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Reading this book without a deep knowledge of the events surrounding the Watergate trials in no way dampened the overall effect of the book.
Not able to put it down, I finished it in one sitting.
When I was done I felt I had learned a tremendous amount about the Watergate trial, the key players in those trials, and especially US Law.
I whole heartedly recommend this book to any reader regardless of their background or bent for historical pieces.
The book entertains and educates at so many levels it is impossible to mention them all in such a short review.
READ IT!!!
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This is a brilliantly written and researched work that pulls together Jungian psychology, mythology and the Judeo-Christian Tradition in light of recent Scripture scholarship. Arnold's unapologetic insights about the state of the Church and his biting wit evident in the descriptions of wildman, warrior, king, healer, trickster, magician and lover makes this arguably the most thought-provoking, entertaining and controversial book on masculine spirituality. As Robery Bly remarks in the Foreword, his description of the Trickster is particularly brilliant--I would add to this the Wildman and Lover. Arnold writes with tremendous depth, clarity and conviction of the wounds of contemporary men and all the innumerable ups, downs, precipices, pitfalls and paradoxes that the "hero" will inevitable face. His Bible-based archetypes serve as an excellent map for negotiating this labyrinth.
I would especially recommend this book to young men who are looking for mentoring or spiritual direction. And although a book may not be able to replace a real flesh-and-blood person, Arnold could be considered a "protective figure" that will help guide you along. HOWEVER, I would also add that those men who have not done their inner work or who lean toward fundamentalism will likely not benefit from this challenging book.
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Roberts brings the tale to life, and shows far more insight into the actions of the Northern Army at the beginning of the Revolutionary War than you ever learned in public school. Men like Benedict Arnold who have become cardboard cutouts in glossy history books leap out at you, grab you by the shirt and drag you delightedly through the travails and untimate success of the Continental Army. Read the whole series!
I recommend all Roberts' novels. This one concerns the Battle of Valcour and related events during the revolutionary war -- told from a completely personal perspective. By the time you're done this book you'll not only understand the military maneuvers, you'll empathize with the cold toes and fatigue (and more) of the people maneuvering. A highlight of Rabble in Arms is its presentation of more about Benedict Arnold than most people know. He's not just a caricature, he's a real guy, and here is what's behind his scenes.
Buy it, read it! Excellent book.
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I don't understand why Sun Microsystems, on their website and in thier books, (and this book is no exception) do not use UML to describe their libraries and frameworks. I, for one, learn a lot about dependencies and collaborations between classes when UML is employed. In the sections that have real code examples, it would be helpful to have a snippet of UML describing the section of Jini critical to that example, for instance.
Furthermore, in the earlier sections of the book, the overview, the authors use what I call "system collaboration diagrams", even better would be when they are explaining code snippets to highlight in their system collaboration diagrams what part of the system they are showing an example of.
I guess I just found the explaination of the examples lacking. The examples themselves are excerpted, making them hard to follow. For instance, it is confusing to see an ordinary method being called (from within an excerpt) with no class or object qualified before it. Is it in the superclass? In the implementation? If in the superclass, how far up? This is especially difficult when referring to the DEM of Java, which sometimes seems counterintuitive to beginners.
My rule of thumb is one should never look at a piece of code and get "nervous" about what a symbol or method is supposed to be doing there.
That's the vision behind Jini. But that vision goes much further. Not only can hardware devices talk to one another, but also software services. In a Jini world, you won't care whether how a device works, or whether it is software or hardware based. An Internet based fax service will act as a fax, as will a hardware device. You'll just look for a fax service, without worrying how the service is implemented. Of course, someone needs to write the software that will power Jini services. That's where The Jini Specification comes in.
The book is divided into two main sections, an overview and the specification for Jini. The overview provides an easily accessible overview of what Jini is, how it works, and what it can achieve. There are also several examples of Jini services and clients, to give you some practical experience with building Jini software applications.
From there, the book dives headfirst into the actual specification. The first part of the book is good for managers, and software developers alike. The coverage of the specification, however, is designed as a reference for developers as they construct Jini software. This is where many readers could become lost, unless they are already using Jini in action. The first part of the book is a guide to Jini, the second intended only as a reference during development. Finally, a glossary of Jini terms and an essay on distributed computing is included, along with the full source code from the overview.
