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An obvious poke at the Hollywood self-styled 'artistic' community, Blue Movie reads more like an excerpt of Hustler's Letters than a standard novel at times. The world's premiere director, for the sake of 'art', wants to film a porn flick that isn't merely gratuitous sex within a thin plot -- like the stereotypical stag film. However, as the novel unfolds, it becomes apparent to the reader that this is futile despite these grand delusions of art - the story of their escapades mirrors a stereotypical porn movie plotline itself - this book isn't merely ABOUT filming a BLUE MOVIE, it's a self-contained BLUE MOVIE in itself!
Recommended.
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And things go really cockeyed from there. A tryst with Manuel, the Mexican gardener, in full application of her paper, leads to the hospitalization of her father, and her voyage into the wide, weird, world. It isn't that she's missing much. Her father's a stodgy conservative businessman, her aunt Livia is a vulgar hussy who uses sexual innuendos as regularly as one blinks. However, her adventures lead her into meeting people who want nothing more than to rip the wrapper off and have a bite of that... candy. Oops! Candy, I mean. Others downright hate her. The poor girl has the best of intentions and doesn't want to rock the boat for the sake of preserving her credo, and hence lets them take advantage of her without knowing that they are.
Written as it was in 1958, I can see how it shocked America and Europe. Dr. Krankeit's assertion that self-gratification is actually healthy is a message to the repressed people of the world: "This mechanism you've contrived to keep your sexual lust a secret from the world, and from you yourself, is causing you more trouble than you realize." It makes sense--keep something bottled or under pressure for too long and KA-BLAM!! Of course, involving another party complicates things, because consent is becomes issue. But is it healthy and okay to look at adult magazines, videos, or computer CD-ROMs? Heck yeah!
Southern's writing is brash, profanely funny, and will cause cause conservatives hairs to stand on end even today, but his choice of words, be they adjectives, nouns, and slang, in describing sexual things is creative to say the least. It's what keeps this book afloat. What also helps Candy is the hapless but lovable title character-face it, there's only one decent character in this book other than her--and I can't help but roll my eyes at her gullibility. But I also feel attached to my heroine too.
"Candy" was banned in the United States in the Fifties and received its first publication in Paris. Southern and Mason Hoffenburg, an American poet, admitted that they had written the book primarily to make money, since churn-'em-up pornography was what Olympia Press chef Maurice Girodias was paying for. Of course, the book became so much more than a cutesy best-seller: it was the satire of the century, throwing wide-eyed, white-skinned Miss America into a den of the great bugaboos of the time (including a Jewish doctor, a hunchback, and Daddy!). Read it till its thunderous and pulsating conclusion.
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Filmed the year after the summer of love had ended, Rider is one of the few true portraits of the cultural landscape of that turbulent era. The mellow Fonda always represents a generations quest for a simple kind of peace while Hopper, who also directed, is the fatal drive towards a futile end, always pulling away from the obvious path. They ride their custom choppers like two cowboys headed through the wild west. It's an obvious analogy but a meaningful one, their dangers were no less great as we find out. Although a notoriously frazzled production, great performances (notably Jack Nicholson), and a supurb use of some of the great rock road anthems of the day help create something fascinating, if quite dated. Of course, whether you lived the era or not, today the movie stands as a great historical representation of the mood of a country during one of America's strangest periods. Hopper's direction seems subdued by contrast to his performance (outside of a depressing and sureal trip and acid trip through Mardi Gras and a rather blunt ending) although perhaps less so considering his admitted, much longer initial cut, before leveler heads prevailed. There is an obvious fly by night amateurish quality overall but It's still a good film, maybe even great in certain ways. Cultural sign posts like this are rare. Rarer still to be made by the ones who lived it.
The big three things that make this movie special are the scenery (photographed to perfection, by Laslo Kovack) the music. Which just plain rocks and Jack Nicholson's performance. Nothing against Peter Fonda and Dennis Hopper's performance but Nicholson steals every scene he's in. This movie is also a fasinating look at the 60's counterculture. Lots of drugs, great music, killer movie. Enjoy.
Reviewer: A viewer from Minneapolis, Minnesota United States
The scenery alone is enough to send chills down your spine. Add to that the killer soundtrack and Jack Nicholson's star making (and in my opinion, his best) performance and you've got yourself one hell of a film. Easy Rider (Directed by Dennis Hopper) is the story of two hippie bikers who take a trip on their motorcycles down to the Mardi-Gras festival in New Orleans. Along the way they stopped at a hippie commune, end up in a parade, and spend the night in jail before finally making it to Mardi-Gras. Where they proceed to have themselves a good old time ...
The big three things that make this movie special are the scenery (photographed to perfection, by Laslo Kovack) the music. Which just plain rocks and Jack Nicholson's performance. Nothing against Peter Fonda and Dennis Hopper's performance but Nicholson steals every scene he's in. This movie is also a fasinating look at the 60's counterculture. Lots of ... great music, killer movie. Enjoy.
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Recipes have nutritional content on each. Take home message stressed to spa-goers at Lake Austin Spa and Resort is...portion size, portion size, portion size!
This is a delightful addition to my collection of cookbooks and one that I use often.
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This is an identification key and reference work to Southern African trees, giving per species a short description, a distribution map and one (or more) line drawings of a detail, usually a leaf (sometimes a fruit, sometimes both. Upon occasion a tree habit). Names listed include full scientific name, in some cases synonyms, always an english name and usually an afrikaans name. There are close to a thousand pages of this, supplemented with over a hundred pages of color illustrations (both photographs and colored drawings).
Compared to some of the magnificently illustrated books on trees that are now available this work looks somewhat modest. However the absence of an abundance of photographs does mean that all these trees can be captured in a single binding of a handy size and weight, at a quite affordable price. [Might be due for an update, but I sure won't volunteer to undertake it. That would be a whole lot of work! ]