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Here Weaver surveys the literature of the South from the postbellum era and shows how a variety of writers, from soldiers,journalists, and lady diarists to poets, novelists, and scholars, regarded the traditions of civility, gentility, piety, natural order and individualistic self-sufficiency the South so valiantly defended in the War Between the States. Weaver, though he expresses a discernible point of view in this matter, does not let partisanship hamper his responsibilties as an honest scholar. If he sees some logical fissure in the thinking of one of his featured writers, he notes such unflinchingly. He also permits the voices of dissent from the prevailing orthodoxy in his study, most notably those of Walter Hines Page, George Washington Cable, and Henry Grady, among others, who would, to one extent or another, qualify as Southern liberals. Yet Weaver concludes that even these apostates found much to commend and preserve in the Southern tradition and thus did not denounce it totally.
This is a fascinating study, eminently and surprisingly readable, exhaustive but never exhausting, and well worth the time and attention of anyone truly and seriously interested in the "mind of the South."
He illuminates the Southern literary renaissance better than any of the poor attempts I've read by others.
Using a vast amount of material, published and unpublished, he presents in a very well organized fashion the South's own portrait of itself, as accurately as it has ever been presented.
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The modern reader will likely be jarred by Ross' frank admiration of Southern mores and institutions, but his perceptive observations of wartime conditions remain a valuable document (augmented by interesting parallel annotations by the more famous Colonel Fremantle and others). Harwell's admirable editing of this acclaimed 1958 classic is retained in this highly readable 1997 reprint.
(The "score" rating is an ineradicable feature of the page. This reviewer does not "score' biiks.) .
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Since this is a collection of all of Ms. Welty's novels it is difficult to give a concise review. Suffice it to say that for reading pleasure you will not spend better money. The Optimist's Daughter won the Pulitzer Prize, but Losing Battles may be even better (the novel centers on all of the family stories told at a huge family reunion--great framing device for so many wonderful tales). The Robber Bridegroom is a southern fairy tale.
Eudora Welty is a giant of literature. This is a great Library of America collection. Buy it!
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Welty's skill with short stories is amazing, for she possessed a talent that combined a remarkable ear for the spoken word, meticulous observation of physical world, and the truly mysterious ability to slip almost effortlessly into the very marrow of the characters she depicts. Her comic stories are perhaps best known to the public in general, but she is equally at home with provocative and unsettling material, and although her tales are most often firmly rooted in America's deep south they have a sense of humanity that transcends the limitations of purely regional literature.
In addition to stories previously collected under the titles A CURTAIN OF GREEN, THE WIDE NET, THE GOLDEN APPLES, and THE BRIDE OF THE INNISFALLEN, this Library of America publication also includes the independently published stories "Where Is the Voice Coming From?" and "The Demonstrators," nine selected essays, and Welty's memoir ONE WRITER'S BEGINNINGS. A chronology of Welty's life up to 1996, textual notes, and general notes (including Katherine Anne Porter's introduction for A CURTAIN OF GREEN) are also included. This book (and its Library of America) companion, EUDORA WELTY: COMPLETE NOVELS) are essentials for any one who admires Welty's work and wishes to possess it in handy, collected form; those who have had limited exposure to Welty's work, however, might be better served by smaller collections.
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Eating this quality of delicious food, makes going back to mass market...mmmm disturbing. Ephiphany in delicious dining,
cogent, well paced, a five star "good read."