The Jini Specification is a must-have for anyone considering Jini development. It provides an excellent guide to Jini technology for those considering designing Jini-based systems, and a comprehensive printed reference for those who will implement them. -- David Reilly, for the Java Coffee Break
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In addition to well known poems such as "Those Winter Sundays" and "The Whipping," this anthology contains other equally stirring poems including "Aunt Jemima Of The Ocean Waves" which depicts a conversation with the fat woman from a Coney Island side-show and "Belsen, Day Of Liberation" dedicated to Rosey Pool, the Dutch teacher of Anne Frank and first translator of her famous diary.
While Hayden writes much about African-American history and culture, his poems do not tell the reader what to think or feel. Instead, his carefully crafted verse weaves images that allow the careful reader to move around in some very unusual territory, some beautiful, some uncomfortable. Hayden puts us in the mind of the oppressor in poems like "Middle Passage" about the famous Amistad incident, and "Night, Death, Mississippi" where we eavesdrop on an old Klan member too frail to attend a lynching with his son, of whom he is proud. "Be there with Boy and the rest / if I was well again. / Time was. Time was. / White robes like moonlight / In the sweetgum dark."
Hayden can also be wickedly funny. In "American Journal" written a few years before his death, his narrator is a spy from a distant planet in the galaxy who reports back to his fellow superiors about "this baffling multi people extremes and variegations their noise restlessness their almost frightening energy."
In addition to poems about childhood, society, and race, Hayden also writes about the history and central figures of his religion, the Bahá'í Faith. In "Baha' u'llah In The Garden Of Ridwan" he compares the founder of Bahá'í at an important juncture to Christ the night before being crucified w ho prayed to be relieved of his great destiny. In "Dawnbreaker" Hayden describes the torture of one early Bahá'í put to death by having candles of oil and wick lit within his skin. "Ablaze / with candles sconced / in weeping eyes / of wounds."
Despite his numerous awards, Hayden was not well known to many poetry readers until the end of his life. Fortunately, his reputation has increased since Collected Poems was published posthumously. If you are interested in rich, well crafted poetry which explores what it means to be human, try Hayden. As Aunt Jemima says in the above mentioned poem, "And that's the beauty part, I mean, ain't that the beauty part."
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I began to read this book early in 2002, when the priest sex abuse scandal was first rearing its ugly head in Boston. This was a time when many people of faith had more questions than answers. Even those who are not survivors of child sexual abuse felt hurt and betrayed by all that has happened. While this book did not give answers to the crisis, it did highlight the role of faith and belief when facing life's challenges.
I began to read this book early in 2002, when the priest sex abuse scandal was first rearing its ugly head in Boston. This was a time when many people of faith had more questions than answers. Even those who are not survivors of child sexual abuse felt hurt and betrayed by all that has happened. While this book did not give answers to the crisis, it did highlight the role of faith and belief when facing life's challenges which I found to be very helpful.
'The Turn to the Native,' while it serves as a nice overview of major themes, especially post-Colonialism and the ideologies through which Westerners always tend to view Indian literature, concerns itself largely with Gerald Vizenor and his 'Heirs of Columbus' (two out of the four 'criticism' chapters are devoted to Vizenor, and a full one of them is devoted to 'Heirs.') Krupat identifies some of the Sartrian influences (and refutations thereof) in 'Heirs,' while placing the book squarely in the larger context of postcolonial literature and literary theory as a whole.
But the main theme of the book is IDENTITY, which he fully explores in the last (and byfar the longest) chapter, 'A Nice Jewish Boy Among the Indians.' While obstinately about the role of the non-Indian reader in general (and the non-Indian critic in particular) in exploring and reading Indian literature, it really serves as a model for later criticisms of Indian work (and, I'll admit, it helped me in my own journey into this subject far more than 'traditional' criticism ever did). Told in the form of a story (what else?), it tells Krupat's story as a Jewish-American immigrant and the offspring of Holocaust survivors, who share quite a bit in common with the Indians who, in their own way, are survivors of a different kind of Holocaust. From that basis, Krupat manages to make several statements about the role of non-Indian critics (shaky at best) and non-Indian readers (sorry, you just won't 'get' all of it). As a non-Indian, it was refreshing to read, and it helped me immensely in organizing my thoughts about Indian literature and my place as a 'twinkie' in it.
Essential reading for anyone doing scholarly work in Native American or Indian literature. Makes an excellent companion piece to 'The Heirs of Columbus.'