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But, don't be surprised it it stays with you, if the characters haunt you after you close it up and shelve it away; they may all be sad, dysfunctional, maudlin hayseeds, but there's a bit of Bobby, Pamela, Lon and Becky Anne in each of us... It's the humanity of the characters-- as unexamined lives as they may be leading-- that is most appealing about this book. Whatever else they are or are are not, whatever else they may or may have not done with their lives, they're REAL and they're ALIVE. *That's* what makes this book worth finding and reading!!
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Their loves grows as they journey from her home into the safety of his. There are also many wonderful secondary characters such as Eric's brothers and Margot's best friend.
There is also enough passion but doesn't go too far for those who are squemish with steamy love scenes. Overall a sweet story. Margot is a gem and Eric a true hero.
If you like stories set during the Middle Ages with intrigue, passion and unduring love, check out The Vow.
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I will not give you a blow by blow description of all the features in this book, as it would weigh as much as the book. Let's say it covers everything you need to get off the ground or expand your existing knowledge. One usually overlooked feature that is well covered is [Connecting Using ODBC (with Microsoft Access)]. What I really want to do is tie this back to my Unix applications, as this is the only program I use that is not UNIX at this time. My best guess is that AutoCAD can not afford to keep their UNIX experts. That is no excuse for lack of information in this book. So five stars for coverage of almost everything and minus one for lack of UNIX information.
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The man CAN write, I'll admit to that. He drops ingenuous metaphors and literary references. But the stories hardly feel as a whole, just some witty tidbits tied together in a bundle.
Frankly, Spencer sets the trap for himself with his introuction, where he analyzes the state of short fiction as a playground for writers, where stories are used as prose exercises of preciousist writing, with little fun in the tale to tell. He admits by the end that some of his own stories can be held for having the same (un)qualities... but it seems they had a lot more of it than he expected.
So, this is my scorecard:
"The Entomologists at Obala" is, arguably, the most enjoyable of this stories. A minimalist reworking of Romeo and Juliet, with young lovers fighing through family feuds over exotic insect and aracnid species.
"Looking out for Eleanor" is a psychological suspense story, and the lenghtiest story in the book. That may be key to its success, for it allows the characters to develop their traits and the plot to move at a pleasurable pace.
Spencer adds three literary exercises in character description through metaphor: "The Wedding Photographer in Crisis", "Pep Talk" and "Snow". They may need to be read more than once to sink in, because they somehow feel flat.
There are also three tales I could envision featured in "Alfred Hitchcock Presents", exercises in twist ending: "Haunted by the Horror King", "The Return of Count Electric" and "Best Man". Sadly, by the time the twist came I was expecting it, and failed to shock me.
Lastly, there are "Graven Images", "A Child's Christmas in Florida" and "Daughter Doom", tales where several elements are left intentionally obscure, and which I found to be the most disappointing from the whole lot.
As I said, Spencer can write, and this book may keep you entertained as you read it. But you shouldn't be surprised if, like me, you finish it feeling nothing really happend while you were at it.
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