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James Spada is an absolutely top-notch biographer. His detailed book on Peter Lawford, a pleasant, eager-to-please, nominally talent, gentle-spirited soul, is not only historically accurate, but is historically important. Why? Because Peter Lawford, a performer of modest ability only deserving of a footnote in American film history, if any at all--was also a well-bred, well-traveled, well-liked and well-associated gentleman who easily cultivated significant relationships with significant people. He had a romance with Princess Margaret of England, and even married the sister of the a man soon to be the most beloved 20th century American president. Lawford was intimates with and loved by major players in both industry (the Fords) and Hollywood (Monroe, Garland, Taylor, Sinatra).
James Spada's gentle but non-editorializing understanding of human nature, his interest in his subject, his research, organization and writing style are among the best I've ever seen. I say that this work on Peter Lawford is, in many ways, a relevant companion and addition to an American presidential history reading list as is the assiduously-researched and reported Doris Kearns Goodwin book, "THE FITZGERALDS and THE KENNEDYS".
Many times, movie personality biographers conclude their works with a paragraph that they hope gives a hindsight summation to their subject's life. Without indulging in writer's ego, Spada allows Lawford's captivating, charmed--and ultimately, pathetic--life to speak, loud and clear--for itself. Gently, painfully, Spada leads the reader through Lawford's train-wreck of late-life, showing that Lawford's salvation was impossible for the actor...speaking out--talking about his enchanted but isolated early years; his formidable, mentally ill mother; his personal choices; the strange, dead-ending professional roadblocks--his PAIN--was something Lawford--and all sweet, lost souls--need to do to save themselves...to survive...to heal...to move on...to live. Lawford was unable to listen to his own horrific life truths, and was therefore helpless to save himself. And this is why "PETER LAWFORD--THE MAN WHO KEPT THE SECRETS" is such a poignant, true, morality tale.
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"Spada's work is a paean to male beauty, with the same appreciation seen in classical Greek art. But his compositions have an intimacy and sexuality that is lacking in most classical art. ...Spada has selected models with a great deal of charm... It is an admirable and attractive entry on his list of accomplishments, and a beautiful gift for the connoisseur of masculine beauty, from an author who is incredibly prolific."
Stephen Moser, Austin Texas Chronicle
"Black and White Men represents an unusually high level of artistic and technical quality. . . The book is unquestionably a
sensual one, but not overtly sexual. Spada handles his subjects here with the same care, diligence, respect and detail as if he were writing about them.Another aspect of Jim's photos that makes them unique among most photographers of the male image is the exquisite interplay of light and shadow. Computer scans do not do these photos justice in this regard. He uses soft, almost hazy, lighting to convey the tender and sensual side of masculinity while using bolder lighting and lines to show men's strength and power. He has been compared to a young Mapplethorpe, but I find that a more apt comparison is to George Platt Lynes, still one of the greatest photographers of the 20th century."
--Bill Brownell, max4men.com
"James Spada gives us a diverse and delectable feast of the male form in its intimate state. Make no mistake: what Spada does isn't standard beefcake -- it is instead sensitive, dramatic and strong. It is utterly male without bravado or trite machismo posturing; each portrait is candid in its view, but perfectly crafted in its art. Spada's work truly merges the intimate erotic with a classical art sensibility."
--Heather Corinna, ScarletLetters.com
"Black & White Men is a wonderful book, and an essential text for anyone who appreciates the male art form. It opens a new chapter in the professional life of one of our favorite and most enduring artists."
--Jesse Monteagudo, Bay Windows, Boston
"Spada captures the natural light as it casts shadows softly across naked bodies...which results in a nonchalant and intimate eroticism. One gets the feeling Spada is being truly honest with his portraits, which makes this collection a must-have for any photography connoisseur."
--Instinct Magazine
Thanks for reading. This book has been nominated for a Lambda Literary Award and an Independent Publishers Award as one of the best photography books of 2000. I hope you'll give it a try! ....
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It details the tumultous relationship between Judy Garland and her daughter Liza Minnelli, weaving in Garland's mother, her husbands David Rose, Vincente Minnelli and Sid Luft, details the children she had by Luft (Lorna and Joey Luft) and chronicles the star's frequent dips into obscurity.
Garland was most insecure with herself, and was not about to share the spotlight with her daughter Liza, and used every ploy in the book to keep her out of "the business" and Spada is very candid in his recounting of the times that Garland almost succeeded.
However, the love that the two shared was undeniable, and Spada is quick to notice that the good times overshadow the bad in the big picture.
Filled with beautiful pictures (all black and white), this is one book that every Garland / Minnelli fan should have.