I had high expectations for Nancy Springer's book Rowan and many of them were met, though not all. As always Nancy Springer weaves together a great fantasy tale, but somehow Rowan just doesn't pass to me as a heroine. This book is still good and I do recommend people who enjoy fantasy to read it.
In this book Rowan Hood is Robin Hood's daughter.
Also Rowan Hoods mother dies and goes on an adventure to find her dad Robin Hood but she to be careful for the horseman!
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It should be noted that this book is action driven, although Moll Flanders still undergoes considerable character development. For example, when she begins her extremely successful career as a thief, she is doing it for survival reasons. But after a while, she is doing it for greed. It is interesting to see what causes her to change in various situations.
I highly recommend this book.
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Rad is facing a dilemna... Save his newfound friend, accused of murder, or free him and defy the laws of the tribe. To make matters worse, the animals from the forests surrounding their windswept coastal village seem to be mysteriously disappearing. With game scarce the villagers are growing hungry, and the other tribes are talking of raiding and taking what they want.
The friendship between Rad and Dannoc is very moving. Their quest to save their village and the animals has an epic quality. I recommend this novel for people who like books about heart-moving friendships. Springer writes like a dream.
Don't forget to read MindBond and Godbond, the sequels.
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Volos the "Fallen" angel comes to earth to be human but stops just short of it. He wants to enjoy all the pleasures that he has envied humans for. He creates himself in the ultimate idea of human beauty. He is sexy and decadent but also innocent and childlike in many ways. He meets good friends and bad enemies. He falls in love with a young mother with a cretain power over him. This girl was raised by a religious zealot of an evil father, who also has strange charismatic power over his followers. What I did not like about it was the way things ended up. It reminded me of many of the books that disappointed me as teen where the supernateral guy does not get his girl and the hero or heroine gives up the magic because either they, in all their unselfish wisdom, decide it is an unfair advantage to have or that the power will corrupt them,or that they must give up the magic to save the one they love. It is too much moral and not enough satifaction. I always thought that the authors were trying to teach a lesson instead of entertain me and I thought I had left that behind reading fantasy for adults.
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"Oliver Twist" is a complex story about the English welfare system for orphans, overlayed by a story of love, family, and the pursuit of each.
What is missing from this version is Dickens' long descriptions and thorough presentations of a situation. What makes Dickens great, in part, is his multi-woven characters, filled with color and excitement. Some of that is lost here.
That said, this is an excellent choice for an older child having trouble reading, or the younger, aggressive reader. The story about Oliver Twist is strong enough to endure an adaptation, but, later on, it is a thrill to read the original version.
I fully recommend "Oliver Twist" by Charles Dickens.
Anthony Trendl
Inside are some of the major characters in the realm of fiction; Fagin and his gang of child thieves, including the Artful Dodger. Nancy, the proverbial hooker with a heart of gold. Master Charles Bates (was this a pun even then?) Bad Bill Sikes, who shows the darker edge to all of this dangerous fun, and the innocent, pure Oliver Twist, who is the very definition of nature over nurture.
A great book, and one that I am glad to have finally read.
The story within Oliver Twist is very engrossing, replete with many twists, turns and surprises that are occasionally tragic but more often witty or flat out hilarious. The characters are all superbly developed, and the multiple story lines are intricately and cleverly woven together. Oliver Twist is an excellent introduction to Dickens, and patient readers will find this novel accessible. The intricate plotline does require some concentration, while some readers may be annoyed by Dickens' notoriously lengthy sentences.
This is an important book to read for it is heavily engrained in Anglo-American culture and most first-time readers will recognize many of the names (Fagin, Artful Dodger) and scenes from previous cultural references. While clearly enjoyable at the superficial level, the novel also makes a powerful statement about poverty and the power of the human spirit in the face of depravity.
Thirteen-year-old Rosemary lives with her woodwife mother Celandine (who is also part aelfe) in the forest -- until one day when the lord's horsemen ride in and burn the cottage -- and Celandine with it. Rosemary is left alone and with two options: Live in the woods and be killed eventually by the lord's men, or go to the village and be parceled off to a husband. She chooses the third option: Go off into the woods to find her father, the famed Robin Hood.
Rosemary disguises herself as a boy and heads off. Before long she encounters the mystical aelfe, a gentle giant with a gift for beautiful music, a princess running from an arrange marriage, and a wolf-dog who becomes her steadfast friend. And soon she finds that Robin Hood himself is in danger -- can she help?
Nancy Springer's use of atmosphere and mystical surroundings is as good as ever; she becomes a little less descriptive in ordinary surroundings. The actual plot is a strained idea in itself; and the product feels very bland and bloodless. It focuses less on characterization and more on the heroes dashing from one place to the next.
One of the problems is that I didn't find Rosemary particularly compelling as a heroine. Heroes like her are a dime a dozen in fantasy, and there are really no thoughts or responses from her that make her in any way interesting. The idea of a gentle giant is hardly new, but given a good twist by making him a master minstrel. The only problem arises when Springer overemphasizes his immaturity, such as whacking a knight on the head and saying "Meanie." Ettarde is the worst character in the book, who seems to think constantly about how her father tried to marry her off and who doesn't have enough pizzazz. Robin and his band are pretty cool and believable, making me wish that Springer had written a book about a woman in THEIR camp instead.
A pleasant little tale, but don't go into it with expectations that are too high.