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myself--on both counts.
Spoto is a biographer who has written numerous biographies (see the list on p. iii). At the beginning of Chapter 4 he discusses the perspective of the biographer, but the question that arises is: Why didn't he develop his ideas on this more, put them at the beginning of the book, and then use a biographer's unique perspective in his writing about Jesus? He then could have written a unique and valuable book, one using a perspective different from that of the scholar who is simply a Jesus specialist. But instead it is evident from his writing that he hurriedly put some thoughts down on paper without thinking them through carefully, and without spending much (any?) time editing his writing so that it would have coherence.
On the other hand, I'm glad that he slapped the book together. The adult discussion group at the church I attend is currently discussing his book...and the book provides an excellent basis for discussion precisely because it is so lousy!
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There are some plus sides, as already mentioned, the book is very well researched, and there are a few nuggets of interesting information. But all in all not a very interesting or pleasant book, and all I can say is that we are still waiting for the definitive Hitchcock biography.
Spoto gives us detailed accounts of the making of each of Hitchcock's major films. He really did dislike actors, calling them cattle, but he of course had a fascination with blonde actresses. The book's most poignant segment is the episode invovling Hitchcock's infatuation with Tippi Hedren (a mediocre performer at best who should have been grateful for a great man's attention and adoration), which ultimately ended in humiliation and unhappiness for both of them. Spoto is wrong, however, about MARNIE. It is one of the director's greatest movies, as moving and sad a depiction of desperation as has been committed to celluoid. It fully deserves its late revival in critical favor.
This is a clearly written, highly entertaining biography, and one of the closest glimpses we are liking to get straight from the director's chair.
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This book is not for those interested in the dirt and dish that so mistakenly is perceived as fact when writing about the Kennedys. There is none of that here. Rather, Spoto approaches his subject with a desire to understand the person by searching for the purpose and meaning she gave to her experiences, as recounted by those who knew her best. He writes in a style that is gaceful and respectful, mirroring his life as a monk, as well as the way Mrs. Kennedy-Onassis tried to live her life.
With all her wealth, opportunity, and experiences, Spoto emphasizes that her greatest accopmlishement in this extraordinary life was simply that she was a devoted and loving mother to her two children. A complex task for us all, made more difficult by having to parent under the constant glare of public curiosity.
Perhaps the most telling passage of the book, one that speaks to the truer character of JBKO, is when she was asked why she never chose to respond to the tabliods, the critics, or myriad of others who fed off her celebrity status. In other words, to just give her side of the story! Her reply was that the dirt and gossip would continue, she could not control that, but she faithfully believed that "they can never steal my soul." Therefore, no explaination, clarification or defense was necessary.
Those who admire Jacqueline Bouvier Kennedy Onassis and seek to explore the depth of her life beyond the myths, you will find this book worth reading. For those looking for something else -- keep searching.
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The book begins by seeming to attack assumptions of Christian faith; for example, he claims that there was no immaculate conception, that Mary did not know that her son was the Son of God, and that by all accounts Jesus was like any other person up until the beginning of his ministry. But later, he has no problems accepting the miracles of Jesus, saying only that because we can't disprove them, then it's good enough to believe them. This treatment seemed inconsistent, in that he's apparently willing to question certain aspects of Jesus' life but not others.
Throughout the book, the focus shifted slightly every few paragraphs, making it seem more like a peculiar devotional book than a biography. To be fair here, Spoto says up front that this book isn't intended to be a biography. If that's the case, then what exactly is it supposed to be? He doesn't say, and I can't tell either.
Some interesting questions are raised within which readers may agree or disagree with, but the writing (and therefore reading) style of the book left a poor taste in my mouth. Read Spoto's biography of Alfred Hitchcock instead.