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This is NOT for someone who wants difficult hikes and/or who is already somewhat familiar with hiking at Steamboat. However, it is a great "starter" which will familiarize you to the hiking alternatives in the area.
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Obviously, Parker intends to have the two series interrelate to a degree. Vinnie Morris and Gino Fish appear in the story, although interestingly, they never interrelate with Stone. Somehow, I suspect that might change in future novels.
Like the Spenser novels, this is a fast and easy read. It's not quite as much a fun read maybe, but what the hey, it's good and satisfying light reading.
The best part about Parkers' writing style is that he doesn't add a lot of unneccesary description, and the dialogue is straight to the point. It's a thrill to read!!
Just as Jesse feels the need to lead his softball team (he once played in the minors), he must lead his police force in his quest to find the killer of the unidentified girl. Just to name a few on the force, there is Molly, with her Irish-Catholic sense of humor, a perfect combination with Jesse's dry wit. And Suitcase Simpson is only too eager to please his Chief though his experience with surveillance is nil.
As Jesse follows the trail of clues to discover the murderer's identity, his personal life is carefully revealed. His dependent relationship with his ex-wife, Jenn, is inextricably intertwined with his alcohol problem. And there is Lilly, the high school principal he is seeing seemingly to avoid loneliness.
Mr. Parker has penned another sure success, one of his best yet. The mystery is nothing short of excellent, as previously unrelated characters become suspects caught in a web that begins to unravel as their connection to each other is exposed. And Jesse is portrayed as a very real hero, a man who seems rather sure of himself to his peers and to women, but a man who battles quite a few demons in private.
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I found this book by chance at a discount book store in the mid west and truly enjoyed it for one overarching reason: few times have I read a book by an author who made one profound gift so palpable in his creation of despair driven characters. And that gift of craft is simple: Robert Stone has a beautiful way of displaying, without judgement, the near transcendental lucidity that exists in madness. At so many times you knew exactly what his characters were going to do, but you knew it the same way you knew the plot of THE GODFATHER before you popped it in the VCR for the upteenth time. It was the dance of his characters in the context of their love affair with everything damaging within the world and themselves; their multi-layered wheel-within-a-wheel dance of insanity on top of artistry on top of genius on top of lonliness on top of despair, on top of anger, on top of rage, on top of beauty, on top of addiction, and codependency, on top of modern and Hollywood society, on top of true love, ON TOP OF INSANITY... At its lowest moments, the book is a soap opera with an ending seemingly designed to be followed by commercials. At its highest moments however, the book is a spellbinding maze that I would gladly walk through again, as knowing where it begins and where it ends has no bearing on the journey on which it takes you in between.
Defintiely a good weekend summer read.
Stone's mind, his craft as a writer and a narrator, drew me into the story from the outset. In spite of the bleak, unrelenting theme, it is the writing above all-- the quality of the insights, the invention, and the prose, so economical and searing in its images -- that left me inspired.
Some memorable moments were the letter Gordon receives from his son and his interpretation of it; the scene on the mountaintop with Lee Verger -- Malcolm Lowry and Stone would have gotten along well.The scene with the doctor in Mexico, when Gordon seeks drugs, was also well depicted -- the doctor's observations of his screen world patients, etc. Irony is everywhere in this book.
The film people, the Drogues were a brilliant, seedy lot: the driven son and the father who made him looking on with "gypsy eyes, passive and watchful."
I would agree that the ending was a bit tacked on. Lee must go down, but Gordon escapes too easily -- though it happens in life. I've known some incredible human wrecks who've turned on a dime and ended up leading AA meetings, etc. Still in a novel we need more.
All in all, you are spending time with Stone the fine writer in this tale of Hollywood and the savagery of the image world: light that reveals, images that devour.
This was a great book for me.
(Damascus Gate was so different, more erudite in its approach to a very different story.)
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In my opinion the writing is simple, but I haven't found the character development "one dimensional" as some have observed. I feel that I know the characters pretty well even though they're introduced in relatively few words. For me, it makes the book that much more entertaining, and certainly less work.
This really isn't a murder mystery, but rather it's a "who's doing it" - the story unfolds before your eyes, and even when you think you know what's going to happen, you'll still find plenty of surprises along the way.
I truly recommend this book, and I already have another Jesse Stone book on order:D
This particular book pits him against a gang of five, two of which are indeed formidable, along with a woman who's formidable because of her love for one of the bad guys. The 3rd person narrative allows us to get a better picture of the bad guys and exactly what they're doing than we get in Spenser's 1st person narratives.
Jesse Stone isn't as fast with the wise cracks and snappy dialogue as Spenser is, but the two main crooks give us a lot of snappy dialogue. In fact, one restaurant conversation between Macklin and Crow could've easily been between Spenser and Hawk.
Lots to notice in the book. Jenn is going to a Cambridge shrink. Could that shrink be somebody we Spenser fans know well? A base of characters is being built up here, and I'm sure we'll see some of them in future books. Tony Marcus shows up, but notice that Stone doesn't meet him, so they're unaware of each other. A lot of readers are concerned about Sloan's drinking and his sex habits. It seems to me that he's not truly an alcoholic and is keeping his drinking under control. As far as whether he's practicing safe sex or not...well, Parker doesn't really tell us whether he's taking precautions or not.
Important thing is that this is a fun read. The short chapters are hooks though...like salted peanuts, one always needs one more. And I disagree with anyone who implies these books are quickly forgotten. I'm surprised when I come across references to the previous book as to how much I do remember.
If Parker is indeed easing Spenser out the door, Sloan may well be the more interesting of Parker's new series heroes.