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Remarks by Reginald Bibby, Canada's leading religion pollster, in his 2002 book, Restless Gods: The Renaissance of Religion in Canada
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He became a Christian and wrote Dedication and Leadership as a guide to political skills for anti-communists, particularly Christians. After reading it, you will understand why communism endured for so long. Much of its success, Hyde shows, was due to its use of philosophically neutral techniques of communication, recruitment, training and organization.
The other reviews here are quite accurate: the book clearly demonstrates how effective Communists are at bringing in new recruits and immediately putting them to work. The value in this is that they begin to identify themselves with the movement and ask questions. Then come the study groups, which are responding to a felt need on the part of the participants.
Reading this book convicted me of my behavior and the behavior I call others to. Look at Jesus' response to people who came up and asked him if they could join him. He didn't say "Great! Bring all your stuff to be comfortable and have a great time!" He said "Drop everything in your life and follow me alone. I will ask everything of you." He wouldn't even allow someone to go to his father's funeral ("Let the dead bury their own dead.")
What is our response as Christians to new believers? So often we want to make things as easy as possible. Don't challenge them too much or they might get discouraged and fall away. Mr. Hyde gives the opposite answer: ask a great deal of new believers and you will see great fruit. Ask a little, and you deserve what you get.
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In fact, the Authors' 5 Step Framework is quite practical to apply to any type of business with any size marketing issue. The saavy Marketing Executive will be able to apply this Framework to guide them through a refined process resulting in successful execution of their projects!
My bet is that this book will result in a cult following ala G. Moore's "Crossing the Chasm" and M. Hammer's "Reengineering the Corporation"! I also think that it would benefit the college student seeking additional reading materials....because they don't teach this in Buisiness School....yet! ...Five Stars...
The book's real world examples highlight the authors' experiences, knowledge and how they arrived (step-by-step) at excellent solutions to the problems. Implementing the defined process proves its value time&time again in the book. The 5 step framework they describe is simple and should be easy to apply to small and large projects at any size company.
I am pleased that they would share this knowledge and their 5 Steps Framework in this book. I recommend "From Bricks to Clicks" for any high-level Marketing Executive and I look forward to future books or seminars by the Authors.
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Kilworth seems to be attempting to emulate Cornwell's template in presenting an unvarnished ground-level view of historical military exploits. The book is full of details on equipment, procedures, social composition of the British forces, et., plus a parade of real historical figures. However, it's not done nearly as smoothly and seamlessly as Cornwell (or George McDonald Fraser's Flashman series for that matter). Clunky prose and exposition somewhat mars the storytelling, as Fancy Jack is sent on a few secret missions behind enemy lines with a band of misfit soldiers. For example, we're told three different times that the Allied (British/French/Turkish) forces number 55,000. We're also privy to a number of scenes of high-level commanders bickering that don't have much to do with anything other than to get across the historical reading Kilworth's on the ineffectiveness of the leadership. And in case you didn't get how devastating cholera was to the army the first time it's discussed, don't worry, you'll get several more chances to absorb the information. Kilworth has apparently written a number of children's books, and often the prose reads as if it's intended for a younger audience.
But the battle scenes are plenty gory, and there are plenty of "adult themes", and a requisite love interest. All in all, it's a decent page turner, but not nearly as good as the Sharpe books. The Fancy Jack saga continues with Valley of Death, Soldiers in the Mist, and The Winter Soldiers, and perhaps in these later volumes Kilworth touch becomes more subtle.
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Authors Gary Heil, Deborah Stephens and Warren Bennis assert that the nature of work today makes McGregor's ideas more important and relevant than ever before. This book revisits in a contemporary manner the most important question facing management today: given what we know about human nature, how should work be managed so as to unleash the vast creative potential of human beings? It applies McGregor's thinking to today's business world, proving again that the human aspect of work is crucial to organisational effectiveness. It also suggests how you can change your thinking and implement his ideas in your own business and workplace.
The authors carefully outline how to put McGregor's thinking into practice in your own business so you can devise a better performance management system, form and supervise effective management teams, build cooperation instead of internal competition, cultivate an intrinsically motivating, values-driven workplace and create a cause worthy of employee commitment.
Dr. Michael Beitler
Author of "Strategic Organizational Change"
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Still, for the most part, this book is a conventional dates-and-events human history of South Florida rather than an argument for environmental protection. The environmental theme doesn't really get going until after the Civil War, well past the middle of the book, when draining the Everglades was first proposed, and it isn't until "The Eleventh Hour," the final chapter of the original edition, that the book becomes an impassioned plea for saving the wilderness. A final chapter added in 1987 brings the story into our era, continues the catalog of degradation, and makes the key point that most of the forces that threaten the Everglades flourish outside the boundaries of the National Park.
I confess that I found the historical narrative a bit dull in places, though it's hard to imagine a more colorful cast of characters than the conquistadors, pirates, hardy Native Americans, escaped slaves, adventurers, poachers, speculators and old-time politicians who all play a part in the story. Nevertheless, "River of Grass" is still the best history of South Florida, and should be on the reading list of anyone who wants something a little more substantial than the tourist guides and coffee-table fluff that dominate the shelf of books about the region.
