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A key moment in Durova's life happens during infancy. Her father, an army officer, brings his family to camp. Shocked to see his wife abusing the baby girl, he keeps Nadezhda with the regiment and orders his soldiers to raise her. Soon her favorite toy is an unloaded gun.
After her father's retirement, when Napoleon's ambitions turn to Eastern Europe, Durova needs little excuse to run away on her horse and join the army. She reaches the front just in time for the disastrous Prussian campaign. Her worried family asks friends to seek her whereabouts. Soon rumors of an amazon reach the tsar.
Durova has little praise for her own performance at the front. In a fit of exhaustion she even sleeps through a town's evacuation. Her superiors give better reports that result in a decoration from the tsar for saving the life of an officer during battle. During a direct interview Alexander I allows her to remain in the army using his name as a pseudonym. He then places her in an elite unit.
Life in the hussars is less than ideal. Unable to grow the Russian officer's expected mustache, Durova gets passed over for promotion by superiors who think she is a boy. Not everyone considers this a disadvantage-particularly the colonel's infatuated daughter. Durova's talent for amusing anecdotes shines as she describes how she extracts herself from this predicament.
Durova sees action again during the 1812 campaign. Wounded in the battle of Borodino outside Moscow, she has the good fortune to go home before Napoleon's death march retreat.
This narrative has both the freshness and the failings of journal writing. Pushkin appears to have lent some editorial assistance. Individual episodes shine but frequent interruptions disturb the flow. Readers are advised to consider that Durova is a creature of her era, occasionally exhibiting prejudices not accepted in the present age.
Although famous in her native Russia, Durova is little known to the English speaking world. Mary Fleming Zirin's translation brings an original story to a new audience. This volume reproduces the entire memoir with additional documentary evidence of Durova's military career and a well-researched introduction.
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That the wife of a nobleman, a woman who was beautiful, popular, fabulously wealthy -- the mother of eleven children -- for years lavished her attention and practically devoted her entire waking and dreaming existence to a composer whom she never met is, of course, well known.
But why she did this -- why during the thirteen years of their friendship they book took extreme measures never to meet -- why she permitted Tchaikowsky to marry another woman -- why she later gave him money to get a divorce -- why Tchaikowsky alternated between the heights of exaltation in his friendship and the deoths of self-abasement and despair -- is an enigma that has never been satisfactorily explained until now.
The letters upon which this biography is based were hidden for years in Mme. von Meck's household. At the outbreak of the Revolution in Russia they were seized by the Bolsheviki; the originals are now in the possession of the Soviet Government, which has refused to release them.
But fortunately for the musical world, translations of these letters were made by Barbara von Meck, the granddaughter of Nadejda; and Catherine Drinker Bowen, author of FREE ARTIST, has reconstructed the whole story.
It is a strangely moving story, the recounting of a romance that never came to full fruition, but which found its expression in music which has delighted the world with its tragic beauty and its lilting airs.
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