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I am a Licenced Professional Counselor with a degree in psychology and a Master's degree. My grandfather was Jewish; My grandmother: Catholic.
I found myself totally engulfed in this fine work. Often times, mesmorized by Dr. Branfman's sensitivity. It felt like I was captivated within a movie theatre wathching a docudrama for days.
Dr. Branfman's deep insight into the characters psyches was impressive. His ability to paint an unbiased picture of mankind's extremes in all religious groups, and our potential for both good an evil provides us with lessons to learn and to live by. This book is a 'must read' for all students (and we are all students)particularly those interested in the dynamics of interfaith relationships. In a mere 200 pages, Surreal Eternity manages to cover love, hatred, bigotry, and open-mindedness in an eloquent manner. It has arrived at a time when our world needs and deserves more sensitivity and understanding. If this was his first novel, I can hardly wait for his next. Read it!
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a) content - the book contains the necessary basics for any game - orcs, goblins and the like. It also contains several offbeat monsters ( lammasu, giff) you could spinkle on top of your campaign if you like the sort of thing, and, finally, it contains a few useless super-powerful monsters that are there simply for the "wow factor" , such as the Tarrasque, tanar'ri, and other exotica. Of course by the time you can use those monstrosities you'll own many more volumes detailing the creatures of the multiverse. In any case, once you are past being interested in simple everyday kobolds, you should buy a different version of the manual or some of the annual compendiums.
b) format - I personally have nothing against book format. It's easier to use, it is more permanent in nature, and is much sturdier than the 3-ring binder pages, which were last released a long time ago and will never probably find their way into the mainstream again in the future.
c) usability - as far as I am concerned, the book is usable by the most of us. It could be better, but it is fine as it is, and the information is as expansive as could be published in the book's pages. Language is not too esoteric and the book by itself is fine reading.
Buy it as it is required. Move on later when you want more.
The only draw back of this book is the artwork. Most of it is quite good full color art, but I was hoping for excellence. The artwork isn't bad, but it does not live up to the excellence in the written context. That is the only reason this book receives a 4 star rating instead of a 5.
In summary, if you're a DM, get this book! If you just want read about weird and amazing ceatures, you'll enjoy this book. If you're an AD&D player who is looking to figure out how to beat the creature in your DM's latest adventure, stop trying to cheat.
Have fun and enjoy all the chaos AD&D has to offer. This book helps you do that!
One thing I would have liked would be some more actual examples of gameplay, as this would help new DMs to get the feel of the game quickly. But these can be found elsewhere to those who care to look.
Overall, a very useful book. An indispensible resource to any DM.
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Gary Stewart obviously likes African pop music and has a wide familiarity with all the records, tapes, and styles that exist, at least in his chosen areas----Sierra Leone, Ghana, Nigeria, Congo, and Tanzania. His 1992 book is a collection of 14 sketches of individual musicians, compiled by interview or general media sources. Some interviews, for example, those with Olatunji and Fela, are far more interesting and colorful than others which remain very bland and general. Several patterns emerge--the difficulty of getting started in countries where average income is low and instruments are expensive; the difficulty of breaking into the Euro-American markets and music scene. The author's own comments on African pop music or the musicians are missing, as is an organized, overall picture of pop music in West and Central Africa. (The above-mentioned trials and tribulations of being a pop musician in Africa do emerge from the text, albeit in haphazard fashion.) I suppose we must wait for Stewart's second book or turn somewhere else. BREAKOUT remains impenetrable for the average reader who does not already know quite a bit about African music. Stewart snows you under with a huge deluge of names---bands, musicians, studio owners, impresarios, etc.-as well as song and album titles, so much so that at times, the book resembles a catalogue. I discovered that I had a treasure here---when I go shopping for African CDs or tapes, I can use BREAKOUT as a guide. In this way, I would say the book is extremely useful, but to sit down and read from cover to cover, well, maybe 3 stars are enough.
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I suggest all my family members read this book. The smooth, articulate way in which Dr. Branfman manages to provide wisdom while covering many pertinent, controversial, and current topics in his short novel is fascinating. Although it is labeled as,'fiction', many situations, places, and anecdotes appear to have historical significance. The smooth transitions from past to present, and from The West Bank to New York are cinema-like. The underlying theme of Surreal Eternity is: "Do unto others as you would have them do unto you". We can all benefit from hearing this over and over.
My only criticism of Surreal Eternity is that it could have been longer. I look foreword to the movie!