And grand and old she was. One of the most amazing facts about her life is the way it seems to have paralleled the recent history of the Everglades itself. Consider this. The first real encroachment of the Everglades began in 1890 when settlers started draining the area around the Kissimmee river. This was just 10 years before Douglas was born. When she wrote THE EVERGLADES: RIVER OF GRASS in 1947 she was 57 years old. The book played a huge part in creating public awareness about the vital importance of the area and was the prime impetus for the creation of the Everglades National Park. Douglas was in fact there when Harry Truman officially opened the park in late 1947. She was still around to receive an honor from president Clinton in 1993. Most incredibly she lived to see the publishing of this - the Fiftieth Anniversary edition of her best known book - dying shortly after at the age of 108! One of the salient points to note about this edition is that it offers an added chapter by another writer titled "Coming Together" which highlights some of the recent progress being made in reversing the damage done to the Everglades watershed area. Progress which can trace it's origins back decades ago to the constant cajoling and inspiration of one Marjory Stoneman Douglas. Never has the saying "Life imitates Nature" been any truer.
Douglas's original book is in keeping with the times it was written in. A natural history of the Everglades with a heavy emphasis on wildlife and the local culture, written in a simple straightforward style. This "just-the-facts" approach is used when recounting the early history of the area, giving names and dates of conquerors and explorers. The writing style occasionally feels a bit dry but these moments quickly pass as we get so caught up in reading about history by someone who was themselves a bit of living history.
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Douglas and Catherine have visited me in my house here in Belgium, and they are wonderful people, indeed. I hope you can meet them one day.
You can read the preface Douglas wrote for my first book on my website, []
Jan Kersschot, author of "nobody home"
Traditionally one approaches a Master, attends to his words, and practises meditation. Then, after prolonged meditation, insight may come. But not everyone can avail themself of a Master. Some of us have to make do with texts. And meditation can take years. And we are busy and harassed modern folks. Is there a simpler, easier, faster way of arriving at insight? Amazingly, there is. If you really want to grasp what all the great Indian and Tibetan and Chinese and Japanese Masters and Sages and Rishis have been trying to convey to their disciples down through the centuries, all you need do is read this book.
Why, after these thousands of years, it should have been left to an Englishman to discover a simple mental act, an act which anyone can perform anywhere at any time and which unlocks the mystery of 'Not-Two,' I have no idea. But after spending more than twenty years puzzling my head over Eastern texts before finally discovering Harding, I can assure you that his instructions for "reversing the arrow of attention" really do work. His are the most important books I have ever read.
Attention is a bit like a compass. The act of attention which you are bringing to bear on these words as you read them is like the compass needle. Just as the needle always points North, your attention is almost always pointing here, out here. You give no thought to this. But the answer you seek is not out here.
Make Harding your Master. Let him neatly sever your head. You will quickly find that the 'Not-Two' is not a mystery any more. For by following his simple instructions you will have become it.
Moral issues, ethical concerns and spiritual matters are themes in the work of many contemporary North American writers, singers, painters and sculptors. Religious imagery and symbolism abound.
Yet how much do these themes and literary devices reflect the artists' beliefs?
This is the question posed by Douglas Todd, author of The Soul-Searcher's Guide to the Galaxy.
In Brave Souls, he questions 28 artists about their work and the philosophy and beliefs central to their lives. The eclectic group includes film director Paul Verhoeven, sculptor Bill Reid, cartoonist Lynn Johnston, Inuk singer Susan Aglukark and writer Carol Shields.
Nearly all attended worship in their youth, and a few still attend occasionally. But all are troubled by religious orthodoxy and their spiritual search is taking place outside institutional religion.
Their responses provide a range of spiritual insights that Todd groups in four sections: the atheists; the doubters; the new ancients, whose faith is rooted in organized religion, and the emerging mystics.
Some common themes emerge. Johnston speaks for several artists when she says she cannot accept Christ's divinity. "I'm starting to see other people as divine, too -- such as saints and exceptional people," she says.
Many artists echo Shields' belief in the centrality of love.
"It's your basic molecule," she comments. "Why else would we make an effort to be sort of good in the world and with one another, if it weren't for this kind of mystical connection that holds us together?"
Robertson Davies, interviewed shortly before his death, talked of his lifetime interest in the Christian heresy of Gnosticism, which led him to a belief in God's feminine aspect. Singers Susan Aglukark and Bruce Cockburn reveal they have continuing conversations with God.
Timothy Findley has felt the presence of God in the vast Arctic barrens.
Writer Laurence Gough says he experienced the presence of God while keeping a deathbed vigil. Of his stepfather's death, Gough recalls "a real sense of rustling in the air -- a sense he had risen up out of himself, of something leaving him when he died. And not just life itself. but something far more powerful than that."
Todd has skilfully culled the essence of each artist's beliefs. It all makes fascinating, and, at times, thought-provoking reading.