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All of the stories show a total range of the emotions which would accompany the human condition into a new frontier, and make the reader feel what it might be like to be one of the pioneers of "near-space" in the next century. Some of them, notably The Weight, The War Memorial, The Death of Captain Future, and Zwarte Piet's Tale, will dazzle the reader with not only an exacting detail of near-future technologies but also with descriptions which describe to the reader the beauty, grandeur, and at the same time, danger of a newly conquered solar system. Also, in these same stories, the detail of the human condition, those traditions, mores, and values which were brought from an incubator planet (Earth) to an exciting yet dangerous new frontier, are succinctly described.
My favorites have been Asimov, Andersen, Bova, Niven and Pournelle, Crichton, Aldiss, Benford, and Haldeman. I most certainly have to add the name of Allen Steele to this list.
Agape Among the Robots is a story of robots absorbing love through example. Her Own Private Sitcom is an extension of the idea that the world is a stage. Green Acres is an alternate history of the hemp plant in this country. Missing Time is a multiverse/time travel story in which the Mayor gets to second guess his actions. Graceland is a Riverworld tale about the immortality of rock music.
Jake and the Enemy is a story of a dog protecting his turf from a robot. Warning, Warning is an explanation, of sorts, for the TV show Lost in Space. The Fine Art of Watching is a tale of the difference between surveillance and perception. A Walk Across Mars makes a case for the media not always telling everything it knows. Tom Swift and His Humongous Mechanical Dude is an indictment of current parenting techniques.
I must admit that the author's short stories often unsettle me to some extent. He does have a way to approaching things from an unexpected direction, but that is an admirable trait in any author in any genre. However, he sometimes put an extra sharp edge to his scalpel that cuts a little too deep for my taste. His short works are not very pleasant at times, but makes good points.
Recommended to Steele fans and anyone who enjoys satire with a sharp edge and a bit of refined wit.
Harriet Klausner
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One thing I liked about this is Steele's attention to detail. There are plenty of "new world/new colony" Science Fiction novels out there. Many of the ones that I have read just brush over things like building toilets. Steele often discusses the lack of these day-to-day necessities and the impact on the characters.
I could not really find one clear lead character although there are plenty of antagonists. Among those are a Colonel loyal to the old government. Deadly flying creatures called boids. The elements of the new world. The inner demons of those haunted by a past way of life. The two characters who have the biggest "parts" are Wendy and Carlos. I find the obscure reference to the trans-gendered synthesizer artist Wendy Carlos almost ironic as this is a person who explored new genres of music.
The one flaw is the change in presentation. The first several chapters are written in present tense, which I found distracting at first but easier to follow later. Then half-way through the book it switches to past tense. Generally I found this to be a pretty good read and I am glad that I was able to read it over a few days rather than over three years in various magazines.
This is a well-written novel, with great character development, good adventure, well-articulated world creation, and very human, realistic twists. One section deals with the accidental awakening of one colonist from cold-sleep/hibernation, midway through a decades-long voyage. The man must find a way to survive, and stay sane, through what he knows will be the rest of his life, living alone aboard a ship full of unconscious colonists. This section of the book is very powerful, and is worth buying the book all by itself.
I really don't understand the reaction of the previous reviewer to Allen Steele's politics. Yes, a lot of Allen Steele makes me believe he's a pro-union, 1950s, Harry Truman-style Democrat. I doubt Steele and I would agree on much, but his politics are open and clear. He makes a dig at Newt Gingrich and Jesse Helms. So what -- are we Republicans that thin-skinned? I'm not.
Secondly, the idea that this is just "Legacy of Heorot" is silly. Legacy... a brilliant book... was a story about a bad alien with stranging mating habits (something Niven himself mentions in the acknowledgments to Legacy. Coyote is a story about -people- colonizing a new world. If there are similiarities from that, it's only because Steele, like the authors of "Legacy" did his homework.
I would have loved a tad more of Steele's excellent visual descriptions --- the gas giant around which Coyote orbits is mentioned a handful of times, but I never grew tired of the descriptions.
Are his politics distracting to the story? Not at all. Is the story worth reading? Darn tooting! Does this story ring true, does it hang together, is it entertaining? Absolutely.
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This "Near Space" future of Steele's is a complex and exciting place, but the good pacing and delightful writing feeds it to us a piece at a time in a very believable fashion; I felt that I missed nothing from not having read the earlier works in this universe, although I plan to correct that misfortune soon. :)
William Alec Tucker, III's recovery from a mindlessness brought on by his resurrection through learning the intricacies of late 21st century living is more than just a device to introduce that world to the reader. It is also the vehicle for a character development that is especially exceptional for this genré. While Steele's "Near Space" is reminiscent of Niven's "Known Space" in its breadth, consistency, and believability, the journey of self-discovery that William Tucker goes through reminded me more of Pirsig's "Zen and the Art of Motorcycle Maintenance."
The technical correctness, strong coherency, and brilliant character development are joined by Steele's good command, and use, of the English language. Although not up to the lofty linguistic levels of, say, Mark Helprin's "Winter's Tale", (one of my all-time favorite examples of good writing,) the vocabulary is nonetheless rich and full of facile description. I look forward to reading something where Allen Steele is not restricted to a first-person narrative.
This is writing of rare quality, and I heartily encourage any serious science fiction reader to savor "A King of Infinite Space."
The plot: Franc Lu, a 24th century historian, is being sent back in time to view what happened on the Hindenburg: witness first hand the destruction and what caused it. But somehow, he makes some changes, causing history to diverge and a paradox to be created. A parallel storyline tells about David Zachary Murphy, a scientist working for NASA at the end of the 20th century. David came up with the (correct) theory that UFOs are really time machine. How do both these threads join together? Just barely, and not in an interesting way. Read the book if you want to find out.
To summarize: I DON'T recommend this book. There are far better time travel stories, which cover very similar ideas in a superior way. (check out Joshua Dann's books if you want a glimpse). The reason I'm not giving this book one star is because it did capture my attention for about a third of the book, I was still convinced it might turn out to be a decent one, until this hope shattered.
In a genre that has been gone over so many times it's hard not to be cliched but Steele pulls it off.
The action is fairly fast paced and the book is hard to put down. There are enough questions and bits of mystery to keep the reader tantilized.
The story shifts gears many times and with little confusion considering the topic and the numerous timelines and settings.
This is what I refer to as clasic modern science fiction. Not quite hard science but close enough and without the pitfalls so
many other stories fall prey to. The end may be a bit disapointing but not by much. Not in reference to the rest of the story. It basically all ties together something which several other stories I've read recently fail to do.
I've been a fan of Steele since his debut and have yet to be displeased with any of his work. He is a modern master of sf and I look forward to his future pieces.
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What makes alternate history hard to swallow is that one the one hand America is depicted as a nation in decline without the will to pursue objectives in space anymore - Tranquillity Base is sold to a German company - much worse than in reality: Is this meant to be the consequence of higher spending for space in the alternate history?
Another disappointment is that of the 300 page story, about 250 pages are used to depict the scenery, and only for 30 or so pages there is some action. However, the descriptive parts are most interesting and thought-provoking.
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Each story is accompanied by the authors musings on his motivations behind the story and it is precisely this that makes this an excellent read even if you've read all the stories contained herein before.