance of the points.

Next, the book attempts to describe the company's success. A lot of time is spent on this, but the author seems to lack the perspective to pick out what is important and what is not. Kamprod is a classic experimenter. If something works well, he does a lot more of it. After a while that pattern becomes something he will not vary from. Since he was not a systemmatic experimenter, it meant that many developments were delayed. On the other hand, he always made it a place where people liked to work so he had someplace to stand on for continuity as the experiments continued. Without the necessary perspective, this is a little like reading 30 annual reports. Unless you have lots of management background, you will have trouble seeing what the important management lessons are in this book.

Basically, Kamprod is an advocate of low-priced distribution of low-cost, mass-produced goods based on high quality designs. His personal values are those of family and treating people with hospitality (like an honored guest). Having started his business from the family farm in Sweden with family and neighbors having been the first customers and employees, you can see the influences quite easily. What is unusual is that his business model developed earlier than that of other furniture merchants. It was reasonably complete by 1960. Only in the last ten years have we seen a reasonably similar store experience in the Boston area.

The best part of the book is that it contains lots of first-person stories from Kamprad. As such, this book will be a valuable source for the first person to write a good book about IKEA as a management case history. I hope that book will soon be written. There must be important insights to be gained about how IKEA developed its business model so many years ahead of others, but I could not figure out what those insights were.

In the meantime, unless you have a compulsive interest in learning more about IKEA today, skip this book.

Really, this book describes the IKEA way really good. But after reading others people reviews of this book I can understand how hard it is for non-swedes to grasp the real lessons learned in this book. It doesnt make it better that the guy that wrote this book is a quite "boring dude".
The book is well written and researched, all the facts are true and THE MAN HIMSELF Ingvar KAmprad has had a finger with in this book.
AND INGVAR KAMRAD IS IKEA. You cant separate the founder of IKEA from the company itself. Yes, Ingvar has put his soul in to this company and it is this mans thoughts and actions that has made this company to what it is.

At first glanze this book is really boring. But if you give it time, let it melt in and try to see how it was in Sweden for 50 years ago: IF you can put the book in to context you really get a complete and a invaluable picture of THE IKEA WAY.

Without sounding to cooky I just wanna say that this book is right up there with the books about Nordstroms, Jack Welch and etc.

Really, buy this book if you wanna learn lean and mean business the IKEA way. The customers rule....this is the IKEA way...

So you think Jack Welch is better? Just wanna tell you that Ingvar Kamprad made the 50 riches people in the world list!!! THATS SOMETHING!!!

The third book in the Martin Beck detective series. This one focuses on the mysterious disappearance of a Swedish tabloid journalism in Eastern Europe. Beck is called off his August family holiday to investigate, but is secretly glad to get away from his overbearing wife.

One of the weaker entries in the series. The story never really held my interest. However, I did appeciate the reverse intuition of the plot; though Beck gets involved with criminal underworld and international gun smugglers, things are ultimately much more simple than they first appear.

If this one doesn't capture your interst, keep reading; the series steadily improves from here.

congratulations on stumbling onto one of the best crime/satire series of the 20th century. If you didn't like this one, read some others, especially The Locked Room. Great writing with a moderate slant (they slam liberals and conservatives) makes this a wonderful series.