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Although obviously a big fan of Webb's, Hayde does not gloss over the failures and personal shortcomings of this brilliant but flawed personality. For all his successes, Webb apparently lacked an ability to "bond" with people and a miserable childhood undoubtedly contributed to his "control-freak" obsessions. One cannot complete this book without feeling a certain sadness for Webb- so much success and so many wonderful people entered his life, but his perfectionism kept happiness elusively from his grasp.
A "must read" for early TV fans- Webb belongs in the company of Arthur Godfrey, Lucille Ball and Milton Berle in measuring his contribution to the medium. Michael Hayde's narration makes this a delightful book for all who have been enthralled by Webb's work.
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Thanks Mike. Waiting for more.
At the urging of her bossy cousin, Sylvia, Meg moves in to an old Pennsylvania farm house which Sylvia owns. On the surface, Meg is there to recuperate from an accident but Sylvia has also persuaded her to help restore the house so it can be donated to the local historical society. Andy, Sylvia's adult stepson, has also been enlisted to help in the restoration.
Since her accident, Meg has suffered from auditory hallucinations...but while at the farmhouse, Meg suddenly begins to experience visual hallucinations. At first, she dismisses them as the result of her accident but when it becomes clear that Andy is seeing the same "hallucinations" both Andy and Meg are forced to acknowledge the unthinkable---the house is haunted.
Barbara Michaels is an incredibly gifted writer of suspense/ghost stories. She combines the ordinary with the extraordinary---most of her heroines are skeptics which make their experiences with the supernatural even more chilling. You know that these are not the fanciful people who would see ghosts wherever they are. In fact, these are the people who will deny the ghost's existence until the last possible moment.
As an historian, I love the research Michaels puts into her books (and she makes it seem effortless!). She does an incredible job recreating the past and providing you with wonderful tidbits of historical information---all without hectoring or lecturing you!
Buy this book---but make sure that there aren't any impending power outages when you sit down to read it because you'll want to keep the lights burning for at least a week after you've read this!
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1. humans and where humanity is headed
2. what gender roles mean and how changing them changes a society profoundly
3. the past is a place that holds many charms and many restrictions
4. the consequences of our choices, and the effects that those choices have on those under us-- who amongst us is wise enough to make the decisions?
5. utopia, Resnick explored this topic in ways that I could never have predicted, and in very human ways without over-exaggeration (unlike the treatment in Candide, etc.)
I was alternately fascinated, interested, angered, amused.... At one point I was so upset that I put the book down for about two weeks because of the emtions that it aroused in me-- I can't say that about many books that I have read. I finally picked it up again and was completely satisfied by the ending. The fact that it was written as a series of separate stories was effective as well. I have used this in class (adult ESL) and it was successful.
This is a remarkable book, written with so much wisdom and insight. The dialogue and prose is sharp and controlled. Resnick presents both sides of the arguments with such clarity and humanity, it's sometimes heartbreaking. Koriba's well-intentioned but ultimately misguided crusade against change is challenged again and again, not necessarily by the "outside", but by the "inside" - the minds and hearts of his villagers. It's fascinating to see how he resolves these challenges to his authority and his hopes for the Kikuyu ... and sometimes downright scary.
The book also shows us the erroneous assumption of multiculturalism - that everything in every culture is worth saving and perpetuating. The modern myths of the Kikuyu - and indeed of many peoples on this planet - that "the West" is to blame for their condition and/or corruption (and everything "Western" should therefore be anathema) is not spared. It's tempting to carry on here about the general public's overwhelming ignorance of Africa's booming slave trade, because it's all in the same vein.
The stories show that for all our differences in time and space, people are the same everywhere - and that is the "problem" that cannot be controlled by isolation.
The reality is that every culture is always changing. The Kikuyu ways Koriba is trying to preserve are only a snapshot of a tribe that is both naturally degenerating (see "Eternity in Their Hearts", by Don Richardson) and gravitating towards "Western" ways - which, by the way, were largely exported from the Mediterranean, that is, from Israel! (See "How the Irish Saved Civilization", "The Gifts of the Jews", "Desire of the Everlasting Hills" by Thomas Cahill.) No culture is meant to live in statis, nor can it be done. Peoples and people are meant to grow, to mature. Multiculturalism can serve us by preserving, recording, or interpreting that which is worth saving; but it's self-evident (I hope) that it should stop at re-instituting human sacrifices, or some of the more subtle horrors we read of in this book. And that fact alone should make us question some of the sillier aspects of this trend.
The view that everyone is of equal worth, that freedom, accountability, and responsibility are important clues about what it means to be human. The dangers inherent in free will, and the element of curiosity sometimes recalls the Garden of Eden, but this is no Paradise. The problems of humanity, it is shown, lie squarely within.
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This most readable book was written for "everyone who aspires to have garden-fresh foodstuffs but has no yard in which to grow them". This is a detailed book about growing herbs and vegetables in containers - there is a chapter each on fruits and edible flowers too. Both writers are experienced growers and standard growing information is not only tailored to container growing, but is supplemented by the experience of two down to earth women who have been there and done that.
Sensibly organized, the book starts with planning a container garden and moves on to basic information such as the tools you'll need and the pros and cons of different types of containers. But most of the book tells you how to get the best crop from a great long list of vegetables and herbs There are chapters on growing fruit and edible flowers in containers and a decent list of mail order sources for seeds and plants.
I liked the direct, no-nonsense approach of the two writers. They have produced a thorough and thoughtful book, sensibly organized and both readable and knowledgeable.
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If you are using Visibroker 4.0 and jdk 1.2 , you may need to read the Visibroker 4.0 documentation on compatability issues before using this book.
There are also some minor typing errors.
Overall This is a great book.
I've been working with Visibroker for Java for about 3 years now. The documentation that comes with the product itself is so bad that the only way I learned anything about the product was from experimenting with it.
About six months ago, I bought this book. I learned more from reading this book than I did from years of working with the product itself. (Usually it's the opposite.)
If you working on a project using Visibroker for Java, or any ORB for that matter, you must get this book. It will save you hours of frustration and you'll have time to spare to play Unreal Tournamnent.
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