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It has been pointed out in many cases that it is difficult to give Magnus a task too difficult to accomplish, too daunting to undertake, but this one gives him a REAL challenge.
The plot is simple... Magnus' continuing goal to provide regressed colonies with the government best suited to the needs of the society present on each planet he encounters, primarily by inserting himself into said society. What he finds on this planet is a Brazil-esque bureaucracy managing every facet of society. With no open rebellion in sight, and fewer even capable of thinking of one, Magnus has no method to use short of bloody mayhem. What he actually does do is both innovative, and emotionally draining. Magnus does things which, while noble and compassionate in nature, still have him questioning his own ethics. The solution to this society's problems takes much longer to implement than in previous quests, a statement on how difficult it is, even with Magnus's considerable talents, to start a revolution where there is no conception of what revolution IS.
From the lofty viewpoint of three books later, it is easy to say that, so far, this is the BEST of the Wizard series. Magnus has to make some very difficult decisions on his own about HOW to use his abilities... Stasheff poses some difficult questions about what is the RIGHT THING to do. So... if you were slowing down on the Wizard series, this book will give you momentum to keep going onto future books.
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You have to get past some of the cutesy acronyms in the first part of the book - and some of the characters are a little 2-dimensional. However, this is an enjoyable ride and excellent for what it is. The character of Gwen, in particular, is such a treat.
I read a number of the other Warlock series, but none had the whimsy and magic of this first book. Too bad, because we need more like this. It somewhat reminds me of Heinlein in his "Glory Days" and "Starman Jones" period. Written as juvenile fiction, but fun for adult kids-at-heart.
I'm going to have to buy a new copy - mine is over 30 years old and falling apart from being read so much.
The book follows the adventures of Rod Gallowglass (nee D'Armand) and his struggle to free the planet of Gramarye (a lost world of colonists from Terra) from the clutches of a dictator.
What follows has some of the best elements of fantasy swashbuckling and futuristic hocus-pocus of any book in existence. What clinches the book for me, though, is the inclusion of my favorite Fantasy/SF topic: psychic powers!
That's right! Gramarye (whose society has reverted to a medieval setting) has it's own set of "witches" and "warlocks," each with psychic powers of varying degrees.
How Rod gains their trust and friendship, and eventualy enlists their help in his crusade to bring Democracy to the land, makes for a most interesting part of the story.
This is the first book of a rather lengthy series. I urge everyone to read it, but I offer this note of warning: if you read "The Warlock In Spite of Himself," you'll want to read *all* of the "Warlock" series... and you won't regret a second of it
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Well, OK perhaps that is a little harsh, but unless your a diehard fan of the WARLOCK series, this is not the book to judge Christopher Stasheff by. As he says in his Note to the Reader, "The author is very much aware that the events in this book are extremely unlikely, if not downright impossible..."
Now with that out of the way it IS a fun book and if you follow the series, you can tell through the foreshadowing that there will be some interesting developments in the future. Keeping this in mind, (I did!) you will find that the book is best thought of as a transitional piece to allow certain plot line to emerge.
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In "The Crusading Wizard", Matthew Mantrell becomes enmeshed in what has to be the oddest Combination Crusades. In an effort to prevent the onslaught of the Mongolian Hordes, and locate a special kind of kidnapper, Matthew must once again leave his wife's castle and wander about without a clue. A central point in this story is to introduce the plot device of Stasheff's next book "The Feline Wizard", Balkis.
It is nice to have a soceress of no small abilty help, but does Matthew have to get hit in the back of the head every thirty pages to prove how helpful she is? Could we take it for granted that he has learned something of the power of religious symbols in this world? It seems as if all those blows to the head have stupified Matthew to the point that he NEEDS the help of various Djinn, Personifications, and Pontiff's to come up with a good rhyme.
If you were wondering, this is not one of the better Wizard in Rhyme books... it is much improved over "The Haunted Wizard", and serves as a decent prelude to "The Feline Wizard", but one hopes that Stasheff is done with Balkis as a protagonist, and is willing to go back to the real struggle. Matthew is there to tip the scales when TRUE EVIL is attempting to exert itself, he IS the most powerful wizard in this world, St Moncaire chose him for that reason.
New readers should take heed, this book is not indicative of the quality of the entire series. Stick with the books PRECEDING "My Son, The Wizard". With any luck, this book serves as the background for an Evil that requires countering by someone as powerful as Matthew. Matthew certainly needs to be reminded of what he is capable of, and Stasheff needs to do the reminding soon.
Unlike some of the WIZARD AT RHYME series, this does not go much into the Catholic way. It suffers, however, from Matt having too many friends, all powerful, and all willing to pitch in and help out. I'm a fan of Stasheff and think this is one of his better series but I agree with the authors who say that it's getting old. Introducing new characters (especially Saul way back in Book 3) helps (I'm not that big on Matt's parents--they sort of remind me of the left-over lovers in a Romance Novel sequel), but I think Stasheff will want to leave Matt alone and focus on other characters altogther if he doesn't want this to become just another hero wading through evil series.