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The lesser known of the two novels, "Kidnapped," tells the story of a young lad who is orphaned and sent to live with an uncle he has never seen. The uncle is a treacherous character living in a gothic setting and harboring a deep family secret soon to be revealed to the hapless orphan. A sea and land adventure follow that will keep you turning pages in this classic adventure.
"Treasure Island" is another great adventure that was beautifully rendered in the film with Wallace Beery and Jackie Cooper. As I read the novel after a recent screening of the film, I could hear Wallace Beery in Stevenson's dialogue of Long John Silver.
These novels are often considered to be children's literature because the main characters are children. However, the language makes them more appropriate for readers from adolescence to adulthood.
"Arrrgh. Avast ye maties!"
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Forget Lana Turner and Ingred Bergman, there are no women in this book. Hydes' housekeeper makes brief appearance but is of no importance to the plot. This is not a childrens book.
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This is the 2nd in the Krull and Hewitt's "Lives of ..." series. The book contains 19 chapters on 20 writers in birth order: Murasaki Shikibu (973?-1025?), Miguel de Cervantes (1547-1616), William Shakespeare (1564-1616), Jane Austen (1775-1817), Hans Christian Andersen (1805-1875), Edgar Allan Poe (1809-1849), Charles Dickens (1812-1870), Charlotte & Emily Bronte (1816-1855 & 1818-1848), Emily Dickinson (1830-1886), Louisa May Alcott (1832-1888), Mark Twain (1835-1910), Frances Hodgson Burnett (1849-1924), Robert Louis Stevenson (1850-1894), Jack London (1876-1916), Carl Sandburg (1878-1967), E. B. White (1899-1985), Zora Neale Hurston (1901?-1960), Langston Hughes (1902-1967), Isaac Bashevis Singer (1904-1991)
This is a perfect book for young adolescents and pre-teens who as they grow and mature frequently feel awkward. Krull introduces us to the idiosyncrasies of the literary. Some of the authors were loners, eccentric, a wee bit peculiar. Michael Jackson's behaviors might seem normal when held in comparison. Some retreated into themselves. Some sought out adventures. Some as adults were unsuccessful at the ordinary.
Some worked at a young age to support the family. Some took daily walks, very long daily walks. Some were not healthy and therefore wrote in bed. There were some similarities and some differences, but they all shared a singular conviction to write and write they each did well.
Hewitt's delightful portraits of the writers are precious. My favorite portrait is of Frances Hodgson Burnett of "The Secret Garden" fame. Her hat is the secret garden.
Given the high price of the book, I was surprised that Krull did not include a list of the authors' books and/or poems and the publication years. END
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The rest is more familiar, made complex by innovative structure, ambiguous narration and a startling use of imagery. this is not a simple tale of man's good and evil side; in its admission of an ungraspable, shifting, multifarious existence, shown here in character, place and language, where metamorphosis is the only rule, we can see why Nabokov considers Stevenson a master. And yet the book also works as a lean, compelling thriller, even if, like everyone, you already know the twist. Emma Letley's introduction and notes are over a decade old, and need updating.
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The Black Arrow is not a very easy read at first, but once you get into it it really flies by. It is as entertaining, exciting, and intriguing book as you will find, and I would recommend it to anyone.
Dick Shelton, a boy of sixteen, is quickly thrust into the conflict of the War of the Roses. He battles against almost any kind of evil - bloodthirsty pirates, a murderous priest, and even his own legal gaurdian - Sir Daniel Brackley. Through the whole book Dick strives to become a knight, and to rescue his true love. The Black Arrow is a sure winner for 6th graders and up.
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Here's a bit of information you other readers might enjoy: the meaning of the pirates' song--
Fifteen men on a dead man's chest Yo ho ho and a bottle of rum!
The real-life pirate, Edward Teach (Blackbeard the Pirate) once marooned 15 of his men on a small island named Dead Man's Chest. He put them ashore with no weapons, equipment or supplies--just a bottle of rum.
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This is the story of a young man overcoming adversity to gain maturity and his birthright. It moves right along, in Stevenson's beautiful prose. Read, for example, this sentence from Chapter 12: "In those days, so close on the back of the great rebellion, it was needful a man should know what he was doing when he went upon the heather." Read it out loud; it rolls along, carrying the reader back to Scotland, even a reader like me, who doesn't know all that much about Scottish history. Kidnapped is by no means inferior, and in many ways superior to the more famous Treasure Island.
Only two points I would like to bring up: I bought the Penguin Popular Classics issue, and have sort of mixed feelings. Maybe some day I'll get the version illustrated by Wyeth. I'm not sure whether this book needs illustrations, though. Stevenson's vivid writing is full of pictures.
In Chapter 4, David makes a point of saying that he found a book given by his father to his uncle on Ebenezer's fifth birthday. So? Is this supposed to show how much Ebenezer aged due to his wickedness? If anybody could explain this to me, please do.
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