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McCumber is former assistant managing editor of the San Francisco Examiner and founding editor and publisher of Big Sky Journal, who, at 44, decided to spend a year slaving as a cowboy on a huge cattle ranch in the high mountains of Montana.
It turned out to be a labour of love for this award-winning journalist who at the time was facing a mid-life crisis and gives the reasons for his sabbatical as: "journalistic curiosity about a lifestyle glorified to the point of religion in our culture. It was the final step of letting go, signing on as a gray-headed greenhorn, proposing to make my living out-of-doors, with my body as well as my brain."
His detailed description of the Montana cowboy's unenviable daily grind is thoroughly engrossing. In fact this book would be the perfect manual for the ignorant Dude who fancies working on a ranch: there's everything here from rousting renegade steers to the right way to build and repair fences in a snow-drift halfway up a mountain, learning new mechanical skills in the ranch's machine shop and garage, assisting with veterinary operations, and fighting brush fires.
McCumber's Montana is a harsh world where cowboys from disparate backgrounds bond while working against extremes of weather. Sadly, the cowpoke's four-legged friend - the horse - has been largely replaced by the more cost-effective small all-terrain vehicle (one driven by petrol not grass), occasional sorties in the Boss's helicopter, and Shank's Pony. By the end of the book, I felt as worn out and exhilarated as the author, whose every moment and enthusiasm for hard work I felt I'd shared.
"Many Montanans see their homeland turning from a great place to live and work," he says, "into a virtual theme park full of designer-dressed Westerners who don't understand what it really takes to make a living on the land." Who would blame them for there must be an easier way of making a living than the one vividly described in McCumber's book. After reading it I no longer dream about being a real cowboy but at last I now understand why some people still do.
But a cowboy without the comfort of a cigarette still seems a contradiction in terms.
Basically, it's all about the care and feeding of cows and this includes the baling of hay, an essential job which has its own set of challenges. There's the birthing of the calves and the cleaning of the pens. There's setting up and irrigation system, and fixing miles of fencing. Often the weather is brutal and virtually all the work is outside. There's some horseback riding, of course, but nowadays most of the work is done with various trucks and motorcycles and vans which always need mechanical work, also done by the ranch hands. Mistakes are made often and result in a tongue lashing from the owner who knows everything there is to know about ranching and wants no other way of life.
These are real people that the author meets and he writes about them all with a sense of admiration and I'm glad he also included the history of the White Sulphur Springs area, which he researched as background. The magnificent scenery comes alive, as do his aching muscles. He enjoys it all completely and made it quite real for me. I must admit though, that in spite of his detailed explanations, I didn't understand it all, especially when he described the mechanical aspects of the baling machines or the irrigation system or the fixing of the motor in a truck. However, I had no trouble at all understanding the birthing, branding and castrating process. And I was right there with him as he fixed fences and chased straggling cattle for miles.
I thank Mr. McCumber for writing this book. I learned a lot from it. Now, whenever I hear the word "cowboy", I'll think about the real work that that is his daily grind. I'll think of the harsh and beautiful country. And the simple joy of a job well done. Recommended.
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Do you need to own PSM before buying or designing a home for the California desert? Clearly the answer is NO. But if you want a virtual tour of some of the most inspired homes of the genre, PSM belongs on your coffee table. And yes, if you live in the Midwest or Northeast you would do yourself a service by putting this away in a closet somewhere during the winter.
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Rose, Lily and Ned have escaped from the rotten orphanage (their mom is dead and their father is missing), with plans to sell a valuable locket and travel to America. But they are attacked by Mack the Knife, "the most evil villain in London," who kidnaps Ned. Lily and Rose are rescued by a mysterious figure who resembles the devil. But it's not a devil, it's Spring-Heeled Jack, who perkily informs them, "I'm good. I catch villains. I avenge wrongs. I do all kinds of stuff." (But does he slice, dice, and freshen your breath while you sleep?)
Jack takes Lily and Rose to his friend Polly, unaware that the sinister boss and amoral old maid from the orphanage are after the three children, intending to steal the locket as well. Will Spring-Heeled Jack rescue the incredibly outspoken Ned from a gang of thugs? Will he rescue the girls from Mr. Killjoy and Miss Gimlet?
One of the problems with "Spring-Heeled Jack" is the narrative. It's split between comic-strip-style cartoons and regular text -- and unfortunately neither the text or the cartoons can stand alone in telling the story. This jarring transition might be exciting for very young children, especially if a parent is reading the story out loud, but older kids will probably find it jarring. And unfortunately while corny dialogue can be stomached in the cartoon format, the regular narrative just makes it sound trite.
This cutesy arrangement also harms the characters, as every one of them is essentially a stereotype except Spring-Heeled Jack himself. There are the kindly young lovers, the evil orphanage owners, the unusually patient murdering robbers, the loyal pooch and the plucky preteens. With the exception of a very witty cartoon kitchen cat, Jack himself is the only interesting character in the bunch. He's also the most underexposed, since he is present perhaps a fourth of the time that the bland Polly is.
Fans of Philip Pullman's charming "I Was A Rat!" and "Firework-Maker's Daughter" will be disappointed in this calculatedly cutesy tale. One to pass by.
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